Ajouter une intrigue dans votre langueA real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.A real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.A real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.
- Réalisation
- Scénario
- Casting principal
Joseph R. Gannascoli
- Charlie
- (as Joe Gannascoli)
Avis à la une
An insipid, uninteresting, disappointing movie lacking in almost every department. The writing is absolutely useless, there is no development whatsoever for any of the characters. Love line (or what it really meant to be) is highly implausible, Piven and Manning have below zero chemistry together. Honestly, it's so bad, it's ridiculous. The weird condition, which was for some unimaginable reason assigned to the protagonist, kept to be reiterated in several scenes for no reason at all. Lots of drunk people talking rubbish, and that's it. No wonder the actors looked like they were bored to even be on set.
I give it four stars just because I like stories of saved neighborhoods, and "Last Call" could have been so much better had the makers put a little more effort in it. I say, re-watch "Two-Weeks Notice" instead, don't waste your time and money on this one.
I give it four stars just because I like stories of saved neighborhoods, and "Last Call" could have been so much better had the makers put a little more effort in it. I say, re-watch "Two-Weeks Notice" instead, don't waste your time and money on this one.
Stereotypes are true but to be avoided because they do not offer fresh perspectives, rather they present fixed views that coddle our expectations. Using the familiar return story, this movie exploits every stereotype it in almost every degree.
We have the cranky father, the old band of friends, the various women (this is mostly a male tale told from the male angle); economic hardship, career and ambition disappointments and many passing shots of houses and streets that would not grace a glossy lifestyle magazine.
Along with those tired contextual clichés we have the representation of working class men as horny, hard-drinking and unlikely to reach any form of maturity. They have scant lives besides benders and laughing drunkenly in their endless pursuit of male bonding. Such fixed and narrow representations of other social groups usually cause anger but perhaps this cohort are phlegmatic about such things.
To use a phrase, It is what it is, and if this story with its good intentions and able cast of actors seems worth the time, then so be it. Don't look for much above the prosaic.
We have the cranky father, the old band of friends, the various women (this is mostly a male tale told from the male angle); economic hardship, career and ambition disappointments and many passing shots of houses and streets that would not grace a glossy lifestyle magazine.
Along with those tired contextual clichés we have the representation of working class men as horny, hard-drinking and unlikely to reach any form of maturity. They have scant lives besides benders and laughing drunkenly in their endless pursuit of male bonding. Such fixed and narrow representations of other social groups usually cause anger but perhaps this cohort are phlegmatic about such things.
To use a phrase, It is what it is, and if this story with its good intentions and able cast of actors seems worth the time, then so be it. Don't look for much above the prosaic.
Paolo Pilladi is a director who made a movie with very good actors using a story with lots of potential and a camera work which was quite good... so why the movie felt so flat? Almost like making a cocktail in The Bucket which does not taste well because something is missing, but I cannot pinpoint what!
I really liked the social impact of the story mixed up with the personal drama but all I could actually remember from watching it were the scenes where Irish guys live their dreams through wasted time of drunkenness!
I really liked the social impact of the story mixed up with the personal drama but all I could actually remember from watching it were the scenes where Irish guys live their dreams through wasted time of drunkenness!
I'm from Delco. This movie made us look like trash! So hard to watch! They could have at least filmed in Delco at the real locations. I guess bc they couldn't book Bradley Cooper- they had to film in New Jersey! Too bad, we were all so excited for this movie!
As a former resident of Upper Darby and a UDHS graduate, I was very disappointed in this movie. If this group of characters typify current residents with no jobs, incessant drinking, and childish games while living in a seemingly run-down neighborhood, I'm happy to be a former resident. The plot was woefully under-developed and the dialogue was at times hard to follow. Manning's character at one time said that they'd been working to revitalize the neighborhood for years but the visuals showed no evidence of that which found me rooting for Piven's character's casino project. Like others, I would have preferred to see the movie shot in Upper Darby with actual locals like Bradley Cooper and Tina Fey starring. Heck, how can you do a movie about Upper Darby without a single shot of the 69th Street shopping area???
Le saviez-vous
- AnecdotesWhen the guys basically kidnap Mick to go to the bar they walk by a bunch of boxes and Dougal grabs a box of Tastykake Butterscotch Krimpets and throws them to all of the guys. The guys then proceed to rub them on their chests. It's is a known fact amongst Philadelphians that one must rub the Butterscotch Krimpet icing side down on a surface in order for the icing to stick to the sponge of the cake and not the plastic when opening the pastry. Otherwise icing and sponge will separate and you're left scraping icing off of plastic.
- GaffesThe characters are having a barbecue at their rental home in Pleasantville, NJ but a highway sign for Lincoln Tunnel can be seen clearly in the background.
- Bandes originalesPunk Rock Girl
Written by Joe Jack Talcum (as Anthony Joseph Genaro), Rodney Linderman, Dean Sabatino, David Shulthise
Performed by The Dead Milkmen
Courtesy of Restless Records
By arrangement with Warner Music Group Film & TV Licensing
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- How long is Last Call?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 48 144 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 610 $US
- 21 mars 2021
- Montant brut mondial
- 264 961 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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