Ajouter une intrigue dans votre langueThe story of the 1971 war between India and Pakistan is told from the perspective of a soldier.The story of the 1971 war between India and Pakistan is told from the perspective of a soldier.The story of the 1971 war between India and Pakistan is told from the perspective of a soldier.
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If you look at Major Ravi's filmography, it is clear what his intentions are. However, none of his films are cinematically strong. They are like used bullet shells that have no use but are there to remind us about wars. This war drama is no different.
Sahadevan (Mohanlal) is a Major in the Indian army who speaks awful Hindi and English, and leads a team of largely Malayali soldiers at the border. It's 1971, and India is sporadically at war with East or West Pakistan (it's unclear). Although Sahadevan has a family back home, he is dedicated at his work and on the task at hand, which is to kill as many enemies as possible in the battlefield. With insubordination, arrogance, constant thirst for alcohol, and a large belly that prevents free movement of his body as weapons, he leads his battalion against a faction of Pakistani soldiers headed by Commander Akram Raja (Arunoday Singh), who (no prize for guessing) also has a family back home.
The narrative has no idea what it's doing because at one point, we see a soldier being sent to help a father grieve his father's loss and at another, we see Sahadevan reprimanding a young soldier for exchanging risqué pornographic love letters with his newly-wedded wife. To say the least, everything is all over the place. It looks like Director Ravi gathered all typical war elements in his hand, put it in a Preethi mixer grinder, and blended it till the time he was satisfied and was able to cook up a pretentious and pathetic story to decorate the blended mixture with. I'm not sure if the guarantee provided by Preethi was enough, because the final dish looks stale, smells ghastly, and tastes like human viscera. Throughout the film, the Indian soldiers are running and walking around the field in groups like they are in a treasure hunt. Just plain awful!
There's not a single good point to talk about 1971: Beyond Borders except Arunoday Singh's below average performance as a moral army man. Whatever the makers intended by creating such an ambitious yet floppy film is beyond me, because neither the technical aspects nor the writing is proper here. Mohanlal is a phenomenal actor but seeing him blurt out nonsense and play with a tank in a war field is excruciatingly painful. His character is a self-righteous pig who ogles at young married women when not at the war-front. While the supporting cast also disappoint with their unpolished performance, it is untalented Allu Sirish who becomes another pain in the neck portraying a soldier like he's a floozy.
Director Ravi is an awful director, and this film proves it once again. His intentions as a former army man may be novel, but it's a kind request from a serious cinema-watcher that he stop making us - the general, informed audience - put up with such ludicrous war films. I'm not even going to talk about those songs that are part of this 130-minute madness.
BOTTOM LINE: Major Ravi's "1971: Beyond Borders" is not a war film, but instead a mockery of war, picturised using painted characters that do not know anything about war just like the people who made the film. It is cringe-worthy, melodramatic, and purely imaginative. Skip for life!
Can be watched with a typical Indian family? YES
Sahadevan (Mohanlal) is a Major in the Indian army who speaks awful Hindi and English, and leads a team of largely Malayali soldiers at the border. It's 1971, and India is sporadically at war with East or West Pakistan (it's unclear). Although Sahadevan has a family back home, he is dedicated at his work and on the task at hand, which is to kill as many enemies as possible in the battlefield. With insubordination, arrogance, constant thirst for alcohol, and a large belly that prevents free movement of his body as weapons, he leads his battalion against a faction of Pakistani soldiers headed by Commander Akram Raja (Arunoday Singh), who (no prize for guessing) also has a family back home.
The narrative has no idea what it's doing because at one point, we see a soldier being sent to help a father grieve his father's loss and at another, we see Sahadevan reprimanding a young soldier for exchanging risqué pornographic love letters with his newly-wedded wife. To say the least, everything is all over the place. It looks like Director Ravi gathered all typical war elements in his hand, put it in a Preethi mixer grinder, and blended it till the time he was satisfied and was able to cook up a pretentious and pathetic story to decorate the blended mixture with. I'm not sure if the guarantee provided by Preethi was enough, because the final dish looks stale, smells ghastly, and tastes like human viscera. Throughout the film, the Indian soldiers are running and walking around the field in groups like they are in a treasure hunt. Just plain awful!
There's not a single good point to talk about 1971: Beyond Borders except Arunoday Singh's below average performance as a moral army man. Whatever the makers intended by creating such an ambitious yet floppy film is beyond me, because neither the technical aspects nor the writing is proper here. Mohanlal is a phenomenal actor but seeing him blurt out nonsense and play with a tank in a war field is excruciatingly painful. His character is a self-righteous pig who ogles at young married women when not at the war-front. While the supporting cast also disappoint with their unpolished performance, it is untalented Allu Sirish who becomes another pain in the neck portraying a soldier like he's a floozy.
Director Ravi is an awful director, and this film proves it once again. His intentions as a former army man may be novel, but it's a kind request from a serious cinema-watcher that he stop making us - the general, informed audience - put up with such ludicrous war films. I'm not even going to talk about those songs that are part of this 130-minute madness.
BOTTOM LINE: Major Ravi's "1971: Beyond Borders" is not a war film, but instead a mockery of war, picturised using painted characters that do not know anything about war just like the people who made the film. It is cringe-worthy, melodramatic, and purely imaginative. Skip for life!
Can be watched with a typical Indian family? YES
I have to admit I had decided I am not going to like this movie before I watched it. After watching the movie promotions, trailers and interviews, I kind of gathered that there is no substance in the movie. Only thing that stands out about Major Ravi is his devotion for Mohanlal. Spot reviews from theaters (obviously by Mohanlal fans associations) sounded dubious. Most media reviews sounded rigged too. Despite all that I decided to give it my 2 hours.
When I saw a group of Indian soldiers led by Mohanlal jumped out of a military convoy holding machine guns and aimlessly scattering about with no skills and no practice, I knew this movie is not for me. I lasted for about 10 minutes after that. I had to walk out of the fiasco.
Similar to how internal trading is illegal in stock market, padded reviews by fans associations should be made illegal.
When I saw a group of Indian soldiers led by Mohanlal jumped out of a military convoy holding machine guns and aimlessly scattering about with no skills and no practice, I knew this movie is not for me. I lasted for about 10 minutes after that. I had to walk out of the fiasco.
Similar to how internal trading is illegal in stock market, padded reviews by fans associations should be made illegal.
I have gone to theater to watch movie as I thought of keerthichakra. which in mohanlal was awesome .Even the earlier soldier movies were very much better than these stories . A disappointing mashup. of the highly-appreciated prequels . Keerthichakra, Kurukshetra, and Kandahar. Try at your own risk..!!!
The film is good. Film is based on a true story that happened around 1971 between India and Pakistan. The actions and Vfx effects are superb. The film is Lil bit lagging in between. Everyone in the film played their role very well. It is the only Indian military film in which a Pakistani soldier got respect from the audience. Overall the film is a one time watchable good movie.
The actual story was remade. In real life, the war ends as IAF attacks Pakistani Armed Infantry on very morning after a fierce battle fought all night. Mohanlal is expressive well, but he looks too fluffy and chubby making unfit for a soldier's physique. His war actions were funny 😂 and me laugh. There are many good actors who will fit for it. Allu Sirish acting was good and well fitted. I feel movie could be made much better. I felt a bit intresting and sure a stuff to watch. RIP to them 🙏, who think the whole plot is real. I admire the opening scene where, both Indian and Pakistani soldier treat each other despite knowing story of their fathers.
Le saviez-vous
- AnecdotesThe movie is inspired by Mahabharata allu shirish is the abhimanyu and villain as karna and mohanlal is pandav
- GaffesThe map shown by the R&AW officer is a badly drawn version, with several glaring mistakes: Pakistan-occupied Kashmir would be shown as Indian territory in all official Indian maps, but is shown as Pakistani territory. Pakistan would have been West Pakistan then, and would have been labeled as such. East Pakistan or Bangladesh is simply absent from the picture.
- Versions alternativesThe UK release was cut, the distributor chose to remove scenes of strong violence and bloody detail in order to obtain a 12A classification. An uncut 15 classification was available.
- ConnexionsReferences Enga Veetu Pillai (1965)
- Bandes originalesArmaan
Written by 'Kamal Karthik'
Produced by Najim Arshad
Performed by Hariharan, Najim Arshad, Vipin and Shyam
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 1971: Вне границ
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 61 590 $US
- Durée2 heures 15 minutes
- Couleur
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