NOTE IMDb
6,7/10
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MA NOTE
Une histoire d'espionnage basée sur la planification de la sécurité nationale des années 1980.Une histoire d'espionnage basée sur la planification de la sécurité nationale des années 1980.Une histoire d'espionnage basée sur la planification de la sécurité nationale des années 1980.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 25 nominations au total
Go Youn-jung
- Jo Yoo-jeong
- (as Ko Yoon-jung)
Delilah Kujala
- Bang Joo-Kyung
- (English version)
- (voix)
Avis à la une
This action-packed film of non-stop double crossing was amazingly the work of a first-time feature film director, none other than lead actor Lee Jung-jae himself. Lee is a veteran leading man since the mid-90s, in acclaimed films like "The Affair" (1998), "Il Mare" (2000), "The Housemaid" (2010), "The Thieves" (2012), and "Along with the Gods" (2017, 2018). The hit Netflix series "Squid Game" (2021) made him a household name worldwide.
Lee was able to maneuver the complexity of this script (which he also co-wrote) like a pro. The story also went back and forth in time for both of the two lead characters to further elucidate (or maybe confuse) their relationship with other supporting characters (like Park's protectiveness for a certain college student) or their motivations for present actions (like Kim's experience as a soldier during the Gwangju massacre).
Lee also proved to be very adept in directing his major action scenes. Beginning from that fracas chasing the gunmen down in an American auditorium, the frenetic car chase and shootout in the streets of Tokyo after failing to secure a North Korean asset, and the climactic explosive showdown of assassins in a Bangkok palace. The way Lee executed the various scenes of violent interrogations and outright torture was realistically disturbing.
Lee Jung-jae and Jung Woo-sung have been very good friends since they were both cast in "City of the Rising Sun" in 1998. Therefore, even if they portrayed bitter rival KCIA operatives who hated each others guts, the two charismatic actors have a powerful screen chemistry together. It would seem that Director Lee allowed Jung to play the showier role of Kim. Lee made sure that even if both lead roles were flawed, you will empathize with both. You will keep hanging on undecided who the real good guy or bad guy was until the gripping finale.
Lee was able to maneuver the complexity of this script (which he also co-wrote) like a pro. The story also went back and forth in time for both of the two lead characters to further elucidate (or maybe confuse) their relationship with other supporting characters (like Park's protectiveness for a certain college student) or their motivations for present actions (like Kim's experience as a soldier during the Gwangju massacre).
Lee also proved to be very adept in directing his major action scenes. Beginning from that fracas chasing the gunmen down in an American auditorium, the frenetic car chase and shootout in the streets of Tokyo after failing to secure a North Korean asset, and the climactic explosive showdown of assassins in a Bangkok palace. The way Lee executed the various scenes of violent interrogations and outright torture was realistically disturbing.
Lee Jung-jae and Jung Woo-sung have been very good friends since they were both cast in "City of the Rising Sun" in 1998. Therefore, even if they portrayed bitter rival KCIA operatives who hated each others guts, the two charismatic actors have a powerful screen chemistry together. It would seem that Director Lee allowed Jung to play the showier role of Kim. Lee made sure that even if both lead roles were flawed, you will empathize with both. You will keep hanging on undecided who the real good guy or bad guy was until the gripping finale.
Wow, this was a surprise. I knew about Lee Jung-jae's directorial debut but I thought this was an average and messy effort. At least, that was what American critics made me believe. I should know better by this time.
In fact, I didn't find the story hard to follow at all. There is a dictatorship in place. Some people are fighting and want the President and the regime down. Some in the streets, some in covert operations. At the same time, North Korea wants him down for totally different reasons. On the N. Korean side, some people believe in reunification and other people only want to erase S. Korea. Americans, as usual, try to interfere and want the President down, even if at the same time they keep the diplomatic relations. This is basically what is happening and, of course, our guys have many secrets and we are always trying to find out who they really are.
I'm a big fan of political movies that work like chess games, especially when they have a big espionage component, and loved how Lee filmed some of these scenes, reminding films like Munich when this is about spies, reminding films like V. I. P or New World when this is a full action movie.
The editing is great and it's impossible to keep quiet during that incredibly final act. The acting was outstanding as expected and I'm really curious about what Lee does next. Great debut.
In fact, I didn't find the story hard to follow at all. There is a dictatorship in place. Some people are fighting and want the President and the regime down. Some in the streets, some in covert operations. At the same time, North Korea wants him down for totally different reasons. On the N. Korean side, some people believe in reunification and other people only want to erase S. Korea. Americans, as usual, try to interfere and want the President down, even if at the same time they keep the diplomatic relations. This is basically what is happening and, of course, our guys have many secrets and we are always trying to find out who they really are.
I'm a big fan of political movies that work like chess games, especially when they have a big espionage component, and loved how Lee filmed some of these scenes, reminding films like Munich when this is about spies, reminding films like V. I. P or New World when this is a full action movie.
The editing is great and it's impossible to keep quiet during that incredibly final act. The acting was outstanding as expected and I'm really curious about what Lee does next. Great debut.
Initially I find it a bit confusing and scattered as there is a huge espionage and political plot here crammed up in 2 hours. Very confusing for someone who has not much history of South Korea situation in the 1980s. I had to pause to read up before I continue with the movie. I understand the movie is fictional but based on real events. It is entertaining and full of surprises, twists, double agents, secrets but it doesn't gel properly. The acting is believable and good. Thankfully the subtitles are good too but one must read rather fast as there's lots of fast speech and action and noise. Would have scored higher if the story flow wasn't so messy.
Tensions simmer on the Korean Peninsula in 1980 as a couple of lead government agents from different divisions attempt to smoke out a mole within their ranks. With infiltrators from the North, double agents, temporary alliances, repression of dissent, controlled leaks, and brutal interrogations, nothing is what it seems. Beneath the surface of all the bloodshed, payoffs, and lies, the two men nourish hope that - deep down - their goals are the same. Neither one wishes for the gruesome violence against the Korean people to continue, but the other does not know.
This is the directorial debut for Lee Jung-jae, of Squid Game fame. He was present at this Toronto International Film Festival screening and was asked why he thinks Korean culture is so popular now. "It is our mix of sorrow and joy," he said "we do emotions well." In 1980 there was a military coup in Korea and thousands of innocent people were killed in the crossfire. Like the times, the film is tense and taut with conviction and emotion. It was hard for me to follow all the changes in tone, but I was enthralled by the action. The film first appeared at Cannes and opens to wider audiences in December.
This is the directorial debut for Lee Jung-jae, of Squid Game fame. He was present at this Toronto International Film Festival screening and was asked why he thinks Korean culture is so popular now. "It is our mix of sorrow and joy," he said "we do emotions well." In 1980 there was a military coup in Korea and thousands of innocent people were killed in the crossfire. Like the times, the film is tense and taut with conviction and emotion. It was hard for me to follow all the changes in tone, but I was enthralled by the action. The film first appeared at Cannes and opens to wider audiences in December.
I think the story line is too complicated for a 2 hour movie, may be better for a 6 episode series so that the story can develop at a slower pace and viewers have the time to process and understand. Maybe it's ok for Koreans, but for me as a foreigner with little knowledge of their history, I find it difficult to take in the whos and whys. I have many questions while watching, why he is doing this, why he is suspecting them, etc etc.
On the whole this movie is not bad for a first time director. Action scenes and acting are great. I like the 2 male leads and other supporting actors are good too.
On the whole this movie is not bad for a first time director. Action scenes and acting are great. I like the 2 male leads and other supporting actors are good too.
Le saviez-vous
- AnecdotesLee Jung-jae's directorial film debut.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 25 994 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 348 $US
- 4 déc. 2022
- Montant brut mondial
- 33 821 338 $US
- Durée
- 2h 11min(131 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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