Le surfeur d'à côté

Want an evening of lighthearted viewing ? This is your answer. Very beautiful setting, good acting including two adorable children, good chemistry all around.

This was a very lighthearted,relaxing summer romance movie for the entire family to watch, with NO violence, No filthy words, No sex, nor abundant nudity, just good clean entertainment. I would like to salute the Producer, the director, the writer, and the entire crew of the Cartel, for making a movie "these days" without all that stuff, and thanks to Hallmark ( my all time FAVORITE channel) for showing it--keep up the good work !!! The movie was filmed in Tybee Island and they did a fantastic job of spanning some of the best views of that Island, I know because we were there at the time of the filming. Almost like a quaint ole' fashioned shore (or beach) town that reminds one of the times when they were not so commercialized, with awesome and "unusual" food-eateries, and huge sandy beaches, just relaxing beautiful days and nights.

I started this movie without reading the plot or anything, I just knew it was Peter Porte (Baby Daddy) and summer.

I'm gonna be honest: the movie it's nothing out of the ordinary, typical Hallmark. But if you enjoy these type of movies, you'll definitely like this. What I liked the most was the summer vibe (it's winter where I live and I miss it) and let's say i'm a sucker for romance. I found myself grinning more than once.

The movie as a whole was good, a few details here and there that we can let go. The chemistry was good. The children were adorable. I personally believe that Lucas was very charming and Jenna wasn't that uptight, that's what moms should be like.

This is the perfect movie to watch in the evening or at night with a big glass of soda or ice cream under the fan, with the whole family.

To the person complaining about out gay men playing straight roles, this is why it's called "acting." If you're going to fuss over this, then why don't you fuss over all the straight men playing gay roles? Personally, I found Peter Porte to be very convincing in this movie.

I thoroughly enjoyed this movie!

'Love at the Shore' is the first 2017 Summer Nights film, which somehow managed to be seen after the other films in the Summer Nights block from that year. Did actually like the idea of the film and have seen the leads elsewhere and liked them, Peter Porte being the more familiar one to me. Hallmark did make some good films in 2017 (such as 'The Birthday Wish' and 'The Perfect Catch'), and overall, but that year was very hit and miss for them (when it missed it really did).

While not one of the worst of the misfires, 'Love at the Shore' could have been much better. It could have been a nice, relatable if done right film, but the character writing of the female lead significantly let the film down. The 2017 Summer Nights block in general was rather mediocre, with the only watchable effort being 'Summer in the Vineyard' in my respectful view. 'Love at the Shore' is probably somewhere in the middle of the batch, though the Summer Nights films from that year geerally are quite close together in quality.

It's not all bad. It does look lovely and is one of the better looking 2017 Summer Nights films. Especially the scenery, which is gorgeous and is every bit as prettily filmed. The music isn't exceptional, but isn't discordant and is pleasant.

Porte does decently with what he is given and is quite likeable and the kids are charming.

Righetti makes a valiant effort in her role and has some winning moments, but she can also try too hard in the more melodramatic moments. Also thought that the film went well overboard on the overblown character flaws for her character, where she came over as too disproportionately controlling (i.e. That really over the top reaction to learning of the coaching) and quite cold. There are moments of nice chemistry between her and Porte, but it could have done with more development and generally could have been warmer if it had toned down the controlling.

Most of the characters didn't connect with me other than the children, and this was a scenario where rooting for the characters was somewhat necessary to me. The script is awkward sounding and is quite trite, not much substance here despite the subject. Wouldn't have minded the big amount of predictability that the story had, from the countless story and character cliches, but it was very difficult to overlook when the story also suffered from being dully paced, not particularly realistic and at times quite thin. The direction is workmanlike at best.

Concluding, pretty mediocre but not a complete loss. 4/10.