The Captain - l'usurpateur

Der Hauptmann was a fascinating watch. Watching, the young paratrooper Wili Herold get in over his head and essentially begin BSing his way to the top was as an entertaining watch for me as it was disturbing.

Though the film is incredible in its presentation and acting, it still has its flaws. Upon finishing the film packed full of war crimes and human disparity, I left it feeling like I had taken nothing from it after its shocking scenes. The Captain has essentially no moral or messages to showcase beyond just telling a story of a power-hungry monster and the overtones of Nazi cruelty. It didn't feel like there was any methodology to the madness. If thats what people are looking for when watching this movie then by all means. However for me, I feel like there are plenty more substantial films that do what The Captain sets out to and better, with some greater substance.

The film revolves around authority, the trust we tend to have towards a person we endow with authority, official ranks, hierarchy, "Kameradschaft", the sense of belonging to a group, and (for me at least), egoism in general. It is also quite brutal and sadistic. The story itself, with the most improbable twists, is taken from a real life story at the end of the war. It is rare in war films to have the perspective of the criminal. We do not sympathise with him, but rather he impersonates the beast in every one of us. Another merit of the film is quite natural: German actors can of course impersonate German soldiers better than for example US ones, it also gives a realistic touch to the film as opposed to US war movies featuring evil nazis. The message of the film was for me clear and delivered with a great impression - I will not write it here as it would be flat in my words.

To me, it reminds Medieval stories about an accident changing everything. The man, the world as the best self definition. A film about fear. Its roots, its fruits, the absolute power covering all and the fragility of illegim position as source of cruel gestures and long chain of improvisations. The best point of film - the superb performance of Milan Peschel as Freytag. The simplicity of profound good man front to the high cruelty, knowing the truth, preserving respect, in the shell of a deep shock behind the gestures of young Herold. All is reflected by the great art of Peschel. The war becomes only pretext for the instincts of a falling world. The beautiful cinematography, the memories about similarities with films by Fellini or B>ergman, the veil of ash around each scene, the last words on screen about a private and his illusion of power , the predictable end of a story who is more real than reality .

Germany, April 1945. WW2 in Europe is almost over, resulting in mass desertions and disorder in German ranks. One deserter, Willi Herold, is on the run when he comes across the abandoned uniform of a Luftwaffe captain. Impersonating a captain he gathers together a rag tag group who assume the role of an anti-deserter/looter task force. Things come to a head when he is given responsibility for a camp where deserters, looters etc are detained, with dire consequences.

Interesting WW2 drama, based on a true story. Quite novel in that it doesn't involve any confrontation with the enemy (well, except for one scene): the struggle is all internal. Also covers areas of WW2 that don't get much attention: the post-apocalyptic-like final days of Nazi Germany, the treatment of deserters etc and this series of events in particular.

Plot is reasonably engaging, though a bit too drawn out. It could also have been more powerful: despite the events portrayed it really didn't feel that gritty or shocking. Everything just seems to happen, sometimes as if in slow motion. Maybe that's the effectiveness of the film: by the time you reach the critical moments you've become desensitised to all the killing, anarchy and atrocities. Still, it felt a bit flat to me.

Great performance by Max Hubacher in the lead role. Solid supporting cast.

Worth watching for a different angle on WW2. Not a must-see though.

You can compare this WWO2 movie with the style of Dunkirk. That means that the movie is not for everyone, but if you can appreciate this kind of movies, it's magnificent. The movie doesn't want to be a hollywood blazing brainless action movie, but wants to portrait the germans on an individual level. Like @barta-46978 says, the movie is about authority and gives yourself an insight in what it must have been at the time, and even how you would react in the given circumstances. The movie is explicit and kind of shocking. It really intrigued me, we need more movies like this.