Patrick Melrose

The Melrose books are five of the finest of modern times. Short, sharp and endlessly enriching. For the TV adaptation to be so perfectly in synch with the tone and mood and truth of the books is beyond impressive. All components combine to form a complete and entrancing whole. Superb direction by Edward Berger - that long tracking party shot in Ep 3 is of immense skill ans beauty - hits the subtly different style and heart and tone of each separate book, with the look of a Holbein painting and the unflinching eye of a Hockney. The result is exquisite and simply takes the breath away. Design and period detail is mesmerising, even down to the Prozac label written on a daisywheel printer. Casting is sheer perfection. Mix the wonderful Pip Torrens with Indira Varma, Holliday Grainger Harriet Walter, Amanda Root and the cream of a British and American supporting cast, and a sensitive child actor in Sebastian Matz,with a chilling Hugo Weaving and a fabulous Jennifer Jason Leigh and any other show would be sublime in itself. Add Benedict Cumberbatch as the eponymous Patrick Melrose and the whole series transcends into something far beyond sublime. We are now used to seeing the actor of his generation taking complex and unique characters and making them deep and humane, but this takes performance to a different level and standard. This is acting by inhabiting a role. This is acting at a dangerous level of self and self exposure far beyond mere performance; This is an acting consciously laying the soul on the line....and revealing that there is still more inside the heart of Benedict Cumberbatch to be revealed.. High intelligence,mordant wit, self knowledge and loathing, turning on a sixpence, great timing and awareness; not tricks, no weaknesses.. Whenever I watch a new Cumberbatch performance I marvel at his range and detail, physical and mental control, depth of understanding and even his eye placement. And this is what you get when heart, intellect and sheer technical skill combine with such fluent artistry. Something wondrous and joyous and with an indication that the tank is nowhere near empty, even when exposing his own soul like this. How sad that there are people on here who are scoring this amazing series as a 1 and proud of their myopia. As the man said:' when someone puts you down, it is because they have a need to feel taller.'.

I finished the novels only a few weeks before watching the first episode and my rating thus far is only based on the first episode. The genius of the novels is turning such ugliness into something beautiful. The bookend decision to start the first episode with the second novel was a smart one from the overall story standpoint as well as thematically. However, the downside, is that the second novel/ first Espinosa is probably the toughest watch/ read as it is Patrick at his worst. Having said that, in a mannner true to the source material, the show creators have managed to take license where necessary in order to stay true to the character as well as the themes. The "plot" is not relevant. It's takes a long term view to realize that. If you had to pick the worst day of your life and watch it, that would not be pleasant either. But the genius of the source material as well as the first episode is that we can relate to Patrick- warts-and-all. Self loathing is relatable to manner, no matter how extreme. This is the first chapter in the story of a man deciding to stop reacting to life and start responding. If you can see past the "ugly" you will find the beauty. Much like in life. I look forward to seeing the upcoming episodes and watching the brilliant Benedict Cumberbatch play the role that I can no longer see anyone else in.

There were some strong performances - Patrick, his parents and his father's cohort were all played well. It is also a stylish series with good cinematography.

It was sometimes hard to grasp the time-line, especially in the later episodes - even though a date was put up now and then.

it kept me interested throughout, although I enjoyed the New York scenes the most.

I've never read the books prior to seeing this piece of work. The idea of a person from such a well off background suffering seems almost alien, almost contemptible. Who, as someone so fortunate can make themselves feel so small when those who have so little can be happy. It is this very dilemma which made me want to dislike the show. And yet, I found this episode, and hopefully the rest extremely touching. If you've ever had trouble with drugs or self-loathing you cannot help but feel the humanity and truth in the work. This work transcends class, the part where Melrose looks content after shooting up, staring aimlessly into the world is so understandable and relatable you can't help but feel compassion and emotion. If you've ever been high or on drugs and looked out to the world while sitting in your bed while content, you'll understand what it is like to be Melrose, that feeling is forever it seems. Yet, when you wake up, the fleeting happiness you felt dispels and you feel the sad self loathing of existence;the tomorrow.

Cumberbatch performs incredibly in capturing the second-guessing inner monologue of someone overwhelmed with emotions. His charisma and ability to act vividly using facial ques and ticks makes this work what it is, yes, the writing is fantastic, but the life Cumberbatch brings to those words is what makes it unique.

Benedict Cumberbatch gets to show all his chops in this brilliantly written, directed and shot tour de force.

We all knew he could act, but here he gets to pull out all the stops. He is entirely believable as an upper class, abused and abandoned boy who turns his life and his will over to Heroin as his only source of succor.

The writing is sublime, you don't want to miss a moment of the razor sharp dialogue or of the inner monologues of Patrick.

The portrayal of a junkie at the peak of his chaos is completely and utterly believable. As one who suffered a childhood under a martinet father and is somewhat acquainted with the self medicating regimes that Patrick practices, I can testify to that.

I urge all viewers with an adult sensibility to watch this bizarrely charming, compassionate, tragic and comedic miniseries...