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4,5/10
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Un créateur de jeux vidéo, déchu de son identité, et recruté par une mystérieuse organisation afin de devenir le gardien d'un portail multidimensionnel.Un créateur de jeux vidéo, déchu de son identité, et recruté par une mystérieuse organisation afin de devenir le gardien d'un portail multidimensionnel.Un créateur de jeux vidéo, déchu de son identité, et recruté par une mystérieuse organisation afin de devenir le gardien d'un portail multidimensionnel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Dmitry Khrustalev
- Member of the commission
- (as Dmitriy Khrustalyov)
Avis à la une
I like the story-
Kirill (Nikita Volkov) returns home after a work celebration to find someone else living in his apartment. Soon he finds that no one remembers him- Not even the government! He discovers he has been chosen to be a customs agent, a person who can open doors to other worlds.
This movie feels like a rough draft. There was so much touched upon and and crammed into this movie. It would have done well to expand some parts of the storyline. The romance between Kirill and Anna had no depth or resolution. Although there were a few touching moments they weren't long enough to let you care.
Since this was an English dubbed film I must say the voice actors were mediocre. There was a part in the beginning where an actor is speaking and you only hear Kirill reply. Emotion is not always relayed and it takes away from the actors' intention.
There were a couple of neat little action scenes, some special effects and glimpses of other worlds. Scenes with Kirill and Kotya seemed natural.
This has at least inspired me to find the books and have a read.
Kirill (Nikita Volkov) returns home after a work celebration to find someone else living in his apartment. Soon he finds that no one remembers him- Not even the government! He discovers he has been chosen to be a customs agent, a person who can open doors to other worlds.
This movie feels like a rough draft. There was so much touched upon and and crammed into this movie. It would have done well to expand some parts of the storyline. The romance between Kirill and Anna had no depth or resolution. Although there were a few touching moments they weren't long enough to let you care.
Since this was an English dubbed film I must say the voice actors were mediocre. There was a part in the beginning where an actor is speaking and you only hear Kirill reply. Emotion is not always relayed and it takes away from the actors' intention.
There were a couple of neat little action scenes, some special effects and glimpses of other worlds. Scenes with Kirill and Kotya seemed natural.
This has at least inspired me to find the books and have a read.
I know nothing of the books, but shouldn't need to if the script was tight. It was not.
The main character's bizarre obsession with one woman and seemingly effortless adjustment to his new surreal job and surroundings had me rewinding several times, certain I'd missed something that explained what was happening.
I had not.
Also, none of the frequent Russian text displayed on the screen is translated, which is super annoying.
Don't let a few interesting visuals in the previews fool you. The rest are embarrassingly bad.
The main character's bizarre obsession with one woman and seemingly effortless adjustment to his new surreal job and surroundings had me rewinding several times, certain I'd missed something that explained what was happening.
I had not.
Also, none of the frequent Russian text displayed on the screen is translated, which is super annoying.
Don't let a few interesting visuals in the previews fool you. The rest are embarrassingly bad.
Kirill (Nikita Volkov) has a great life as a very successful video game designer; he has lots of friends, loving parents and a beautiful girlfriend, not to mention a loyal dog. But one evening when he returns to his apartment, he finds a stranger there - a woman named Renata (Severija Janusauskaite) who insists that the apartment (and the dog) belongs to her. In trying to straighten the situation out, Kirill soon discovers that all of his documentation has somehow disappeared from official records, his boss doesn't know him and worse, neither do his friends or even his parents. He is now at the mercy of Renata, who instructs him to go to a tower, where he will serve as the customs officer, opening doors to other worlds. And he's very good at what he does.... This sketchy description barely scratches the surface of this film, which is full of gorgeous imagery (steampunk vehicles, graceful dirigibles and terrifying flying matryoshka dolls) and out-of-this-world fight scenes. Really fun stuff, if bewildering at times.
Sergey Lukyanenko's books are a treasure trove of ideas, and should lend themselves well to adaptations. Night Watch was a good one. Chernovik, however, is a mess. Too much has been crammed into a single movie. The visuals are spectacularly, but the numbers of characters, worlds, the weird transitions, the lack of character development or even fleshing, makes it nearly impossible to follow. Paradoxaly, the rhythm lulls several times in the movie, and keeping attention is difficult. Too bad.
As a big fan of Lukjanenko, the author of the book and the book itself, I so wished the movie would be any good. But unfortunately it isn't. And I am very sad to give this review
First of all I would like to thank the author for a great story. For some reasons this book puts me in a special mental state, so I have listened to an audio version of it more than enough to know the story by heart.
Now about the movie. My major complain goes to the screenwriter. Almost all story lines and characters, including the main ones were changed so heavily, that the whole thing stopped to make any sense after the first 30 minutes of the movie. I probably said "whaat the hell??" 100 times watching the movie. Somehow, to my regret, bad screenwriting became an epidemic in the russian movie industry. It's like they think that if they add some visual effects to the movie, they are justified to make a sloppy work on the story, which is what a good movie is actually always about. Common guys, that is just a lazy thinking!
Ok, you might say that I am biased by the book and it's always difficult to convert a book to a movie. So what if you haven't read the book? To that I would say - it will be even worse to watch, because you will just fail to understand what the hell is going on. Characters suddenly start talking about things and calling names you've never heard before. In my opinion you will not understand motivations and the logic, so you will be left to sit and wonder who is doing what and why.
My advise - skip the movie, read or listen the book.
First of all I would like to thank the author for a great story. For some reasons this book puts me in a special mental state, so I have listened to an audio version of it more than enough to know the story by heart.
Now about the movie. My major complain goes to the screenwriter. Almost all story lines and characters, including the main ones were changed so heavily, that the whole thing stopped to make any sense after the first 30 minutes of the movie. I probably said "whaat the hell??" 100 times watching the movie. Somehow, to my regret, bad screenwriting became an epidemic in the russian movie industry. It's like they think that if they add some visual effects to the movie, they are justified to make a sloppy work on the story, which is what a good movie is actually always about. Common guys, that is just a lazy thinking!
Ok, you might say that I am biased by the book and it's always difficult to convert a book to a movie. So what if you haven't read the book? To that I would say - it will be even worse to watch, because you will just fail to understand what the hell is going on. Characters suddenly start talking about things and calling names you've never heard before. In my opinion you will not understand motivations and the logic, so you will be left to sit and wonder who is doing what and why.
My advise - skip the movie, read or listen the book.
Le saviez-vous
- AnecdotesSergey Lukyanenko: the author of the original book, in the scene when Kiril takes the metro to his parents.
- ConnexionsReferenced in Vecherniy Urgant: Yuliya Peresild/Sergei Lukyanenko/Gluk'oZa/ST (2018)
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- How long is A Rough Draft?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 3 403 050 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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