Newsies: The Broadway Musical

this is a solid musical- really well done across the board, and full of high octane energy. The close ups are great- really makes you connect to the characters. Kara Lindsay and Jeremy Jordan are some of the most talented people to ever grace Broadway, and hearing them rock the rafters is quite an experience!!

Also, the person who gave this 2 stars without watching the whole thing is really unfair (movie junkies that hate the stage adaptation. They exist.) In no way did Newsies fail- this 2017 live version made over 3 million dollars in just 3 days at movie theaters, and ran for 1,000 performances on Broadway. The changes made totally make sense as a whole- adding a strong female arc was a great move as it was desperately missing in the movie,,, and you ask why did they open with Santa Fe- because it's more realistic. It's refreshing to see opening scenes like this. Just two people having a conversation. A lot of Tarantino films are like this as well!

10/6/17. A good production for the silver screen. As much as I would have loved to have seen this on Broadway, watching it this way actually was pretty good. You could never get the close-ups like you do with this film in the theater, not to mention the prohibitive pricing of Broadway shows.

Fortunately, the great performances, singing, and the opportunity for close-ups of the actors make this recording of the stage production of NEWSIES well worth seeing. I feared, however, that they would not know how to film the dance numbers, and I was correct. Too many quick cuts, too many close-ups of only a few of the dancers, detract greatly from the dance numbers. While the camera adds some good rear and overhead shots of the dancers that you can't get in a live performance, these too go by in a flash. The dancers have great technique and energy all on their own. The camera doesn't need to add any movement or energy to the proceedings, like it does when you are trying to cover for poor dancers. These folks are great, but the camera-work doesn't allow us to see them for more than a fraction of a second at a time. If the director wanted to see how Broadway dances should be photographed, all he need do is look at any Tony Awards broadcast--mainly longer shots, with a few angle shots thrown in, and close-ups only when a particular step or piece of business needs to be highlighted. But directors and editors would rather show off than respect the dance.

Beautifully performed LA version of the Broadway musical. The actors, singers, dancers all on the top of their form. And the translating of the show to TV was excellent - until it came to the dance numbers. In short, these were ruined in the editing room. Just because you can cut to another shot, doesn't mean that you should. Fred Astaire had control over how his dances were filmed and insisted in full head-to-toe shots, with little or no cutting to different angles. This might seem like an austere approach, but it worked brilliantly. Gene Kelly went a step further and also produced brilliant results. It is difficult as a director to reign in the impulse to be flashy and put your mark on what you are shooting, but with dance this has to be resisted. Rob Marshall almost ruined Bob Fosse's brilliant choreography in the movie version of "Chicago". Here we have some of the world's best stage dancers giving it their all, and the director and editor got in their way. What a shame.

I am one that enjoys Broadway shows and to combine both the Broadway & North American Tour together to make this show was Amazing. I hope they make this into a DVD like they did with CATS. The stage show personal touch versus a cinematic approach makes the show 1000x times better and easier to relate to the characters.