Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.Des adolescents voient leur vie bouleversée par les merveilles et les horreurs de la puberté.
- Récompensé par 4 Primetime Emmys
- 12 victoires et 60 nominations au total
Parcourir les épisodes
Avis à la une
I hate Big Mouth. I don't want to like this show. It is everything I think isn't funny on television, but makes me consistently laugh more than almost anything else I've seen. The entire basis of its humour is crass sexual jokes, some of which are so blatant and undisguised its almost a slap in the face to watch them. The basic premise (high schoolers going through puberty alongside their "hormone monster" partners) is the ideal vessel to allow these jokes to flow freely, and provide the groundwork for some quality comedy to also shine through.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
I think this is pretty funny, I identified with the characters struggles of going through puberty when I was young. I like the voice acting, I like the subject matter, and I like that they aren't afraid to address a subject that is uncomfortable for poorly adjusted adults.
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
Open your eyes. Open your hearts. This is us. This is the world we live in and the world our kids live in. It may be crude but it's true.
Keep going.
The first five minutes made me open my eyes in disbelief. I'm so happy I finally found a show that was brutally honest and funny to the bone(r). The first episode doesn't give up. There is just one ridiculously true situation of satire after an another. I really enjoy this show for its "in your face" honesty and brilliant conception. Finally, we have a show without barriers that is true to the core of one's inner fluidity.
I loved Big Mouth. As most reviewers before me have also written, the show is not exactly subtle. That doesn't make it any less funny, however. The show has 5 main characters: Nick, Andrew, Jay, Jessi and Missy, who are all in their own way going through puberty. They come from very different homes, which causes them, along with the Hormone Monster/Monstress, to react very differently to all the new things they discover.
Most people seem to think the show is mainly meant for adults, because of the abundance of swearing, genitals, sex and the use of scary words like 'vagina'. I disagree, however. Although the show for the most part covers lighter subjects, such as first kisses and stuff, it's not afraid to occasionally touch on more serious items, such as sex positivism, especially for women, consent/boundaries, slut shaming, homosexuality etc. Things that are important to know, especially for boys, but are often not given enough attention, for example because of parents' awkwardness, or even neglect, as the show clearly illustrates. Paying more attention to the aforementioned topics at a young age, will hopefully create a generation of men more aware of what women go through, so they might avoid the mistakes Nick, Andrew and Jay make because of ignorance. Obviously, things like consent and boundaries are also important for girls. Girls get horny too, to quote the show, which causes the male protagonists' heads to literally explode. The prejudice that only men want sex hurts both genders, as it assumes men don't have boundaries and that men always have to be dominant to have sex. It's exactly these things that make this show so important. So by all means, have children watch this, show it to them in school. It's funny AND it teaches valuable lessons.
The only reason I didn't rate this a perfect 10/10 is that I personally didn't really see the additional value of Coach Steve, other than just being gross and possibly mentally challenged?
Most people seem to think the show is mainly meant for adults, because of the abundance of swearing, genitals, sex and the use of scary words like 'vagina'. I disagree, however. Although the show for the most part covers lighter subjects, such as first kisses and stuff, it's not afraid to occasionally touch on more serious items, such as sex positivism, especially for women, consent/boundaries, slut shaming, homosexuality etc. Things that are important to know, especially for boys, but are often not given enough attention, for example because of parents' awkwardness, or even neglect, as the show clearly illustrates. Paying more attention to the aforementioned topics at a young age, will hopefully create a generation of men more aware of what women go through, so they might avoid the mistakes Nick, Andrew and Jay make because of ignorance. Obviously, things like consent and boundaries are also important for girls. Girls get horny too, to quote the show, which causes the male protagonists' heads to literally explode. The prejudice that only men want sex hurts both genders, as it assumes men don't have boundaries and that men always have to be dominant to have sex. It's exactly these things that make this show so important. So by all means, have children watch this, show it to them in school. It's funny AND it teaches valuable lessons.
The only reason I didn't rate this a perfect 10/10 is that I personally didn't really see the additional value of Coach Steve, other than just being gross and possibly mentally challenged?
Le saviez-vous
- AnecdotesMissy's parents, Cyrus and Monica, are played by Jordan Peele and Chelsea Peretti, who are married in real life.
- Citations
Several characters: [Repeated line to Jay] Stop quoting your dad's law commercials!
- ConnexionsFeatured in WatchMojo: Top 10 Best TV Shows This Fall (2017)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant