Un beau soleil intérieur

... in its focus on unsatisfactory relationships - and it even has Depardieu in a pointless cameo role!

At one level, it's not too surprising that a well-regarded female artist of a certain age would have trouble finding a suitable partner following her divorce. However, her inability does seem at least somewhat self-inflicted, as she keeps latching on to married and otherwise unavailable men - some of whom are clearly complete arseholes. Indeed, there were so many of these I lost track of who was supposed to be "just a friend" and who was her current lover, and what might happen in her future.

Worth a look, but not Binoche's best, IMHO.

I don't recall any other time when I related with a protagonist in a film this much. Every aspect of the lead character, Isabelle was portraying me ...some much so that I felt 'naked' emotionally. Claire Denis is a living legend. Juliette Binoche is an amazing actress...definitely a performance worthy of an Oscar

I don't think the people giving this a 1/10 went into this with realistic expectations. This is French cinema, it's going to be sad and harsh and difficult and the character likely won't come to a concrete and obvious realization leading to her happiness. This movie does not hold your hand, but it is well worth it for those willing to look deeper into their emotional history to see what it is reaching for. There are some conversations that don't land but a lot do because Juliette Binoche gives a stellar performance. This is the type of character study that most actresses wait their whole life to do, she's a volcano of emotions bubbling under the surface for the whole runtime. Her character is probably a "bad person". She dates several married men, but that does not invalidate her problems. This movie is about the idea that chasing perfection can often lead you down the wrong path in your relationships and lead to a fear of commitment. For anyone who finds it difficult to be swept off your feet and easily believe in the rest of your life with someone, this is the movie for you. If you think the title of the film is a task that is easy to achieve, maybe it isn't.

Good actors with great casting, Paris as the backdrop, but the story is a complete dud. This was a total disaster as far as the writing, a failure both in the story as well as the insipid dialogue.

Being, more or less, in the age bracket of Benoche and her character, I find it a bit ridiculous that she stagnates in an adolescent passive-aggressive attitude with men. Say what you mean and mean what you say, someone once said. If you want someone, at this age you can't waste a lot of time being coy or clever.

Just what she saw in the banker is beyond my ability to read what women want. Physically unattractive, arrogant and abusive with the bartender, and dismissive of her feelings point to the fact that what? She's with him for his money?

I'm not saying that people my age can't find "true love" but I think we have to be rational adults while looking for it. The scene in the car and then in her apartment were both so incredibly awkward, worse than anything I suffered in my teens. Grow up! I hated both of those scenes. Thoroughly unromantic.

And then they manage to somehow shoe-horn in a dialogue with Gerard Depardieu?

I was forced to watch the film with inadequate English subtitles that didn't begin to translate the true sense of the French original dialogue, but my French isn't quite good enough to watch it without subtitles. I can never find French films with French subtitles which is the perfect combination for me. People learning English as a second language never have a problem finding English subtitles for English films and TV shows, so stop being so smug about the fact that you speak English.

Audiences went into this French drama as if they were partaking in a romcom buffet at their local boulangerie, but unsurprisingly came out disappointed when they weren't given the usual Katherine Heigl American trash that pollutes the genre. This is not a traditional romantic comedy. I repeat, not a traditional romcom. It is a drama about love, layering themes of romance and philosophies on life through an almost schizophrenic perspective. And with that, Denis has produced a wonderfully intimate portrayal of modern love through her ornate methods of artistic direction. A woman, struggling to find love, becomes involved with multiple men in an attempt to find stability and a relationship.

On the surface, this resembles a vapid pretentious outlook on the morality of men and emotional instability of women. However if you inspect Denis' contemporary storytelling techniques, it's actually a personable venture of self-discovery. A woman acquiring the fragility and tenderness that love shares with its victims, both a curse and a blessing. Coming to terms with how delicate a relationship can be, with a persistence on why certain aspects "should not be rushed".

The various men she encounters all treat her differently. A rich banker uses her to cheat on his wife, an actor regrets sleeping with her on the first meet and her ex-boyfriend/husband is unable to rekindle their flame. The only man who she believes treats her appropriately is seemingly the complete opposite to her personality, with her colleagues subconsciously planting doubt in her mind.

Denis consistently hones in on her neurotic behaviour which, whilst provides a very subtle amount of humour, allows her to experience the pain of love. It does inadvertently force her character to be disconnected with the audience, and on occasion results in her having a low morality compass. Yet fortunately the drama is shrouded in humanity. Everything felt natural. What helped elevate this was Denis' direction. A ludicrous amount of one take scenes allow us to become involved in their lives. The most notable of these being an eight minute unedited scene to which she talks to a banker at a bar. It also showcases Binoche's fantastic performance as she switches between emotions almost instantly. One second she is happily in love, the next filling her mind with doubt.

The scenes of sexual nature however felt rather excessive, particularly the introductory scene, that detracted from Denis' classy artistry. It may have highlighted the sleazy behaviour of these characters, but contrasts with the delicate portrayal of love. A nice touch that I found noteworthy was the concluding conversation with Depardieu. Midway through, the credits start rolling to emphasise the distractions that romances can cause, and it's these sort of contemporary details that enhance the film's interpretation.

Denis is certainly crafting films that aren't particularly accessible to the typical audience, but that does not result in her films being just exercises in vapidity. There's an intricate amount of humanity that brings life to this unconventional "romcom" that really should not be blocking that elusive sunshine.