[go: up one dir, main page]

    Calendrier de parutionsTop 250 des filmsFilms les plus regardésRechercher des films par genreSommet du box-officeHoraires et ticketsActualités du cinémaFilms indiens en vedette
    À la télé et en streamingTop 250 des sériesSéries les plus populairesParcourir les séries TV par genreActualités TV
    Que regarderDernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbFamily Entertainment GuidePodcasts IMDb
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestivalsTous les événements
    Nés aujourd’huiCélébrités les plus populairesActualités des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels du secteur
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Everything Everywhere All at Once

  • 2022
  • Tous publics
  • 2h 19min
NOTE IMDb
7,8/10
584 k
MA NOTE
POPULARITÉ
398
47
Jamie Lee Curtis, Michelle Yeoh, and Ke Huy Quan in Everything Everywhere All at Once (2022)
A Chinese immigrant is swept up in an insane adventure, where she alone can save the world by exploring other universes connecting with the lives she could have led.
Lire trailer2:42
19 Videos
99+ photos
Adventure EpicDark ComedyMartial ArtsSci-Fi EpicActionAdventureComedyDramaFantasySci-Fi

Dans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de... Tout lireDans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de ses doubles provenant de mondes parallèles.Dans l'ascenseur menant au contrôle fiscal de leur laverie, Waymond, qui adopte un comportement bizarre, explique à sa femme qu'elle seule peut sauver l'univers en utilisant les aptitudes de ses doubles provenant de mondes parallèles.

  • Réalisation
    • Daniel Kwan
    • Daniel Scheinert
  • Scénario
    • Daniel Kwan
    • Daniel Scheinert
  • Casting principal
    • Michelle Yeoh
    • Stephanie Hsu
    • Jamie Lee Curtis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    584 k
    MA NOTE
    POPULARITÉ
    398
    47
    • Réalisation
      • Daniel Kwan
      • Daniel Scheinert
    • Scénario
      • Daniel Kwan
      • Daniel Scheinert
    • Casting principal
      • Michelle Yeoh
      • Stephanie Hsu
      • Jamie Lee Curtis
    • 3.8Kavis d'utilisateurs
    • 421avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 7 Oscars
      • 409 victoires et 396 nominations au total

    Vidéos19

    Official Trailer
    Trailer 2:42
    Official Trailer
    In Theatres This April
    Trailer 0:46
    In Theatres This April
    In Theatres This April
    Trailer 0:46
    In Theatres This April
    Official Trailer
    Trailer 2:42
    Official Trailer
    Everything Everywhere All at Once
    Trailer 2:42
    Everything Everywhere All at Once
    Oscars 2023 Best Picture Nominees
    Clip 1:31
    Oscars 2023 Best Picture Nominees
    The Return of Ke Huy Quan
    Clip 2:05
    The Return of Ke Huy Quan

    Photos389

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 383
    Voir l'affiche

    Rôles principaux44

    Modifier
    Michelle Yeoh
    Michelle Yeoh
    • Evelyn Wang
    Stephanie Hsu
    Stephanie Hsu
    • Joy Wang…
    Jamie Lee Curtis
    Jamie Lee Curtis
    • Deirdre Beaubeirdre
    Ke Huy Quan
    Ke Huy Quan
    • Waymond Wang
    James Hong
    James Hong
    • Gong Gong
    Tallie Medel
    Tallie Medel
    • Becky Sregor
    Jenny Slate
    Jenny Slate
    • Debbie the Dog Mom
    Harry Shum Jr.
    Harry Shum Jr.
    • Chad
    Biff Wiff
    • Rick
    Sunita Mani
    Sunita Mani
    • TV Musical - Queen
    Aaron Lazar
    Aaron Lazar
    • TV Musical - Soldier
    Brian Le
    Brian Le
    • Alpha Jumper - Trophy
    Andy Le
    Andy Le
    • Alpha Jumper - Bigger Trophy
    Narayana Cabral
    Narayana Cabral
    • Security Guard
    • (as a different name)
    Chelsey Goldsmith
    Chelsey Goldsmith
    • Security Guard
    Craig Henningsen
    Craig Henningsen
    • Security Guard
    Anthony Molinari
    Anthony Molinari
    • Police - Confetti
    Dan Brown
    Dan Brown
    • Police - Salsa
    • Réalisation
      • Daniel Kwan
      • Daniel Scheinert
    • Scénario
      • Daniel Kwan
      • Daniel Scheinert
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs3.8K

    7,8584.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Résumé

    Reviewers say 'Everything Everywhere All at Once' is a divisive film, lauded for its imaginative storytelling and strong performances, especially from Michelle Yeoh and Jamie Lee Curtis. Many appreciate its deep themes and exploration of family and identity. However, some find it overly complex, confusing, and reliant on absurd humor. Pacing, length, and narrative coherence are frequent criticisms, though its bold creativity is widely acknowledged.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    6evetonemesis

    I don't get the hype, it really was just so so

    Starting with what I did enjoy about this movie.

    1. The setting of this movie was indeed a more accurate representation of an Asian American household. The family dynamics sounds about right. I like that Asians are getting more spotlight.

    2. The concept/theme of this movie is rather novel and therefore interesting. Although I think it could have been played out much more sophisticatedly.

    3. The parent-child relationship is well portrayed. The perceived lack of validation from parents felt by the child, the poorly communicated love of the parent, the process of gaining awareness and emotional growth for both the parent and child is inspiring.

    Things I didn't like 1. It is a very bizarre movie, you could even say chaotic. It's as if they tried to combine every single meaningless detail together and gave up filtering out what's actually worth or necessary to the main plot. Tried too hard to make it funny/original/emotional/relatable that it ends up being neither of those things very well.

    2. The movie is also unnecessarily long.

    Those two points combined makes this movie just a long, confusing, and sometimes boring mess. The novelty makes it watchable/bearable, but to me, it's nothing more than that.
    6JBLOSS

    Bit incredulous at the amount of Oscars....

    Firstly I should say I thought the actors did put in some very good performances and I can see why they were nominated although as to whether they deserved to beat some of their competitors is another matter.

    I have to say I found this film to be tedious and almost unenjoyable to watch. It feels like a film made for the TikTok generation - no overall coherence with nuggets of scenes rammed together. Is this a film I would ever bother watching again - absolutely not.

    Yes it is different - in much the same way The Artist was (and who talks about that film anymore?) but that doesn't make it good. It aims for a profound message whilst its style is overwhelmingly superficial. It's a film with little artistic merit or dare I say beauty (I am talking about the scenes and cinematography here not the actors) and it definitely did not move me except to pray it was going to finish.

    In short it barely ticks the boxes of what I'd consider to be essential criteria for a great movie. Maybe this is the first of a new wave of this type of film and I am not getting it but when it had finished I felt pretty much nothing.
    6anitam

    I don't get the hype

    I FINALLY sat down to finish watching this movie. I had started it when it first came out to stream and turned it off about 20 minutes in, I found it so boring.

    But, last night I decided to sit down and finish watching it to see if it lived up to all of the hype and Oscar accolades...to me, it didn't.

    Don't get me wrong, I do feel Mechelle Yeoh did a great job with this very complicated role, so perhaps she deserved it...but the rest of them, ehhhhhh maybe, maybe not so much.

    This movie TOTALLY lost my husband, he just couldn't keep up with the different story-lines in different dimensions, and the fast-pace of jumping around from dimension to dimension often game me the "what in the world is going on" feeling. I get it....everything all at once, but sometimes way too much.

    This movie, for me, didn't make sense at all until the last 20 minutes or so when, at that point finally, the writers basically spoon-fed the viewer the meaning of the movie, because (in my own personal opinion) even they knew people wouldn't get it on their own.

    As for Jamie Lee Curtis, I also think she deserved her Oscar for this one. Hers was also a pretty complicated character in oh so many ways and a huge departure from many roles she has played.

    So was this an Oscar worthy movie....eeeehhhh, not so much. Were there good performances? Yes. Was this an original movie? Yes, I can appreciate that too.

    Was it over-hyped? Most definitely.
    10gbill-74877

    Fantastic

    "Be kind, especially when you don't know what's going on."

    If only we could recognize that those who combat us in life do so out of hidden pain, and fight them with kindness. If only we could accept our kids for who they are, and say supportive things from the heart instead of trying to mold them. If only we could be content with the life we have, and set aside the idea of the countless other lives we might have led, had we made different decisions along the way. If only we could see that the flipside to life being meaningless and everything ultimately being sucked into the abyss is the freedom that comes from that, that we can do anything with the time we've got.

    Like the first word in its title, this film feels like everything. While watching it I thought Stephanie Hsu was everything too, but then again, so was Michelle Yeoh and Jamie Lee Curtis. The homage to Wong Kar-Wai with Ke Huy Quan making his enlightened speech is extraordinary, and the fact that James Hong was still getting it done at age 93 was wonderful. I also loved how both mother and daughter, troubled as they were with their upbringing, each found comfort in a kind and patient partner, and Tallie Medel's character was a nice touch.

    The film threatens to go off the rails with its madcap multiverse hopping in the first part, but it's all a setup for the second part, which is incredibly powerful. It was impressive that it managed to be so entertaining along the way, with its fast-paced action and the wild ride it takes us on. It's one that rewards a rewatch to, as its full of little details and references. Just a great film, lots of fun, and from the heart.
    6thriller08

    One word: OVERRATED.

    Having seen countless raving reviews about this movie both on IMDb, and even more so on Twitter, I thought "damn, I have to go see this ASAP". I went in expecting something incredible, movie of the year standard, but wow was I disappointed.

    Literally 75% of the movie is fight scenes, like okay it was cool at the start but 2 hours in and still?? 'Everything Everywhere' is perfect for people with a short attention span because there's always something ridiculous going on. I understood what they were trying to do with the plot but honestly nothing stuck, it just felt shallow.

    Don't get me wrong it's not a bad film, but it's nowhere near these 10/10 reviews that's being advertised.

    Burning Qs With 'Everything Everywhere ...' Stars

    Burning Qs With 'Everything Everywhere ...' Stars

    Michelle Yeoh joins co-stars Jamie Lee Curtis, Stephanie Hsu, and Ke Huy Quan, and directors Dan Kwan and Daniel Scheinert to reveal which actor had everyone laughing the most on set, and more.
    Learn more
    Editorial Image
    3:24

    Vous aimerez aussi

    Navalny
    7,7
    Navalny
    Women Talking
    6,9
    Women Talking
    Avatar : La Voie de l'eau
    7,5
    Avatar : La Voie de l'eau
    The Whale
    7,6
    The Whale
    Pauvres Créatures
    7,8
    Pauvres Créatures
    Parasite
    8,5
    Parasite
    Barbie
    6,8
    Barbie
    Mason
    À l'Ouest, rien de nouveau
    7,8
    À l'Ouest, rien de nouveau
    Le Menu
    7,2
    Le Menu
    À couteaux tirés
    7,9
    À couteaux tirés
    Untitled Daniels/Universal Event Film

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      All the VFX for this film were done by 9 people, including the two directors, with the majority of the shots being done by a core group of 5 people. None of the VFX team went to school for VFX. They were all friends who taught themselves with tutorials they found online for free.
    • Gaffes
      At around 5:50 various items of equipment and crew including the boom mic operator can be seen in the reflections of the launderette dryer glass doors.
    • Citations

      Waymond Wang: [subtitles] So, even though you have broken my heart yet again, I wanted to say, in another life, I would have really liked just doing laundry and taxes with you.

    • Crédits fous
      Whispering voices speak throughout the end credits, seemingly coming from random universes, in random directions.
    • Versions alternatives
      Jenny Slate's character was originally referred to as 'Big Nose' in the theatrical release. Due to associations with Jewish stereotypes, the character's name was changed to 'Debbie the Dog Mom' in the credits for the digital and DVD/Blu-Ray releases.
    • Connexions
      Featured in Jimmy Kimmel Live!: Chris Pine/Ke Huy Quan/Wallows (2022)
    • Bandes originales
      Life Can Be So Delicious
      Written by Daniel Kwan, Ryan Lott and Daniel Scheinert

      Performed by Sunita Mani and Aaron Lazar

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ19

    • How long is Everything Everywhere All at Once?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 août 2022 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • A24
      • Official Instagram
    • Langues
      • Anglais
      • Mandarin
      • Cantonais
    • Aussi connu sous le nom de
      • Todo En Todas Partes Al Mismo Tiempo
    • Lieux de tournage
      • 400 National Way, Simi Valley, Californie, États-Unis(IRS Building)
    • Sociétés de production
      • A24
      • IAC Films
      • AGBO
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 14 300 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 77 191 785 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 501 305 $US
      • 27 mars 2022
    • Montant brut mondial
      • 143 412 671 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 19 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Dolby Atmos
      • Stereo
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • Réponses IMDb : Aidez à combler les lacunes dans nos données
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.