Un jeune afro-américain parcourt les États-Unis dans les années 1950 à la recherche de son père disparu.Un jeune afro-américain parcourt les États-Unis dans les années 1950 à la recherche de son père disparu.Un jeune afro-américain parcourt les États-Unis dans les années 1950 à la recherche de son père disparu.
- Récompensé par 2 Primetime Emmys
- 27 victoires et 105 nominations au total
Parcourir les épisodes
Avis à la une
The first few episodes are decent and well written. But, it really gets tedious during the last few episodes. I stopped caring about the characters. Tic could live or die. By the end, I simply didn't care. At some point, you need more than bad white people to keep a story going. This just becomes a convoluted tiresome uninteresting mess. Jordan Peele and JJ Abrams continue to deliver average forgetable content.
I really liked the first episode, it was a great pilot. Very refreshing and I would recommend everyone to watch it. I don't know what happened after, but the show quickly after the first one because very boring and unoriginal. I think they might went too far with the racism as well. Not because of the white people, but because it makes the whole story and character actions very predictable and cliche. A part from the first one, this show was a letdown.
The biggest question I had about the show was how much of the horror themes were gonna be racial or Lovecraftian. As of episode three, the horror is fairly evenly balanced. There are a lot of scenes that focus on racial tensions and horrors that are extremely well done, and never feels like a slap-in-the-face message about racism. Rather they produce genuine tension and anxiety. As for the Lovecraftian horror themes, they are fairly sparse and scattered (nothing really happens until the end of episode one), but when they do show up, they are exquisitely well done and interesting. There are constant nods to Lovecraft, and his mythos- i.e. episode three is a love letter to "The Rats in The Walls"- and the story incorporates and weaves them in well so far, but it is only episode three. Now for why it may not be for everyone; it does have a complex story and method of delivery. A lot of information is alluded to, or glazed over so you really have to pay attention, and episode two was very confusing on the first watch and required two watches, paying close attention each time. It is not the show for you if you are looking for an easy story to digest, this one will make you think and put things together yourself. On the other hand, if you don't mind using your brain when watching this show, it's superb, especially for those who love and are familiar with Lovecraft and his mythos. The overall direction of the show is still a little unclear. It started out with a clear motive but switches up really quick. That is one thing I am still waiting to see is the overall story arc and direction. As I said though, it is only episode three of supposedly ten so far. I would highly recommend watching if anything mentioned about it sounds interesting.
The series is neither an adaptation of a Lovecraft work, nor is it based on his mythos or his life. "Lovecraft Country" is a combination of fantasy, horror, mystery, and Indiana Jones adventure, but the emphasis is not only on these aspects, but it significantly concentrates on racism in America in the 1950s. I have the impression that the authors used the "father of horror" to attract the audience to a famous name. We have "racist horror", and Lovecraft is a racist horror writer ... let's name the series after him and attract fans. At first, it may work, but those same fans will very quickly realize what is happening and will be disappointed with the series that they could have liked under some other name, which does not offer false promises.
The other thing that bothered me was the soundtrack. With good production, cinematography, and acting, they skillfully evoked the atmosphere of the fifties, and then spoiled it with inadequate music. I watch the South Side of Chicago in the fifties, but I listen to Rihanna, Manson, and hip-hop ... it doesn't work. It breaks the atmosphere and spoils the experience.
Third and most important, after a promising start, the script turned into a total mess. Had they stick to the great premises from the first couple of episodes until the end, the series could have been awesome. For some reason, they decided to overwhelm it with new subplots from episode to episode, until it turned into an overcomplicated and incomplete mishmash of everything and anything.
However, the series is technically indisputably well done, the visual aspect, atmosphere, and characters are very likable, and the story is, if you don't mind the confusing and chaotic storytelling, basically quite interesting. If you don't expect too much, it's worth a look.
7/10
The other thing that bothered me was the soundtrack. With good production, cinematography, and acting, they skillfully evoked the atmosphere of the fifties, and then spoiled it with inadequate music. I watch the South Side of Chicago in the fifties, but I listen to Rihanna, Manson, and hip-hop ... it doesn't work. It breaks the atmosphere and spoils the experience.
Third and most important, after a promising start, the script turned into a total mess. Had they stick to the great premises from the first couple of episodes until the end, the series could have been awesome. For some reason, they decided to overwhelm it with new subplots from episode to episode, until it turned into an overcomplicated and incomplete mishmash of everything and anything.
However, the series is technically indisputably well done, the visual aspect, atmosphere, and characters are very likable, and the story is, if you don't mind the confusing and chaotic storytelling, basically quite interesting. If you don't expect too much, it's worth a look.
7/10
I have not had a show relate so much to my inner nerd and suspense. This is an excellent show which gives factual Black history.
Jurnee Smollett: From "Full House" to "Lovecraft Country"
Jurnee Smollett: From "Full House" to "Lovecraft Country"
"No Small Parts" takes a look at Emmy nominee Jurnee Smollett's career, starting at the age of five in "Full House" and blossoming into a powerhouse actor in "Lovecraft Country."
Le saviez-vous
- AnecdotesJamie Chung said in an interview that she had no problem being completely naked for her first ever nude scene in episode six of the first season because physicality is so important to her character. But she joked that she still doesn't want her parents to watch. She specifically told them, "I'm so proud of my work, but please, for the love of God, just don't."
- ConnexionsFeatured in The 73rd Primetime Emmy Awards (2021)
- Bandes originalesBoogie at Midnight
Performed by Wunmi Mosaku
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant