NOTE IMDb
8,2/10
18 k
MA NOTE
Deepak prend sa retraite après avoir perdu sa jambe droite lors d’un accident. Cinq ans plus tard, il est forcé à revivre tous les événements qui ont mené à l’accident.Deepak prend sa retraite après avoir perdu sa jambe droite lors d’un accident. Cinq ans plus tard, il est forcé à revivre tous les événements qui ont mené à l’accident.Deepak prend sa retraite après avoir perdu sa jambe droite lors d’un accident. Cinq ans plus tard, il est forcé à revivre tous les événements qui ont mené à l’accident.
- Récompenses
- 1 nomination au total
Prakash Raghavan
- Gautham
- (as Prakash Vijayaraghavan)
Sivaram Ramanathan
- Killer
- (non crédité)
Avis à la une
D-16, one of the best thrillers in the recent times. Directed by the debutant Karthick Naren. Debutant? Yes, one would wonder how this is possible by a debutant. Karthick directing his first movie has done an exceptional job.
The first crime scene might seem average, but there on it's entirely a different movie. Each and every scene is planned to perfection and keeps the audience engaged till the end. Suspense is what Karthick masters, he keeps everyone guessing till it is unraveled.
Rahman as Deepak has justified his role. His Malayalam dipped slang might seem a bit unfit but it doesn't over shadow his acting. The story was narrated from Rahman's point of view. Almost all the other faces are new. Everyone has done an exceptional job.
Characterization was another plus no unwanted or annoying characters. Every character has contributed something to the plot. The background score by Jakes Bejoy has travelled along the movie that plants each and every scene in mind. Cinematography is another technical aspect that lifts the movie. Sujith Sarang with the camera has to be lauded for his efforts.
It's a nail biter one might find travelling along the story till the very end. Karthick is another find for Kollywood. When we leave the movie halls we might still feel suspense circling our heads (Few twists have been left to be judged by the audience).
The first crime scene might seem average, but there on it's entirely a different movie. Each and every scene is planned to perfection and keeps the audience engaged till the end. Suspense is what Karthick masters, he keeps everyone guessing till it is unraveled.
Rahman as Deepak has justified his role. His Malayalam dipped slang might seem a bit unfit but it doesn't over shadow his acting. The story was narrated from Rahman's point of view. Almost all the other faces are new. Everyone has done an exceptional job.
Characterization was another plus no unwanted or annoying characters. Every character has contributed something to the plot. The background score by Jakes Bejoy has travelled along the movie that plants each and every scene in mind. Cinematography is another technical aspect that lifts the movie. Sujith Sarang with the camera has to be lauded for his efforts.
It's a nail biter one might find travelling along the story till the very end. Karthick is another find for Kollywood. When we leave the movie halls we might still feel suspense circling our heads (Few twists have been left to be judged by the audience).
Lovely murder mystery. Nice to see a movie with suspense being the theme with perfect pacing, enough eye for details, solidly enacted, no distractions of songs etc. Pretty much whatever makes a good solid yarn of a suspense from the good old school is in here.
Two deaths, missing woman, disappearing witness and a Cop led by his assorted bag of assistants, including a new recruit in the hunt.
I loved the way the story dealt in small details, especially at the police station, the new cops, the stress around their work etc. Rehman plays his part well.
Definitely worth a watch.
Two deaths, missing woman, disappearing witness and a Cop led by his assorted bag of assistants, including a new recruit in the hunt.
I loved the way the story dealt in small details, especially at the police station, the new cops, the stress around their work etc. Rehman plays his part well.
Definitely worth a watch.
FINALLY !!! A KIND OF FILM I HAVE ALWAYS BEEN WAITING FOR IN TAMIL CINEMA ! Truly a mind-twisting movie experience! A dark-thriller! Indeed one of the best dark thrillers in Tamil cinema! The sound mixing and background for this movie is so brilliant. Truly a a genius! Karthick Naren an young director in his early 20s delivers one of the best thrillers made in Tamil cinema. Although you might have no idea where the film is taking you to, no worries, the climax of the movie will leave you in shock. Rahaman the actor of this film totally pulled it off with ease. Its sad to see that not many people can appreciate this master piece, more films like this should come out. Support this kind of films and don't let Tamil cinema rot in the name of masala films. Top notch thriller which you will not regret watching. Its worth every penny of your money! Go watch it! My score - 9.2/10
After the trailer impressed quiet a number of people, I had an impression that this will be yet another movie which fools around with its trailer. Karthik Naren proved me wrong.
Never seen such a dark crime thriller in Thamizh Cinema. I must say, no one expected such a young lad to perform this much.
The cinematic dark tone, grippy BGM, Screenplay treatment, Almost perfect Casting, makes this a must watch movie.
Although this is not a perfect movie, having its own loopholes, it still stands out from the crowd.
Thamizh Cinema is indeed evolving.
Never seen such a dark crime thriller in Thamizh Cinema. I must say, no one expected such a young lad to perform this much.
The cinematic dark tone, grippy BGM, Screenplay treatment, Almost perfect Casting, makes this a must watch movie.
Although this is not a perfect movie, having its own loopholes, it still stands out from the crowd.
Thamizh Cinema is indeed evolving.
Written and Directed by debut Karthick Narain. With his 2 short films experience, stepped into feature film by taking a crime thriller as plot.
A crime case investigation by a police officer and the way he get into the target along with multiple views from different persons involved is D16.
A complete investigative mystery thriller generation where it start the ride from the very beginning without spending much on any ordinary stuffs. Success of a engaging investigation lies on the clue which come across for the next chain of scenes, even a dialogue from the movie says this as few clues of what we intend to know will come to us on its own. When we think of from where to start next, there comes a scene to give the route.
Rahman, who do only limited unique character back in for the role where he perfectly fit in and his subtle acting apt for the investigation. Other cast, though they travel throughout, they neatly perform what they expected from them.
As there is no songs in this movie, BGM plays the high scope for music director and it truly justified in the movie with right tone. Camera and lighting are well managed as most of the scenes happens at night where the subject shine in dark.
Length of the movie is another plus where cuts are rightly placed and the engagement didn't take any downside till end.
For a debutant director, the efforts and smartness spent on writing is truly evident while watching this mystery. Experimental in terms of multiple views of the crime scene and intelligent enough when the knot unfolds which gives a different view.
A crime case investigation by a police officer and the way he get into the target along with multiple views from different persons involved is D16.
A complete investigative mystery thriller generation where it start the ride from the very beginning without spending much on any ordinary stuffs. Success of a engaging investigation lies on the clue which come across for the next chain of scenes, even a dialogue from the movie says this as few clues of what we intend to know will come to us on its own. When we think of from where to start next, there comes a scene to give the route.
Rahman, who do only limited unique character back in for the role where he perfectly fit in and his subtle acting apt for the investigation. Other cast, though they travel throughout, they neatly perform what they expected from them.
As there is no songs in this movie, BGM plays the high scope for music director and it truly justified in the movie with right tone. Camera and lighting are well managed as most of the scenes happens at night where the subject shine in dark.
Length of the movie is another plus where cuts are rightly placed and the engagement didn't take any downside till end.
For a debutant director, the efforts and smartness spent on writing is truly evident while watching this mystery. Experimental in terms of multiple views of the crime scene and intelligent enough when the knot unfolds which gives a different view.
Le saviez-vous
- AnecdotesKarthick Naren was forced to fund this film himself as the producers he narrated the script to were reluctant considering his age as he was just 21. The film went on to become a huge critical and commercial success.
- GaffesDeepak and Gautham find the Newspaperman at Fabian's house. They however do not feel the need to question the Newspaperman about what he was doing there till Mano reports the facts later that day.
- Crédits fousThere are no end credits for this film
- ConnexionsReferenced in Thallumaala (2022)
- Bandes originalesKaatril Oru Rajaali
Written by Mani Amudhavan
Performed by Lawrence, Kavita Thomas
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Dhuruvangal Pathinaaru?Alimenté par Alexa
Détails
- Durée
- 1h 45min(105 min)
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant