Viper Club

This story is very powerful. It keeps you interested in whether there will be a happy ending or not. Susan Sarandon is very good in it, she connects with you so much that you.

This is a 100% drama movie, there are absolutely no comedy and no action. its a story of heartbroken life driven by the magnificent acting by susan sarandon and the rest of the cast making viper club worth to see.

its a dramatic film about a mothers loss, having a son that has been captured by the ISIS in syria somewhere, and about her actions made to try to set him free, through official channels,that are not so helpful, then through unauthorized organisations,to try to make contact with the captors and to try to pay him out , which officially comes in conflict with u.s antiterror laws,that ssay that if you trry to bail out someone held by a terrorist organisation,you can face legal actions and be found guilty for supporting the organisation financially , aka supporting terrorism. god forbid that happening to my children, its a terrible nightmare for sure.

mrs sarandon do really stretch her talents to the limits in this drama, the longing, the dispair, the desillusions, the fatigue,and most of all the helplessness are so exclusively done.. if you wanna have a taste of true hardships of life do watch this movie. highly recommended.

The best thing about this film is the portrayal of a middle aged nurse facing this crisis. Well written character and well acted. The editing is choppy. The storyline is murky. Too many sentimental flashbacks and hallucinations. They seem formulaic. If the whole film had the authenticity of the main character as a strong woman in pain, it could have been engrossing. It did not.

For me, the movie does not let down. Susan Sarandon plays a nurse whose son's a freelance journalist who gets kidnapped, while in Syria and she struggles to do what needs to be done to get him back.

It would be a Lifetime movie of the week if it was not for Susan Sarandon's involvement, and it really helps. Such a fine actress portraying the frustration of a woman who's son has been missing for three months and it seems like her government is not doing anything and she's not sure if an alternative that was given to her (the Viper Club the pulls their resources together in order to pay ransoms for kidnapped people the government will not help) will work.

It's also different from Lifetime as the movie is a real downer, but Ironically that's what makes it good.

Viper Club (2018) on Youtube subscription.

Iranian director, Maryam Keshavarz, returns after a seven year hiatus. Her previous brave movie, Circumstance (2011), showed the plight of Iranian lesbians in a harsh political country filled with hypocrisy and misogyny. In Viper Club, she places the USA under a microscope and reveals plenty without being overloud.

The basic premise is that of a mother attempting to deal with the issue of her kidnapped journalist son in the Middle East. While the FBI and the government are stalling (because one doesn't know what the other is doing), the frustrated mother turns to a wealthy fundraising group with connections in high places. All this while attempting to keep down her job as a shift nurse, doing long hours and deprived of sleep.

Director Keshavarz creates a social structure of the USA within that story frame. The obvious one is the bureaucratic red tape from the Government and the games they play for political purposes. Then there is the wealthy groups and the power they have when they lend a helping hand is raising the ransom. Most importantly is the hospital where the mother works as a nurse. It is the hub of a multicultural society. A workplace where people of different cultures get along, even under duress. There is one underplayed sequence during an emergency rush hour of gunshot victims, obviously from another U.S. shooting spree, but that is never spelt out. It is scenes like this, and others, where the filmmakers have placed faith in their audience to decipher.

The main thrust of the story is the mother's ordeal. She is only a small player in this kidnapping saga because she really has no control, and all the while has to juggle the heavy load of shift work and life. This is revealed in short scenes, with some lingering shots on Susan Sarandon's tired and emotionally drained features that were powerfully effective.

This was all achieved by a somber tone. Almost like being in the same shock trance as the mother. It also had a powerful sense of realism, with the slight handheld camera movement and the care it took in showing the mother's daily life. Almost reminiscent of a Ken Loach or Mike Leigh style of filmmaking, where the characters are more important and carry the story.