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6,3/10
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Ajouter une intrigue dans votre langueThe story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.The story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.The story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Primetime Emmys
- 2 victoires et 9 nominations au total
Matthew Saldivar
- Mr. Grey
- (as Matt Saldivar)
- …
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My apologies to all my musical, thespian friends but I was not impressed. I'm trying to puzzle out whether it was RENT or RENT LIVE that fell flat for me. So, after giving it some thought I've concluded that RENT LIVE was a fish out of water and died in a frantic gasp when removed from the societal climate of the original. The original RENT would have been groundbreaking, centered around broke artists, straight and LBGTQ, in the midst of an AIDS epidemic, talking about L-O-O-O-V-E. RENT LIVE exists in a culture where creative rebellion is the new norm, AIDS is no longer a death sentence and being LBGTQ is no longer a novelty. I found the music of LIVE to be cacophonous and the vocal renderings to be shabby with the exception of Vanessa Hudgens and a few of the supporting cast. (Kudos to Hudgens for playing against type). This dissonance was underlined when the original cast performed as a curtain-call treat. Their tones and harmonies were just the opposite of what we had been hearing for 3 hours. They were clear, beautifully blended and spectacular (Idina Menzel and Jesse L. Martin were superb). I think the experience of being in the audience of this show in-the-round might have been more stirring than sitting on front of a TV. The rare moments, that did work for me, were the more intimate moments (like Light My Candle) but I felt they were soon flattened by the speeding freight train of chaos around them. Just a note about it's origin, the musical pulls from Puccini's La Bohème and Jonathan Larson's own life in Soho at the beginning of his writing career. Regretfully, I give RENT LIVE a 5 (a bit of a mess) out of 10. {Musical Theatre for TV}
So sad Jonathan Larson isn't around to give his input into the productions that followed his magnificent Broadway premiere but I think he still would be humbled to know that his play continues to resonate with so many people over 20 years later.
Overall, not bad being mostly the taped dress rehearsal. Sets were a bit of a jumble but the acting and singing decent enough to keep our interest until that final tearjerking live reunion with the original Broadway cast which really made this memorable.
What do you get when you take Rent and put it on TV during prime time?
All the actors had their volumes cut. Many of them seemed to be out of their range.
Where Rent thrived on grit, this performance strove for pocket lint.
The last three minutes with the original cast was not enough to save this. I'm sad, now.
These TV musicals are always a little sketchy. I'm not a "Renthead" so I don't have much to go on. I saw the Broadway traveling company a few years ago and was quite captivated. Here, I felt the pacing was a bit slow. It is performed on an enormous stage, with the audience sitting in rectangular cells. This is a really touching story of the AIDS epidemic. It is about a sort of artists colony in a rental building. Many of the people there are HIV positive at a time when most would die from it. Others are drug users. Some are gay. They are all trying to survive. It is mixture of the angst that such a society would deal with, watching their young friends die off or lose their dreams. There is a nice moment at the end.
Le saviez-vous
- AnecdotesMajority of the event was in fact not live. Due to an injury of one of the leads from the last dress rehearsal the night before, everything except for the last song was from a recorded rehearsal.
- ConnexionsReferenced in Jeopardy!: Épisode #35.149 (2019)
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