Vice
- 2018
- Tous publics
- 2h 12min
L'histoire de Dick Cheney, le vice-président le plus puissant de l'histoire et la manière dont ses mesures politiques ont changé le monde tel que nous le connaissons.L'histoire de Dick Cheney, le vice-président le plus puissant de l'histoire et la manière dont ses mesures politiques ont changé le monde tel que nous le connaissons.L'histoire de Dick Cheney, le vice-président le plus puissant de l'histoire et la manière dont ses mesures politiques ont changé le monde tel que nous le connaissons.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 35 victoires et 139 nominations au total
Camille James Harman
- Mary Matalin
- (as Camille Harman)
Avis à la une
This film is held together by some truly outstanding performances (Bale and Adams, in particular). It will no doubt be compared to writer/director Adam McKay's film adaptation of The Big Short. But while that story covered just a couple years, Vice spans nearly 4 decades, significantly more difficult to fit into a 2 hour film.
McKay's use of a narrating character is sometimes helpful in providing context and continuity, though I think it worked better in The Big Short.
As a bio-pic, Vice does a good job of capturing Cheney's drive for power and his devotion to his family. Complicated people are generally difficult to depict in film, but McKay and the team he assembled gave it an effort worthy of some awards.
I found some of the editing a bit quirky to the point of distraction, but I definitely recommend seeing it. Be sure and stay to the end.
McKay's use of a narrating character is sometimes helpful in providing context and continuity, though I think it worked better in The Big Short.
As a bio-pic, Vice does a good job of capturing Cheney's drive for power and his devotion to his family. Complicated people are generally difficult to depict in film, but McKay and the team he assembled gave it an effort worthy of some awards.
I found some of the editing a bit quirky to the point of distraction, but I definitely recommend seeing it. Be sure and stay to the end.
As Adam McKay's follow-up to The Big Short (one of my favorite films of 2015) he is back with another dark satirical comedy.
Just like in The Big Short, the amount of information McKay throws at you is a little overwhelming, especially if you don't fully understand it. It is a little slower paced of a movie, but the way he frames every scene has such gusto that you can't take your eyes off the screen.
Other than the brilliant script the main thing to note in this movie is the perfect casting. Christian Bale and Amy Adams teaming up again, this time as Dick and Lynne Cheney further prove they should team up in every movie together. Christian Bale is so believable as Dick Cheney that you suddenly forget that you are even watching Bale at all. Then you have Steve Carell as Donald Rumsfeld, Sam Rockwell as George W. Bush, Tyler Perry as Colin Powell, Naomi Watts, Lily Rabe, Jesse Plemons (in a role that I did NOT see coming), and plenty more.
There is a fantastic scene between Lynne and Dick where Plemons' character narrating notes - that we wouldn't know what they actually would have said in this certain moment, but he images it would be something quite Shakespearian. Then Lynne and Dick start talking like they are in Macbeth. Their chemistry is just fantastic and you get to see how much Lynne stepped up, and her ambitions and reservations with going into this political world.
As much as this movie paints Cheney as a villain, McKay still gave him depth and compassionate moments, and showing all of his health troubles. You really see how this man became the most powerful VP that we have ever had in the history of the U.S. Presidency and how scary that is because it is all true. We have lived it.
This movie is definitely not for everyone but I really enjoyed it. There is a funny after credits scene that shows how divided our country is, and the quote above is exactly what you should be asking yourself at the end of the movie. So, what do we believe?
Just like in The Big Short, the amount of information McKay throws at you is a little overwhelming, especially if you don't fully understand it. It is a little slower paced of a movie, but the way he frames every scene has such gusto that you can't take your eyes off the screen.
Other than the brilliant script the main thing to note in this movie is the perfect casting. Christian Bale and Amy Adams teaming up again, this time as Dick and Lynne Cheney further prove they should team up in every movie together. Christian Bale is so believable as Dick Cheney that you suddenly forget that you are even watching Bale at all. Then you have Steve Carell as Donald Rumsfeld, Sam Rockwell as George W. Bush, Tyler Perry as Colin Powell, Naomi Watts, Lily Rabe, Jesse Plemons (in a role that I did NOT see coming), and plenty more.
There is a fantastic scene between Lynne and Dick where Plemons' character narrating notes - that we wouldn't know what they actually would have said in this certain moment, but he images it would be something quite Shakespearian. Then Lynne and Dick start talking like they are in Macbeth. Their chemistry is just fantastic and you get to see how much Lynne stepped up, and her ambitions and reservations with going into this political world.
As much as this movie paints Cheney as a villain, McKay still gave him depth and compassionate moments, and showing all of his health troubles. You really see how this man became the most powerful VP that we have ever had in the history of the U.S. Presidency and how scary that is because it is all true. We have lived it.
This movie is definitely not for everyone but I really enjoyed it. There is a funny after credits scene that shows how divided our country is, and the quote above is exactly what you should be asking yourself at the end of the movie. So, what do we believe?
Whether it's entirely fact-based or not, I can't deny how engrossed I was by its unique and interesting style. The film starts out very strong and compelling, but the screenplay is bit choppy and doesn't stick the landing. While some events are brushed over, others are brilliant and enjoyable enough to make the film an overall worthwhile experience. The performances are truly great and Christian Bale is an absolute powerhouse with such a commanding presence. This is a film with purpose, no matter how unsubtle of a gut-punch it may intend to deliver.
Christian Bale delivers a remarkable performance worthy of the hype and the Oscar (sadly, he did not win). The acting is great across the board. Rockwell might be the second best in film, while Steve Carell and Amy Adams were similarly excellent.
Director Adam McKay holds this movie back from being great. He lays on the metaphors with the thickness of grandma's lasagna. And much like when eating the lasagna, a little goes a long way. Unfortunately, McKay feeds us an unneeded second helping. And a third.
That's not to say Mckay did a terrible job directing this movie. He didn't. Most of the film has a strong, resonant message wrapped in an entertaining and hilarious packaging. Much like in "The Big Short," McKay cleverly communicates complicated material in a way that's easy for any viewer to understand. And this is all accomplished without being condescending, except for when it is.
McKay doesn't put enough trust in viewers to comprehend what he's saying. The cutaways to literal representations of hunting and fishing feel a bit insulting and clunky. They're unnecessary. Christian Bale is masterful chef. Just keep the camera on him and let him cook.
For the most part, the movie is thoroughly enjoyable, largely because of the way it sheds light on the ridiculousness of the events unfolding. It's a funny movie at times because it's so appalling. Other times it's too appalling to be funny.
Critics may point out that the story is not a bi-partisan take. To be clear: it's not and it's not trying to be. McKay is disgusted by what Dick Cheney and other political figures did, and he makes his feelings painfully clear. This approach leads to some of the movie's most fascinating moments but also led to its partial undoing. If McKay had just been willing to trust that moviegoers would understand his message if presented it with a touch more subtlety (they would have) this would be a smarter and more ultimately more widely praised film.
Director Adam McKay holds this movie back from being great. He lays on the metaphors with the thickness of grandma's lasagna. And much like when eating the lasagna, a little goes a long way. Unfortunately, McKay feeds us an unneeded second helping. And a third.
That's not to say Mckay did a terrible job directing this movie. He didn't. Most of the film has a strong, resonant message wrapped in an entertaining and hilarious packaging. Much like in "The Big Short," McKay cleverly communicates complicated material in a way that's easy for any viewer to understand. And this is all accomplished without being condescending, except for when it is.
McKay doesn't put enough trust in viewers to comprehend what he's saying. The cutaways to literal representations of hunting and fishing feel a bit insulting and clunky. They're unnecessary. Christian Bale is masterful chef. Just keep the camera on him and let him cook.
For the most part, the movie is thoroughly enjoyable, largely because of the way it sheds light on the ridiculousness of the events unfolding. It's a funny movie at times because it's so appalling. Other times it's too appalling to be funny.
Critics may point out that the story is not a bi-partisan take. To be clear: it's not and it's not trying to be. McKay is disgusted by what Dick Cheney and other political figures did, and he makes his feelings painfully clear. This approach leads to some of the movie's most fascinating moments but also led to its partial undoing. If McKay had just been willing to trust that moviegoers would understand his message if presented it with a touch more subtlety (they would have) this would be a smarter and more ultimately more widely praised film.
In 2008, Italian director Paolo Sorrentino made a film about a, then, still living sinister political figure Giuliano Andreotti. The ferociousness of the portrait was acceptable to the public at large because it was presented as a stylish, slightly surreal comedy. Adam McKay sets VICE in a more realistic universe but the results are just as pungent, disturbing and funny. Christian Bale is spookily perfect. And Amy Adams is a modern day Lady Macbeth of major proportions. The most unsettling part of the whole experience, because Vice is an experience, is the knowledge that this are the people chosen by the people. The fact that countries have the governments they deserve gives me a chill in 2018. A remarkable film with remarkable performances. Bravo.
Le saviez-vous
- AnecdotesChristian Bale said that due to the improvisational directing style of Adam McKay, he had to do more research for this film than any other film he's done. In order to ad-lib in character, Bale not only needed to have Dick Cheney's mannerisms and vernacular down, but he also had to know which policies, their instances, and abbreviations the Vice President would be aware of at any given moment in his life.
- GaffesIn the movie, all the characters including Cheney family members, pronounce the family name as "chain-y". The Cheney family has always pronounced their name as "cheen-y".
- Citations
Anonymous: Beware the quiet man. For while others speak, he watches. And while others act, he plans. And when they finally rest... he strikes.
- Crédits fousA fake end credits runs midway through the movie.
- ConnexionsEdited into Vice: Deleted Scenes (2019)
- Bandes originalesSend Me the Pillow You Dream On
Written and Performed by Hank Locklin
Courtesy of RCA Records Label Nashville
By arrangement with Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El vicepresidente: más allá del poder
- Lieux de tournage
- Kern River, Californie, États-Unis(Fly fishing scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 836 282 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 768 371 $US
- 30 déc. 2018
- Montant brut mondial
- 76 073 488 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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