Top ten includes five domestic films; Wolf Warrior 2 number one.
Source: China Film Group
‘Wolf Warrior 2’
China’s box office hit $8.6bn (RMB55.9bn) in 2017, an increase of $2bn over the previous year, according to figures from the State Administration of Press, Publication, Radio, Film and Television (Sapprft).
However, it’s difficult to make year-on-year comparisons as the Chinese yuan has appreciated against the Us dollar and the Chinese authorities have changed the way they calculate box office revenues over the past year.
In Us dollar terms, the figure represents a 30% increase against the $6.6bn (RMB45.7bn) in box office revenues collected in 2016. But in Chinese currency terms, the year-on-year growth stands at around 22%. Sapprft reported an increase of just 13.45%, which appears to reflect the growth rate once the fees paid by consumers to online ticketing platforms have been removed.
Chinese authorities started to include online ticketing fees...
Source: China Film Group
‘Wolf Warrior 2’
China’s box office hit $8.6bn (RMB55.9bn) in 2017, an increase of $2bn over the previous year, according to figures from the State Administration of Press, Publication, Radio, Film and Television (Sapprft).
However, it’s difficult to make year-on-year comparisons as the Chinese yuan has appreciated against the Us dollar and the Chinese authorities have changed the way they calculate box office revenues over the past year.
In Us dollar terms, the figure represents a 30% increase against the $6.6bn (RMB45.7bn) in box office revenues collected in 2016. But in Chinese currency terms, the year-on-year growth stands at around 22%. Sapprft reported an increase of just 13.45%, which appears to reflect the growth rate once the fees paid by consumers to online ticketing platforms have been removed.
Chinese authorities started to include online ticketing fees...
- 02/01/2018
- par Liz Shackleton
- Screen Daily Test
Top ten includes five domestic films; Wolf Warrior 2 number one.
Source: China Film Group
‘Wolf Warrior 2’
China’s box office hit $8.6bn (RMB55.9bn) in 2017, an increase of $2bn over the previous year, according to figures from the State Administration of Press, Publication, Radio, Film and Television (Sapprft).
However, it’s difficult to make year-on-year comparisons as the Chinese yuan has appreciated against the Us dollar and the Chinese authorities have changed the way they calculate box office revenues over the past year.
In Us dollar terms, the figure represents a 30% increase against the $6.6bn (RMB45.7bn) in box office revenues collected in 2016. But in Chinese currency terms, the year-on-year growth stands at around 22%. Sapprft reported an increase of just 13.45%, which appears to reflect the growth rate once the fees paid by consumers to online ticketing platforms have been removed.
Chinese authorities started to include online ticketing fees in box office figures from the beginning...
Source: China Film Group
‘Wolf Warrior 2’
China’s box office hit $8.6bn (RMB55.9bn) in 2017, an increase of $2bn over the previous year, according to figures from the State Administration of Press, Publication, Radio, Film and Television (Sapprft).
However, it’s difficult to make year-on-year comparisons as the Chinese yuan has appreciated against the Us dollar and the Chinese authorities have changed the way they calculate box office revenues over the past year.
In Us dollar terms, the figure represents a 30% increase against the $6.6bn (RMB45.7bn) in box office revenues collected in 2016. But in Chinese currency terms, the year-on-year growth stands at around 22%. Sapprft reported an increase of just 13.45%, which appears to reflect the growth rate once the fees paid by consumers to online ticketing platforms have been removed.
Chinese authorities started to include online ticketing fees in box office figures from the beginning...
- 02/01/2018
- par Liz Shackleton
- ScreenDaily
Feng Xiaogang’s sprawling drama lays on the Spielbergian syrup and covers swaths of China’s history in broad brushstrokes – but it carries a potent message
There is perhaps a spoonful of sugar too many in this bittersweet Chinese drama from blockbusting director Feng Xiaogang. It’s an an ambitious, sprawling, novelistic beast of a movie that opens amid the tantrums and broken hearts of young dancers in a cultural division of the army in the mid 70s. Xiaoping (Miao Miao) is the troupe’s new girl, determined to make fresh start after a difficult childhood. But her colleagues, sensing she is vulnerable, mercilessly mock Xiaoping for crimes against sophistication (she pads her bra out with sponges). Xiaoping’s sole defender is saintly Liu Feng (Huang Xuan), a young man possessed with such superhuman goodness that he chivalrously lances the puss from one dancer’s blisters. Years pass, and the movie takes in political upheaval,...
There is perhaps a spoonful of sugar too many in this bittersweet Chinese drama from blockbusting director Feng Xiaogang. It’s an an ambitious, sprawling, novelistic beast of a movie that opens amid the tantrums and broken hearts of young dancers in a cultural division of the army in the mid 70s. Xiaoping (Miao Miao) is the troupe’s new girl, determined to make fresh start after a difficult childhood. But her colleagues, sensing she is vulnerable, mercilessly mock Xiaoping for crimes against sophistication (she pads her bra out with sponges). Xiaoping’s sole defender is saintly Liu Feng (Huang Xuan), a young man possessed with such superhuman goodness that he chivalrously lances the puss from one dancer’s blisters. Years pass, and the movie takes in political upheaval,...
- 15/12/2017
- par Cath Clarke
- The Guardian - Film News
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