Native Son

McCarthyism drove Richard Wright away from his land ;he sought refuge in France where his novels were already famous ;so the first adaptation (by himself) was filmed in Argentina by French Pierre Chenal ,a film noir past master ; a colossal mistake was to have the writer play the part of Bigger (25) when he was in his forties; in spite of that ,the film is estimable.

A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.

The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.

Just stop watching at 1hour 27 minutes. gets super awkward and weak.

Finally the new adaption of Richard Wright's classical novel is here, ever since I read the book and I found out a movie was being made, I have been looking forward to this. That said, I hade very high expectations of it, seeing that the novel is so captivating and in every sense great.

The first thing I noticed that differed from the book, was the main character, Bigger Thomas. In the movie he has green hair, nails painted black and wears trashy clothes, something that is supposedly ment to showcase Bigger's world view. But let's be honest, it is nothing but ridiculous. Furthermore, he and his family does not seem to suffer from the same economic and racial struggles as in the book.

Moreover, there is little that shows a society that treats Bigger and other Black people less worhthy, as the book does. This is a vital failure as the whole novel builds on these themes and is the underlying factors behind Biggers actions later on. This misstep makes the movie lack depth and meaning, as well as failing to to fully deliver the measage. Now this film is a modern adaptation, and society has come a long way since the 1930's, even though there are still inequalities. The movie doesn't really emphasis this either, as the only attempt comes from modestly showing some police brutality in the ending.

Moving on, the ending feels very forced and quick as well, and it wouldn't have hurt to add another 30 minutes to it - especially just to get to see that famous courtoom scene from the novel. It was truly disappointing not to see it as it was one of the things I looked forward to the most. This movie suffers greatly from the lack of a good script.

However, the script may be poor, but the directing and cinematography sure isn't. Director Rashid Johnson pulls a rabbit out of the hat, saving this movie from being a total disaster. The lightning and colours are very nice and helps display the dark setting of the film. As well as great camerawork and some good looking scenes. Just imagine how good this could have been with a good script.

I think this can only be seen as a metaphor because this "plot" can not be taken serious. For one hour the movie is alright even though is is poorly structured since usually within the first half hour you get what the story is about. Here you got no direction.

At one point our main character will do something unbelievable. I mean that in the literal sense. It is so ridiculously contrived to create drama that it is laughable. At this point it is as if you are watching a whole different movie. It becomes more of a montage and totally falls apart underlined by the unnecessary and pretentious voice over. Sad thing is there was very good acting in here.

Native Son had the makings of a great film - setting, cinematography, cast, story... the plot builds, the characters are developed, and then - a sudden tragedy after which it felt like someone pulled the plug on the film.

Was it a lack of innovation with the screenplay? Was the film's budget exceeded?

Such a shame to develop a main character to this degree, and then basically shut the movie down.