NOTE IMDb
5,7/10
46 k
MA NOTE
Un éleveur à la frontière de l'Arizona devient le défenseur d'un jeune mexicain fuyant désespérément les assassins du cartel qui l'ont poursuivi aux États-Unis.Un éleveur à la frontière de l'Arizona devient le défenseur d'un jeune mexicain fuyant désespérément les assassins du cartel qui l'ont poursuivi aux États-Unis.Un éleveur à la frontière de l'Arizona devient le défenseur d'un jeune mexicain fuyant désespérément les assassins du cartel qui l'ont poursuivi aux États-Unis.
- Réalisation
- Scénario
- Casting principal
Sean A. Rosales
- Hernando
- (as Sean Rosales)
Yediel Quiles
- Jorge
- (as Yediel O. Quiles)
Avis à la une
Liam Neeson's talent is wasted here. The story points are so predictable, with some being stupid. For someone who is alert to his surroundings (the hero lives on a border town), Liam's character never gave a thought as to how the bad guys keep ending up where they are. And to burn the cartel money while still basically on the run and the hero not having much money (he hasn't paid his mortgage for 6 months)!!?... Plain loco moves.
There's nothing new or amazing in this film but it is an okay thriller that keeps moving along, aided by Neeson's character's like-ability.
So if you want something to keep your interest and pass an hour or so in lockdown, if you don't expect too much you might like it.
So if you want something to keep your interest and pass an hour or so in lockdown, if you don't expect too much you might like it.
Jim Hanson (Liam Neeson) has a shrinking property on the American Mexican border. The bank is foreclosing on what's left of his property including the hill where he spread his late wife's ashes. Her medical treatments had drained their life savings. He often finds illegals crossing his property. One day, he comes across Rosa and her son Miguel. They're on the run from the Mexican cartel. Jim gets into a gun battle and kills one of the cartel gunmen. Rosa is killed. Eventually, Jim is on the run with Miguel. Jim's stepdaughter Sarah Pennington (Katheryn Winnick) is a border agent.
This needs a few script changes including several situations during the final confrontation. There are some bad old fashion holdouts with the ending. Jim would never lay down his gun. As soon as that happens, both him and the kid would be killed. The biggest change I would make is to get rid of the money. It muddies Jim's motivation in helping Miguel. It would also heighten the danger by taking away a resource. In addition, Jim should have used the money to buy a car. The bad guys know the car and he knows the bad guys know it after the corrupt cop. It's also shot up to heck and on its last legs. Another change is Miguel's declaration that he wants to go home. Here's the deal. The kid is written as a real smart character. He wouldn't be dumb enough to want to go home where he can expect certain death. Overall, I like this lone marine who wants to do the right thing and Liam Neeson playing it. The script for this simplistic story has a few flaws that needs cleaning up.
This needs a few script changes including several situations during the final confrontation. There are some bad old fashion holdouts with the ending. Jim would never lay down his gun. As soon as that happens, both him and the kid would be killed. The biggest change I would make is to get rid of the money. It muddies Jim's motivation in helping Miguel. It would also heighten the danger by taking away a resource. In addition, Jim should have used the money to buy a car. The bad guys know the car and he knows the bad guys know it after the corrupt cop. It's also shot up to heck and on its last legs. Another change is Miguel's declaration that he wants to go home. Here's the deal. The kid is written as a real smart character. He wouldn't be dumb enough to want to go home where he can expect certain death. Overall, I like this lone marine who wants to do the right thing and Liam Neeson playing it. The script for this simplistic story has a few flaws that needs cleaning up.
My love for Liam Neeson knows no bounds - no matter how many mediocre movies he stars in, I will always watch the next one, in hopes that maybe my expectations will be subverted and I will be treated to a good film. Unfortunately, in the last few years, Mr. Neeson has starred in a string of mediocre movies. "Taken 3" is bad beyond description, mainly due to its atrocious editing style. "Cold Pursuit" attempted to go the dark comedy route, and in my opinion, missed its mark. "Honest Thief" was painfully banal, filled with stilted acting and a noticeable lack of action. And now we have "The Marksman," another entry in the mediocre Liam Neeson movie genre.
"The Marksman" is less of an action thriller and more of a drama, and that's not inherently bad. However, the movie boasts an astounding lack of suspense and tension throughout, plodding along from scene to scene until the inevitable final confrontation - which to the film's credit, is exciting. However, before you have the pleasure of watching that, you have to sit through a long, slow, road-trip style adventure, that lacks any type of thrill. Sure, you'll find one or two intermittent "action" scenes during the course of the movie, but these scenes barely contain any worthwhile action. There is a poorly filmed fistfight that lasts about 10 seconds, as well as a mild getaway type of scenario that our hero has to escape from, and that's about it.
Because of its lack of action, the main draw of "The Marksman" is its actors, namely Liam Neeson and Jacob Perez. Liam Neeson is good with what the script has him do, and I enjoyed his character. A previous member of the Marine Corp, Liam's character, Jim, struggles with alcohol, and is unapologetically atheist, which I found interesting for a character in a mainstream film. While I was originally opposed to watching a movie with a child actor in it, because of how bad child actors usually are, Jacob Perez was, to my surprise, pretty good. He could pull off emotion when he needed to, but mostly he was likeable, and it was enjoyable to watch him and Liam interact. There was some good comedy throughout, and some interesting conversations between the two characters, but that leads me into some more negatives.
Unfortunately, for a movie that is so dialogue heavy, a lot of the dialogue was very boring. There were so many opportunities for the characters to argue or engage in a verbal battle because of their own respective beliefs and morals, but the script took the easy way out it seems, instead employing a large use of exposition. Additionally, for a movie that takes place on the road, it doesn't look very good. The cinematography and directing is very basic, almost as if this was originally a made for television film that at the last minute the studios decided to release in theatres.
When the action starts, it is exciting, specifically the battle at the end. Liam pulls off some badass moves, and he puts his rifle to work. However, at this point the movie was too little, too late, and I was so disengaged that I was more looking forward for it to end. In case it wasn't clear - I still love Liam Neeson, and I'll never stop watching his movies. However, at the end of "The Marksman," I almost found myself asking if I should even bother anymore.
"The Marksman" is less of an action thriller and more of a drama, and that's not inherently bad. However, the movie boasts an astounding lack of suspense and tension throughout, plodding along from scene to scene until the inevitable final confrontation - which to the film's credit, is exciting. However, before you have the pleasure of watching that, you have to sit through a long, slow, road-trip style adventure, that lacks any type of thrill. Sure, you'll find one or two intermittent "action" scenes during the course of the movie, but these scenes barely contain any worthwhile action. There is a poorly filmed fistfight that lasts about 10 seconds, as well as a mild getaway type of scenario that our hero has to escape from, and that's about it.
Because of its lack of action, the main draw of "The Marksman" is its actors, namely Liam Neeson and Jacob Perez. Liam Neeson is good with what the script has him do, and I enjoyed his character. A previous member of the Marine Corp, Liam's character, Jim, struggles with alcohol, and is unapologetically atheist, which I found interesting for a character in a mainstream film. While I was originally opposed to watching a movie with a child actor in it, because of how bad child actors usually are, Jacob Perez was, to my surprise, pretty good. He could pull off emotion when he needed to, but mostly he was likeable, and it was enjoyable to watch him and Liam interact. There was some good comedy throughout, and some interesting conversations between the two characters, but that leads me into some more negatives.
Unfortunately, for a movie that is so dialogue heavy, a lot of the dialogue was very boring. There were so many opportunities for the characters to argue or engage in a verbal battle because of their own respective beliefs and morals, but the script took the easy way out it seems, instead employing a large use of exposition. Additionally, for a movie that takes place on the road, it doesn't look very good. The cinematography and directing is very basic, almost as if this was originally a made for television film that at the last minute the studios decided to release in theatres.
When the action starts, it is exciting, specifically the battle at the end. Liam pulls off some badass moves, and he puts his rifle to work. However, at this point the movie was too little, too late, and I was so disengaged that I was more looking forward for it to end. In case it wasn't clear - I still love Liam Neeson, and I'll never stop watching his movies. However, at the end of "The Marksman," I almost found myself asking if I should even bother anymore.
Enjoyable but in the end, sad film. Liam has a role where he can act his age, which is a plus (no sex with hot women half his age). You care about the characters. Sure, it is a bit contrived, but you need to have a story. But it has a bittersweet ending.
Le saviez-vous
- AnecdotesThe scene where Jim and Miguel are in the hotel, both watch the classic Clint Eastwood western Pendez-les haut et court (1968). The film's director, Robert Lorenz, worked with Eastwood for many years as a producer and included this scene as a tribute to his mentor.
- GaffesThe pickup truck goes throughout the movie alternating between having bullet damage and not having bullet damage.
- ConnexionsFeatured in WhatCulture Originals: 10 Recent Movies That Blew Great Concepts (2021)
- Bandes originalesHighway Lines
Written by Jordan R. Klatt
Performed by Jack Klatt
Published by Riff City Sounds
Courtesy of Yep Roc Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Marksman?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El protector
- Lieux de tournage
- Wellington, Ohio, États-Unis(store scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 566 093 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 104 204 $US
- 17 janv. 2021
- Montant brut mondial
- 23 076 711 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant