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6,9/10
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MA NOTE
Un journaliste gallois annonce dans les médias occidentaux la famine qui a frappé l'Union soviétique au début des années 1930.Un journaliste gallois annonce dans les médias occidentaux la famine qui a frappé l'Union soviétique au début des années 1930.Un journaliste gallois annonce dans les médias occidentaux la famine qui a frappé l'Union soviétique au début des années 1930.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 14 nominations au total
Olena Leonenko
- Hotel receptionist
- (as Olena Leonenko-Glowacka)
Avis à la une
This story is very engaging. The scenes of famine do etch onto the viewers' brains. I feel very sad for the fate of a righteous whistleblower.
... innocent comrades, as a result of tyrannical, incompetent and blinkered beliefs, in a system that still exists today bizarrely in some parts of the world. The famine of 1930s Russia and the man who bravely revealed those secrets presented in a down to earth and informative way with minimal poetic licence.
The Allies had to Eat a Lot of Crow while Looking the Other Way and Knowingly Suppress the Willful Starvation of Millions by Stalin.
A Sociopathic Dictator that was as Evil as Anything Humanity had to Endure.
To Win the Fight Against the Nazis and Japan for World Dominance, it was Decided to Allow Stalin to do What Stalin Did Without Interference.
This is the Story of a Naive but Brave Journalist, Gareth Jones, who Ended-Up Paying the Ultimate Price for being a Truth-Teller.
And His Uncovering First-Hand the Deliberate Starvation of Millions in and around Ukraine in the Soviet Union.
He Tries to Get Someone, Anyone to Believe what He has Seen to get the World to Oppose such Mass Murder.
Politics, Greed, and Self-Preservation were Opposing His Every Effort and the Movie Tells His Story in a Personal and Compelling Montage of Boardrooms, Trains, and Captivity.
The Enormous Human Toll is so Devastating and Horrendous, the Story-Telling can Never Really Capture the Heart-Breaking Suffering of the Population.
But it has to be Attempted Now and Then to Remind the World of the Evil Around Us and to Shed Light on the Darkest Deeds Done Right Before Our Eyes and the Consequences of Doing Nothing.
The Film is Captivating, Consuming, and Frustrating with an All-Too-Real-Feel that Brings the Story Home for Us to See a Relatively Unknown Event and is only so, because We Let it Be Unknown.
Sadly, Almost a Century After it Should Have Been Known.
A Sociopathic Dictator that was as Evil as Anything Humanity had to Endure.
To Win the Fight Against the Nazis and Japan for World Dominance, it was Decided to Allow Stalin to do What Stalin Did Without Interference.
This is the Story of a Naive but Brave Journalist, Gareth Jones, who Ended-Up Paying the Ultimate Price for being a Truth-Teller.
And His Uncovering First-Hand the Deliberate Starvation of Millions in and around Ukraine in the Soviet Union.
He Tries to Get Someone, Anyone to Believe what He has Seen to get the World to Oppose such Mass Murder.
Politics, Greed, and Self-Preservation were Opposing His Every Effort and the Movie Tells His Story in a Personal and Compelling Montage of Boardrooms, Trains, and Captivity.
The Enormous Human Toll is so Devastating and Horrendous, the Story-Telling can Never Really Capture the Heart-Breaking Suffering of the Population.
But it has to be Attempted Now and Then to Remind the World of the Evil Around Us and to Shed Light on the Darkest Deeds Done Right Before Our Eyes and the Consequences of Doing Nothing.
The Film is Captivating, Consuming, and Frustrating with an All-Too-Real-Feel that Brings the Story Home for Us to See a Relatively Unknown Event and is only so, because We Let it Be Unknown.
Sadly, Almost a Century After it Should Have Been Known.
Sometimes cinema can bring history alive and little known facts and personalities can be highlighted or rediscovered, and so it is here. Gareth Jones was a diplomat and journalist who wrote about the terrible famine in the Ukraine during the early 1930s which the Soviet's, and many others, we're trying to hide at the time. It's a sober but fascinating insight into a almost forgotten episode, and is very skilfully done with a fine central performance by Edward Norton as Jones and well staged scenes of his tense visits to the USSR and his gradual discovery of the regimes corruption and lies. Tightly scripted and directed, this is one worth discovering.
I'm very glad I stuck this one out.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
It is a little slow at the beginning, but the moral clarity of this film really stands out. This is a true story that needs to be heard. It's a story of an undercover freelance journalist who was a great hero, though many people don't know his name. It's a story of how the New York Times and the other intellectual elites in the 1930s defended one of the most evil regimes in history. It's a story of the naivety of so many well-meaning people. It's a story of the unspeakable evil of communism. These are stories you won't usually hear from Hollywood, but someone had the balls to make this.
The only negatives of this film are some obvious lacking in production value at times. But this is made up by surprisingly terrific acting and some extraordinarily effective scenes portraying the great evils of communism.
Le saviez-vous
- AnecdotesOn the April 1st, 2022 installment of "The Lawfare" podcast, screenwriter Andrea Chalupa reports how during the course of filming "Mr. Jones", they reached out to the New York Times for permission to quote directly from Walter Duranty's article that denied a famine had taken place in Ukraine, but the Times refused to grant permission.
- GaffesAfter the main character returns to Britain, he meets George Orwell in a restaurant. In this scene, at the very beginning, a modern cash register is visible, with a flat LCD monitor.
- Citations
George Orwell: [Shaking hands with Gareth Jones] Eric Blair.
Gareth Jones: Gareth Jones
Leonard Moore: But you won't find Eric Blair on the bookshelves. You'll have to look for Orwell, George Orwell, after the river.
- Crédits fous"With special thanks and in loving memory of Dr. Margaret Siriol Colley, the niece of Gareth Jones and Nigel Colley, his great-nephew for their tireless research and tending to his legacy.
Thanks to the estate of the late Sonia Brownell Orwell for the use of quotations from Animal Farm by George Orwell."
- Versions alternativesThere are two versions available. Runtimes are: "1h 59m (119 min) (United States theatrical)" and "2h 21m (141 min) (festival)".
- ConnexionsFeatured in Sunday AM: Épisode datant du 9 février 2020 (2020)
- Bandes originalesChoo-Choo
Music by Matty Malneck (as Matt Malneck) and Frank Trumbauer
Arranged by Marcin Masecki
Performed by Marcin Masecki (piano), Jerzy Rogiewicz (drums), Jan Emil Mlynarski (banjola, vocal)
Meilleurs choix
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Détails
Box-office
- Budget
- 10 000 000 € (estimé)
- Montant brut mondial
- 2 855 316 $US
- Durée
- 2h 21min(141 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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