The Captain - l'usurpateur

It's beautifully lit and shot movie. Greatly edited. Boldly directed. Yet somehow empty. Brings to my mind great "Ravenous" by Katherine Bigelow - the same, bit weird, grotesque, satirical tone of the story, the same kind of director's interest in evil within any of us. But - from staging and casting, trough costumes, props, locations, acting, cinematography, to editing, and the role of music and color - "The Captain" is much much much better, more consistent and more determined in terms of aesthetics than Bigelow's vision. And, in the same time, much much much more misleading in terms of its identity. You really can't tell WHAT kind of movie this is exactly - a bit thriller, a bit war cinema, a bit western, a bit drama, a bit dark comedy, a bit fairy-tale, a bit noir, even a bit horror and poetry.... It's refreshing to see WWII topic being treated with such a nonchalant attitude (Tarantino does not count - he is just a separate ligue of his own, and his aims with "Glorious Bestards" are just completely different in my opinion), but on the other hand "The Captain" seems bit immature, bit comic-like, bit 'form-over-substance' kind of thing. But... on the other hand again - the grotesque immaturity of depiction corresponds with grotesque immaturity of the very young main character who's real-life doings were the core of the story. On the other hand though... end credits add another layer of interpretation to the mix. And so on, and so on.

Very thought provoking movie - if you like to think about cinema's language and purpose, or the reasons behind every evil (or even about a role of ego in those two areas respectively). Not so much if you want to explore REAL dilemmas and REAL tragedies of WWII - here, those are SURREAL rather.

Summing up - definitely worth watching, as a somehow different approach to an already very well covered subject.

The film revolves around authority, the trust we tend to have towards a person we endow with authority, official ranks, hierarchy, "Kameradschaft", the sense of belonging to a group, and (for me at least), egoism in general. It is also quite brutal and sadistic. The story itself, with the most improbable twists, is taken from a real life story at the end of the war. It is rare in war films to have the perspective of the criminal. We do not sympathise with him, but rather he impersonates the beast in every one of us. Another merit of the film is quite natural: German actors can of course impersonate German soldiers better than for example US ones, it also gives a realistic touch to the film as opposed to US war movies featuring evil nazis. The message of the film was for me clear and delivered with a great impression - I will not write it here as it would be flat in my words.

This is a surprising movie. Th is poorly advertised/promoted movie delivers good script, acting and the camera work is A1. The movie is based on a true story of a low ranking German soldier who assumes the rank of a Captain and goes on a murderous rampage enlisting similar rogues to help him achieve it. While the actual historic criminal acts of murder are depicted in the movie, the graphic nature of it is not really thrown in your face. You can fill in the blanks. In authenticity, this movie is way up there. Uniforms, weapons and vehicles are all in line with the era.

When you see artillery and aerial bomb explosions in this movie, what is depicted is the same as actual artillery and aerial bombing of that time. They did a fine job replicating it..

The movie draws you in and it is gripping to say the least. I give it a solid 8 stars.

To me, it reminds Medieval stories about an accident changing everything. The man, the world as the best self definition. A film about fear. Its roots, its fruits, the absolute power covering all and the fragility of illegim position as source of cruel gestures and long chain of improvisations. The best point of film - the superb performance of Milan Peschel as Freytag. The simplicity of profound good man front to the high cruelty, knowing the truth, preserving respect, in the shell of a deep shock behind the gestures of young Herold. All is reflected by the great art of Peschel. The war becomes only pretext for the instincts of a falling world. The beautiful cinematography, the memories about similarities with films by Fellini or B>ergman, the veil of ash around each scene, the last words on screen about a private and his illusion of power , the predictable end of a story who is more real than reality .

You can compare this WWO2 movie with the style of Dunkirk. That means that the movie is not for everyone, but if you can appreciate this kind of movies, it's magnificent. The movie doesn't want to be a hollywood blazing brainless action movie, but wants to portrait the germans on an individual level. Like @barta-46978 says, the movie is about authority and gives yourself an insight in what it must have been at the time, and even how you would react in the given circumstances. The movie is explicit and kind of shocking. It really intrigued me, we need more movies like this.