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Difficult to understand even if you are Dutch speaking, as a certain quantity of spoken Dutch is in a local dialect. The script and directing are also way below standard.

Safe to say that this film is not worth seeing, even if it is based on fact. The only thing that stands out is male and female genitalia and sex. But this cannot save this rubbish, rather, if you like that sort of thing, watch a porn movie.

Very satisfying movie to watch. A reminder of just how wide this world is we live in, aside from how deep it is. A strange story of eight teenagers getting up to no good in a foreign version of rebelling. The story is told and retold by different members of the 8. With each retelling the absurd becomes believable, and this even though each version is different. These kids use sex to hurt, but they don't realize it at first. A marvelous story and direction.

Kids, A Better Tomorrow, Alpha Dog...we've seen it before...a group of teenagers who are living lives outside of their parents' knowledge, discovering themselves, indulging in sexual behavior and criminal activity. This Belgian/Dutch spin on it wasn't bad.

The cast was very talented-although I didn't find any character likeable-but, they did their job. Still these teens are insensitive jerks, with barely no remorse for their actions, and how the "big dilemma" was handled at the end didn't make me like them any more. The ending is...interesting(in its open-ended glory). I'm assuming the controversial novel this film is based on is spectacular though.

(I will say without giving anything away: one of the main characters may have had childhood trauma that caused some of his actions in the end-but I'll say no more.)

Basically this movie is fine; if it's on Netflix check it out, but definitely don't break your neck looking for it. You've probably seen stuff like this before-this is just the Dutch version.

The film tries to portray a story of young adolescent people discovering life while engaging in all kinds of debauchery. The vile acts that are shown are partly based on events that have happend in real life at some point. Dissapointingly this is merly used to create shock value for the audience and as the story progresses none of the disturbing acts have a carthartic element to them. When you take all these disturbing acts and assign them to one group of people that act like its all a big joke, they just become shallow and not interesting at all. Their motives just seem dumb and futile. I couldn't wait for it to be over.

I find the film's only redeming quality to be how a kind of psychadelic form of cinematography was used, where you as the viewer feel confused as if you delve into the psychotic minds of these kids and how incoherent their story's about the events that took place are from each other. At least that is how I interpreted it.

Rene Eller's adaptation of a shocking novel by Elvis Peeters has all the hallmarks of its Vice co-producers sub-Mondo, faux docudrama approach. This makes for a queasy mix of wrong-headed moralising and vapid sensationalism that seems cribbed from REQUIEM FOR A DREAM.

The film has a slightly Rashomon-structure, as four of the film's gang of privileged delinquents tell their differing versions of events. The latter version is from the ringleader Thomas (played with real sleazy noxiousness by Aime Claeys), and pulls in the film's most difficult narrative strand, namely that of the perverted mayor's sex scandal. This whole section is problematically rendered, as the film seems to hint at the idea that child-sex scandals may not be about the exploitation of innocents. There is a damaging disconnect in the film between what is being shown, the way it is being shown and the wider context within which these things could be said to operate. None of this would have really been so much of an issue if Eller didn't so devotedly follow the Vice handbook and attempt to blur boundaries between factual and fictional forms of narrative address.

What is undeniable is that Eller has been able to extract strong performances from his young cast, made up mainly of non-professionals. It is a shame then, that the material to which their great efforts have been put to the service of, is so trivially worked out. A little less fake meta-textuality and this may have been something more like Stephen Frears' BLOODY KIDS (1980).