Le surfeur d'à côté

Jenna (Amanda Righetti) is a divorced mother of eleven year old twins. She is just beginning a new career as a teen book novelist, having had one successful book. But, alas, she has been experiencing writer's block so she takes her family to a beautiful duplex on Tybee Island. As there is a summer camp for kids, her children can go swimming and hiking while she devotes her energies to meeting her publishers deadline. But, wait, wait! Next door there is a great looking single man, Lucas (Peter Porte) who, nevertheless, proves problematic. He has a carefree attitude about noise, beach parties, and his wandering dog. This stresses Jenna in a big way and she immediately erects a larger fence so the canine can't wander over to her patio. More importantly, after initial bad impressions of this man, his winning ways and handsome smile are diverting Jenna the most! But, with his not-ready-for-marriage-kids attitude, should she let herself get to know him better? Will her son become a better competitive swimmer? WILL SHE FINISH HER BOOK ON TIME? At this point, what can a romantic comedy fan say but a thousand thanks to Hallmark for continuing to provide funny, wholesome, and very romantic films for those who love the genre best. Righetti is beautiful and assertive while Porte, a dead ringer for Jim Caviezel, is a handsome, head-turning star. All of the secondary cast, sets, costumes, script and direction combine to create a film to savor and sigh over. As its brand new, do try to catch a viewing at the earliest possible moment.

I think that her acting is much worse than his, but these two have the chemisty of two stiff robots--so okay, not the feeling robots with emotions--trying to connect. This is one of the worst Hallmark movies.

It was pathetic really, and that's the crux of my view. Why say more.

Want an evening of lighthearted viewing ? This is your answer. Very beautiful setting, good acting including two adorable children, good chemistry all around.

I was agreeably surprised watching this lovely movie! The acting was far above the usual in this Hallmark production. This movie cinematography made me want to visit this shore and reminded me of my favourite holiday town by the sea when I was growing up. Couldn't change the channel, even during the commercials, which for me is way outside my normal. The chemistry between the leads was crackling. A thouroughly enjoyable movie experience on all points.

'Love at the Shore' is the first 2017 Summer Nights film, which somehow managed to be seen after the other films in the Summer Nights block from that year. Did actually like the idea of the film and have seen the leads elsewhere and liked them, Peter Porte being the more familiar one to me. Hallmark did make some good films in 2017 (such as 'The Birthday Wish' and 'The Perfect Catch'), and overall, but that year was very hit and miss for them (when it missed it really did).

While not one of the worst of the misfires, 'Love at the Shore' could have been much better. It could have been a nice, relatable if done right film, but the character writing of the female lead significantly let the film down. The 2017 Summer Nights block in general was rather mediocre, with the only watchable effort being 'Summer in the Vineyard' in my respectful view. 'Love at the Shore' is probably somewhere in the middle of the batch, though the Summer Nights films from that year geerally are quite close together in quality.

It's not all bad. It does look lovely and is one of the better looking 2017 Summer Nights films. Especially the scenery, which is gorgeous and is every bit as prettily filmed. The music isn't exceptional, but isn't discordant and is pleasant.

Porte does decently with what he is given and is quite likeable and the kids are charming.

Righetti makes a valiant effort in her role and has some winning moments, but she can also try too hard in the more melodramatic moments. Also thought that the film went well overboard on the overblown character flaws for her character, where she came over as too disproportionately controlling (i.e. That really over the top reaction to learning of the coaching) and quite cold. There are moments of nice chemistry between her and Porte, but it could have done with more development and generally could have been warmer if it had toned down the controlling.

Most of the characters didn't connect with me other than the children, and this was a scenario where rooting for the characters was somewhat necessary to me. The script is awkward sounding and is quite trite, not much substance here despite the subject. Wouldn't have minded the big amount of predictability that the story had, from the countless story and character cliches, but it was very difficult to overlook when the story also suffered from being dully paced, not particularly realistic and at times quite thin. The direction is workmanlike at best.

Concluding, pretty mediocre but not a complete loss. 4/10.