Postcards from London

The cinematography is very much like watching a play transposed to cinema, the set (small) scenes and lighting just seems like someone has taken a moderately successful stage-play and done a somewhat lazy transposition to the screen. I appreciate that budgets might have been small, but producing for the stage vs cinema is a very different thing.

don't get me wrong, I like the slightly surreal aspects (the parent's dining table) but the execution didn't quite make it, it's just a too too literal translation of the set-design and the lighting-design onto screen which just doesn't work.

I don't want to be harsh, because there are precious few interesting indie movies out there but its not 'grand budapest hotel' or 'gods own country'

a solid 6, but with a different producer / designer / director then it could have been better. can't really fault the actors at all.

I've continued watching, after the 1st 'chapter', it does move into other directions!

This film attempted to do more than it was capable of. I think it's just too artsy idk. Definitely not for me.

Synopsis: Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.

Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.

This is one of those films that I felt really, really, belonged on a stage. The moody, sometimes seedily provocative settings; the occasionally jazzy soundtrack; a lighting and a visual style very much shot from a POV (even peeping) perspective all create an intimacy that falls a bit flat on the screen, but could work far better in a theatrical setting using our own naked eye. I'm genuinely convinced that Harris Dickinson is going to amount to something as an actor. Regardless as to whether you think this is surreal nonsense, or something altogether more ethereal, there is no denying that for a young, straight, man, Dickinson has a self confidence and honesty about his acting that really cuts through. Ostensibly about a group of sophisticated rent boys - or "raconteurs" as they prefer, this is not in any way seamy. It's seductive - even teasing at times, but it isn't about sex; even sex workers. It's about this young man using art as a (slightly contrived) conduit for his aspirations for friendship, acceptance and of his determination to do what he needs to do when he needs to do it - but not to allow that behaviour or attitude to become habitual or toxic. The story, insofar as it actually matters, is poor though, almost irrelevant. The film is presented as a disjointed collection of instalments that don't really deliver on any level; the overall narrative is just a bit too fanciful and boy, can it be slow at times. Indeed, it's not a very good film, this - the stuff of a vivid imagination that would take someone of greater experience than auteur Steve McLean to hone it into better shape - but flawed as it undoubtedly is, it's a visually compelling series of mini-stories held together well by a man not afraid to push his boundaries and show us he can act.

Tjhis movie is a pretentious and self-serving pile of manure. It has absolutely no redeeming features, other than some of the actors, who are at least very easy on the eyes. In fact, the most attractive of those actors is not the main character.

This film tells the story of a young man who goes to London to find his artistic dreams.

The film is visually very beautiful. Harris Dickinson is beautiful, and is clearly objectified in the film. The story is interesting. It is pleasing to see that BFI makes a film as alternative and as erotic as this.