The Age of Spin: Dave Chappelle Live at the Hollywood Palladium

I wasn't overly taken by the first of the new Netflix specials (well, first that I watched – they are not in an order). The Age of Spin is better in the most part. The routine has a good flow to it, and when he touches on subjects they tend to be more of interest and informed than many of the Heart of Texas jokes, which seemed to revolved around crudity too often. He does still get into rape, transgender issues, gender equality, and other sensitive subjects – and of course he does not go into them gently, but he mostly explores within them in a way that is interesting rather than directly offensive, and most importantly, is funny.

You can see in the audience a lot of times where individuals went beyond what they were comfortable with, and I did too; however, this is why I liked it – he didn't just blurt out offensive things, but rather the material was a journey where he perhaps lost some people on the way, but at the same time it was still a fun journey. I continue to not see him as esteemed as others do, but he is a great showman, and this show was pretty strong. Repeating motifs, well- observed, engaging structure, and of course with Chappelle being a presence in the middle. Easily the better of the two recent specials.

Dave Chappelle manages to go into some pretty heavy topics and still make it funny, without it being awkward. Great pacing. Great crowd. Funny jokes.

This was a great way of showing that Dave Chappelle still has it.

Here's something I love about Dave Chappelle, which he's done in his stand-up since Killing em Softly and probably before: that moment, which he does more than once so it's either a playful thing he can't control or a timed movement, where after making a particularly outrageous or spot-on joke or puch-to-the-gut-line, he tapes a step or two back, falls halfway over, and laughs a little. The thing to remember though is that by the time we're seeing The Age of Spin, he's given this same piece of material to people in nightclubs over and over, as is the way that stand-ups do it through trial and error (if there is someone that can come fully formed to the stage for a live *taped* one-hour special he or she would be as special as... well, one of the superheroes that Chappelle 'pitches' to the gay and white-hatred-filled executives, perhaps). But it's always an infectious beat, whether he's doing it as part of his performance or if it's a natural reaction - it lets us know, 'g-ddamn, did I say that... yeah, I did, hahah!'

Speaking of that super-heroes bit, let's look at that briefly (how can one not, it's one of the highlights). This is one of those pieces that can (and probably already has) set off some "HEY!" remarks from both LGBTQ people (he actually addresses that too by the way, those in that acronym), and... actually I'm not sure if I've heard much from the white-trash contingent of the internet yet. Yet framing is always paramount, and here Chappelle starts off this piece about how he is put upon at some post-Oscars party or other about any movie ideas - he tells us, the audience, that he had none, but he can't say that to executives, so he comes up with the most (no pun intended) half- baked ideas based on the stereotypes that come with either being gay or a white, Texan scumbag: the former involves elements (I won't mention here, won't spoil the joke) that might appeal to the gay person, and the latter involves things that are more leaning on what might be the *male* hatred of women (if you want save the world, you got to touch a vagina, and since women find that gross, well... how about some rape to save the world?!)

It's easy to see why Chappelle's words would be offensive to people, I get it. If you are, then I'm sorry that he f***ed you over in a comedy routine. But, again, the framing of it counts: in Age of Spin he's not going after gays or women/feminists or transgendered or even Bill Cosby... okay, he does go after him, but it's about so much else *around* these issues, perceptions and types and things that make individuals become these types and are seen as less than. As a black man he knows the less-than part clearly, and immediately does something clever: the early bits here are about being black but also what fame does when that's thrown in (i.e. when he's with his friend and his friend is put in the back of the cop car but he isn't, or that piece about not going to Flynt). At worst he may seem to be out of touch as a celebrity more than he was back in 2000 or even 2004. But then what's to be made later on when he brings up his son's overwhelming adoration (and Dave's own jealousy/envy) of Kevin Hart and his live show?

I found this special brilliant and, more importantly, awesomely funny all around for how Chappelle constructs his jokes and gets in the absurdity and humor in just the right spots, hits things as if a boxer does when knowing to stand back a little and (in a beat) be serious, and then throw in a joke as if it's nothing, and then to go for the bigger hits. He even has an overriding arc involving four stories of meeting OJ Simpson - someone who, before Cosby, was likely the most notorious case of a black American hero to many people who fell down hard - and each one takes us through different periods in Dave's as well as OJ's rise and falls in the past 25 years. If anything that adds another layer to the context of the other bits, which involve largely celebrity and how we look at "others" and people's reactions who are on the outside to how the other is too (the highlight of that is Dave reenacting a contentious night doing stand-up where a woman confronted him during his act about how much women have suffered, and he's with her struggle... up to a point).

So in some ways he's deepened a little with his bits. In other ways... he's the same old Dave. What a welcome return this was!

Dave Chappelle is undoubtedly a modern day great of standup comedy. The age of spin: Dave Chappelle live at the Hollywood palladium 2017 is one of the cleverest, most relevant comedy shows I've ever watched. He's not just sharp, he weaves in the current climate of anger and disappointment into issues dividing the people, like discrimination over race, gender, etc. He looks at complex and complicated issues like the OJ Simpson trial and Bill Cosby rape allegations and traces the history of rights movements, the world war, the ensuing cold war, the change in social and cultural roles, brilliantly. He reminds us that when idols fall, what we should never ignore is the contribution they have invariably made over decades, visible and invisible, that have touched the lives of millions, and not dismiss them outright or judge them as easily as we do. Dave Chappelle, in his comeback, shows that what made him such a massively popular star in the field of entertainment two decades ago, is very much alive in him. He is relevant because he stays relevant not just because he choses topics that are current, but because he has an acute sensitivity to history and contemporary social currents, which he merges brilliantly with his acerbic, irreverent mind to create entertainment that makes us laugh out loud, but also, lingers in our minds much later, making us think deeply.

He'll have a place in entertainment as one of the legends of comedy.

Dave Chappelle is very ingenius. He starts the show mentioning that he met OJ Simpson four times, and that he is going to tell the audience about each of the four meeting with OJ. That story connects the show together, and he ends by telling the final meeting with OJ.

In between, Chappelle covers every theme that he has ever touched on in his career. Some of it is purely good laughs. Some of it is thoughtful discussion. This is a very interesting and funny show.