Dogman

"Dogman" brings the story of Marcello. As the movie opens, we see Marcello groom a dog in his shop, which is called Dogman. We get to know Marcello, who sells some drugs on the side to make ends meet, and who more than anything care much for his daughter whom he sees occasionally. Among his friends (?) is Simon, a former boxer who terrorizes the neighborhood. Simon "convinces" Marcello to participate in a jewel heist, but when things go wrong, Marcello is picked up by the cops. Marcello refuses to rat out Simon and is sentenced to one year in jail... What will happen when Marcello is released a year later? To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from Matteo Garrone, who previously brought us the excellent mafia drama "Gomorrah". Here he delves into the lives of small crimes, and along the way examines the human condition. Due to the plot-heavy nature of the film, I can't go into much more details, sorry, just take my word for it that this is an intense but very rewarding movie experience. Marcello Fonte is outstanding in the lead role. The photography is excellent as well (the movie was shot in Castel Volturno, just north of Napoli).

"Dogman" premiered at this year's Cannes film festival, to immediate acclaim. Fonte won the Best Actor award. I happen to catch this movie during a recent family visit to Belgium. The early evening screening where I saw this at in Antwerp, Belgium was attended okay (about 15 people). I have no idea if this will reach US theaters, but imagine that if not else, this will be available on VOD and other platforms. If you are interested in a top notch foreign movie about the human conditions, I readily suggest you check this out when you can, and draw your own conclusion.

The desolate beach resort and shady characters, familiar from Gomorrah, plays back drop to the dog man, Marcello, of the title. He is played by the superb Marcello Fonte, who he is directed well in this tale of morality and dog grooming amongst the immoral.

This is not a story of co-dependence; it is a modern story of paths that cross but never synchronise. While Marcello seems to play the inferior to a bully, we learn very quickly that Marcello is not a schlemiel, but I'm wondering if some reviewers missed this. He is the little guy, but in a milieu where the little guy has a valid place.

Problems with the film appear in two areas; Fonte is simply a much better actor than those around him, and the canvas for this film starts to look too small, very quickly. We are given strange bits of wonderful cinematography, before returning to the squalid world of the dog man. This neither serves to make the film seem kooky, or more realistic. Unlike Gomorrah that held an unrelenting documentary eye, this looks like at times a tentative Trainspotting.

There is something good going on here, but it doesn't quite make it's way into a fully fledged film. It engages strongly in parts, but just like the ending, doesn't focus on one thing or the other.

At first, "Dogman" tricks you into thinking it is just the usual parable of the oppressor and the oppressed, but as the story progresses, it reveals itself as an equally brutal, ambiguous and fascinating reflection on human instincts and drives. In the end, is it the story of a man who failed to tame the beast? Or is it the story of a beast who kept being loyal to the wrong man until he was inevitably forced to respond to his instincts and finally bite back?

This movie is a portrait of the consequences of making bad decisions in your life despite the fact that you are very lucky.

It is a film with a difficult plot to capture, it is more complex than it is believed. The film very well exposes the main character's reasons that lead him to act that way, it states that sometimes we do not realize what we have and that we do not value it enough, it teaches us that we can make very stupid decisions that affect things that matter to us and that our greed can blind our judgment, hurting ourselves. The film has good acting, good photography, good script, and good production design. The negative aspects are the lack of development of some characters and lack of development explanation of how the protagonist begins to commit illegalities.

With a complex plot, the film manages to expose its message and portray the feelings that a person can have when making poor decisions.

This is a small but lovely and dark Italian gem. Its such a stylish and well-told story. It feels so iconic and classic and the two leading actors give exceptional and unique performances. I felt invested from the very first minute and the whole movie had a dark charm and told a not-so-important, but thrilling story. There are some elements, like the quirky performance of the leading actor and the impressive storytelling that make this film kind of exceptional. 8/10 Watch it