Ajouter une intrigue dans votre langueA real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.A real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.A real estate developer returns to his old Philly neighborhood and must decide to raze or resurrect the family bar.
- Réalisation
- Scénario
- Casting principal
Joseph R. Gannascoli
- Charlie
- (as Joe Gannascoli)
Avis à la une
I can't believe I spent money to watch this movie. I'm no movie critic, but this had to be the worst screenplay ever submitted to any movie studio! Who approved this?? Zero plot, zero character development, zero humor. Seriously, very unlikeable characters. Whoever is giving positive reviews has to be related to the so-called writer or director. Really bad movie.
I'm from Delco. This movie made us look like trash! So hard to watch! They could have at least filmed in Delco at the real locations. I guess bc they couldn't book Bradley Cooper- they had to film in New Jersey! Too bad, we were all so excited for this movie!
Paolo Pilladi is a director who made a movie with very good actors using a story with lots of potential and a camera work which was quite good... so why the movie felt so flat? Almost like making a cocktail in The Bucket which does not taste well because something is missing, but I cannot pinpoint what!
I really liked the social impact of the story mixed up with the personal drama but all I could actually remember from watching it were the scenes where Irish guys live their dreams through wasted time of drunkenness!
I really liked the social impact of the story mixed up with the personal drama but all I could actually remember from watching it were the scenes where Irish guys live their dreams through wasted time of drunkenness!
Stereotypes are true but to be avoided because they do not offer fresh perspectives, rather they present fixed views that coddle our expectations. Using the familiar return story, this movie exploits every stereotype it in almost every degree.
We have the cranky father, the old band of friends, the various women (this is mostly a male tale told from the male angle); economic hardship, career and ambition disappointments and many passing shots of houses and streets that would not grace a glossy lifestyle magazine.
Along with those tired contextual clichés we have the representation of working class men as horny, hard-drinking and unlikely to reach any form of maturity. They have scant lives besides benders and laughing drunkenly in their endless pursuit of male bonding. Such fixed and narrow representations of other social groups usually cause anger but perhaps this cohort are phlegmatic about such things.
To use a phrase, It is what it is, and if this story with its good intentions and able cast of actors seems worth the time, then so be it. Don't look for much above the prosaic.
We have the cranky father, the old band of friends, the various women (this is mostly a male tale told from the male angle); economic hardship, career and ambition disappointments and many passing shots of houses and streets that would not grace a glossy lifestyle magazine.
Along with those tired contextual clichés we have the representation of working class men as horny, hard-drinking and unlikely to reach any form of maturity. They have scant lives besides benders and laughing drunkenly in their endless pursuit of male bonding. Such fixed and narrow representations of other social groups usually cause anger but perhaps this cohort are phlegmatic about such things.
To use a phrase, It is what it is, and if this story with its good intentions and able cast of actors seems worth the time, then so be it. Don't look for much above the prosaic.
The audience seems to be divided into two camps: Friends and family of the director and/or cast, who shamelessly give this "movie" a 10, and everyone else, most of whom begrudgingly give it a 1, because ZERO is not an option.
Jeremy Piven should have taken Ari Gold's advice to Vincent and read the script before taking this gig. But maybe he couldn't, because THERE WAS NO SCRIPT. Just bad improvisation. His character sums it up perfectly near the end of this arduous slog: "The fish stinks from the head down." Everything about Last Call stunk. Originally titled, Crabs In A bucket, I think someone realized that the plot, such as it is, didn't really reflect a grasp of the metaphor. But changing the title was merely putting a band-aid on a bullet wound. What they really needed to do here was write a script. Cobbling together a collection of drunken montages punctuated by cringe-inducing ad-libbing and bad Irish accents is not comedy, it's painful. The actors, from Jeremy Piven on down seem completely lost in the absence of both written dialogue and direction. This would have been cheaper and much funnier to just point a camera inside a real life bar. And far less insulting to a viewing audience.
Le saviez-vous
- AnecdotesWhen the guys basically kidnap Mick to go to the bar they walk by a bunch of boxes and Dougal grabs a box of Tastykake Butterscotch Krimpets and throws them to all of the guys. The guys then proceed to rub them on their chests. It's is a known fact amongst Philadelphians that one must rub the Butterscotch Krimpet icing side down on a surface in order for the icing to stick to the sponge of the cake and not the plastic when opening the pastry. Otherwise icing and sponge will separate and you're left scraping icing off of plastic.
- GaffesThe characters are having a barbecue at their rental home in Pleasantville, NJ but a highway sign for Lincoln Tunnel can be seen clearly in the background.
- Bandes originalesPunk Rock Girl
Written by Joe Jack Talcum (as Anthony Joseph Genaro), Rodney Linderman, Dean Sabatino, David Shulthise
Performed by The Dead Milkmen
Courtesy of Restless Records
By arrangement with Warner Music Group Film & TV Licensing
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 48 144 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 610 $US
- 21 mars 2021
- Montant brut mondial
- 264 961 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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