A Ghost Story
- 2017
- Tous publics
- 1h 32min
Dans cette exploration singulière de l'héritage, de l'amour, de la perte et de l'énormité de l'existence, un fantôme récemment décédé, aux toiles blanches, retourne dans sa maison de banlieu... Tout lireDans cette exploration singulière de l'héritage, de l'amour, de la perte et de l'énormité de l'existence, un fantôme récemment décédé, aux toiles blanches, retourne dans sa maison de banlieue pour essayer de renouer avec sa femme privée.Dans cette exploration singulière de l'héritage, de l'amour, de la perte et de l'énormité de l'existence, un fantôme récemment décédé, aux toiles blanches, retourne dans sa maison de banlieue pour essayer de renouer avec sa femme privée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 victoires et 21 nominations au total
Yasmina Violeta
- Yasmina
- (as Yasmina Gutierrez)
Kesha
- Spirit Girl
- (as Kesha Sebert)
Avis à la une
A Ghost Story marks David Lowry's return to cinema since his 2013 indie hit "Ain't Them Bodies Saints". Telling the story of a young couple (Casey Affleck and Rooney Mara) who buy a home and plan to start a life together in it until tragedy strikes. The Man suddenly dies and leaves the wife to fend for herself and build a life in the house by herself instead of with the man she loves. All while she is going through this in reality, the Man begins to haunt the home in a classical white sheet donning way. Throughout the years of being trapped to haunt this home, The Ghost also has to witness the love of his past life continue on without him and experience the moments of life without him. It is a beautiful and heart wrenching film that delves deeper into what grief does to not only a person but to a ghost.
Whether you believe in an after life or not, A Ghost Story isn't worried about your beliefs. It plays out like a fantasy and that's how it stays which really bodes well for it. It never reaches beyond what is happening with the Man and the Woman and, of course, the House (which becomes a character in and of itself). David Lowry does a great job at setting up a "what if" scenario that all you can do is ask yourself, "what would I do in this situation?" The scariest part of that is there is literally nothing you can do. That rationalization is probably scarier than most horror films out today.
The film itself is a very digestible 90 minutes which is of a perfect length for this film because it doesn't go overboard and forget what it is. It's a horror film that is light on scares but heavy on thoughts and brains. There's no real scares. The big scare is putting yourself in the shoes of the ghost. What would you do if you had to witness your loved one go through grief and you couldn't do anything about it? You couldn't comfort them. You couldn't hold them. You could just watch. What if the person you loved moved on from you? What if they forget you? These questions are what made A Ghost Story scary for me. The level of helplessness that the film portrays is horrifying enough to remind audiences that death is still scary.
Overall, the film is an experimental ghost story that shows Lowry in top form both as a writer and a director. The crass nature of reality is that death is lonely and he captures that perfectly. While many who take a look at the poster will certainly think that the film is just another horror movie trying to capitalize on some paranormal money, A Ghost Story is much more than that. It is beautiful to watch, heart wrenching to experience and an absolute delight cinematically.
Whether you believe in an after life or not, A Ghost Story isn't worried about your beliefs. It plays out like a fantasy and that's how it stays which really bodes well for it. It never reaches beyond what is happening with the Man and the Woman and, of course, the House (which becomes a character in and of itself). David Lowry does a great job at setting up a "what if" scenario that all you can do is ask yourself, "what would I do in this situation?" The scariest part of that is there is literally nothing you can do. That rationalization is probably scarier than most horror films out today.
The film itself is a very digestible 90 minutes which is of a perfect length for this film because it doesn't go overboard and forget what it is. It's a horror film that is light on scares but heavy on thoughts and brains. There's no real scares. The big scare is putting yourself in the shoes of the ghost. What would you do if you had to witness your loved one go through grief and you couldn't do anything about it? You couldn't comfort them. You couldn't hold them. You could just watch. What if the person you loved moved on from you? What if they forget you? These questions are what made A Ghost Story scary for me. The level of helplessness that the film portrays is horrifying enough to remind audiences that death is still scary.
Overall, the film is an experimental ghost story that shows Lowry in top form both as a writer and a director. The crass nature of reality is that death is lonely and he captures that perfectly. While many who take a look at the poster will certainly think that the film is just another horror movie trying to capitalize on some paranormal money, A Ghost Story is much more than that. It is beautiful to watch, heart wrenching to experience and an absolute delight cinematically.
Imagine a joke that takes 90 minutes to tell, you never get to hear the actual punchline, and part of the point is how long and incredibly boring it is to get there - yet it makes sense at the end, and in some strange way seems fulfilling. If this sounds like your cuppa joe, you might like this flick. I'm glad I watched it, but wouldn't watch it again, and can't recommend it.
Alright. I confess. I am an emotional person. After seeing the Plugged In review for this film, I cautiously threw this movie in on a slow, Saturday night. I assumed that it was going to be much like the movie "Ghost," and that it would be good, but not overly amazing. I was so wrong.
Not only did this movie make me cry for most of its duration, but it literally made me sob so hard that I was afraid of waking up the rest of my family is I cried in my bedroom at 11:45 at night. The film just hits so close to home. Time is the enemy of everyone. There's no going back, and there's no stopping it either. People pass, relationships end, romances form and then break apart. Nothing, at least in our physical world, ever stays the same. This movie beautifully illustrates this in a way that most American audiences don't seem to be understanding, which is why I am writing this review.
This movie deserves so much more recognition that it currently has; especially on this site. While this is by no means an action-packed or on-the-edge-of-your-seat film, the pure amount of artistry and raw, unadulterated emotion found in it makes stand out in my mind as one of the best films I have ever seen.
It's so simple. So astronomically simple; and that's what makes it so magical. Whether it be the haunting image of a wrecked car or the heavily-spoken about scene depicting a woman eating an entire pie for over five minutes, every single shot is filmed with so much emotion, it makes you want to pause the film and reflect on every minute the story has to offer. Everything has a purpose in this film. It all ties together in this beautiful, haunting tragedy mixed with a love song.
I know I'm just a kid. Yes, I may be only seventeen. But I beg you, if the reviews for this film on this site are making you think twice about seeing this, just listen to what I have to say and watch it. No, it's not for everyone. If you're looking for a horror movie or a blood-splattered motion pic, skip this one over. But if you're deeper than that, and you actually want to experience something you won't forget, throw yourself into this one.
It's sad to see that this beautiful masterpiece of American cinema is being so overlooked.
Not only did this movie make me cry for most of its duration, but it literally made me sob so hard that I was afraid of waking up the rest of my family is I cried in my bedroom at 11:45 at night. The film just hits so close to home. Time is the enemy of everyone. There's no going back, and there's no stopping it either. People pass, relationships end, romances form and then break apart. Nothing, at least in our physical world, ever stays the same. This movie beautifully illustrates this in a way that most American audiences don't seem to be understanding, which is why I am writing this review.
This movie deserves so much more recognition that it currently has; especially on this site. While this is by no means an action-packed or on-the-edge-of-your-seat film, the pure amount of artistry and raw, unadulterated emotion found in it makes stand out in my mind as one of the best films I have ever seen.
It's so simple. So astronomically simple; and that's what makes it so magical. Whether it be the haunting image of a wrecked car or the heavily-spoken about scene depicting a woman eating an entire pie for over five minutes, every single shot is filmed with so much emotion, it makes you want to pause the film and reflect on every minute the story has to offer. Everything has a purpose in this film. It all ties together in this beautiful, haunting tragedy mixed with a love song.
I know I'm just a kid. Yes, I may be only seventeen. But I beg you, if the reviews for this film on this site are making you think twice about seeing this, just listen to what I have to say and watch it. No, it's not for everyone. If you're looking for a horror movie or a blood-splattered motion pic, skip this one over. But if you're deeper than that, and you actually want to experience something you won't forget, throw yourself into this one.
It's sad to see that this beautiful masterpiece of American cinema is being so overlooked.
A Ghost Story was a rather polarizing movie back when it premiered due to its misleading marketing that made it seem like a horror/suspense movie, but the reality is not that far away when we start thinking things through.
I was moved and enthralled by what, at first glance, is a slow-burn kind of movie with very, very little dialogue and long takes that seems to drag on and on, yet with each take, there's a small gift of solace in portraying a very melancholic life about loss, grief, and the passing of time. A movie that's softly strong it essence, with a simplistic narrative that tries to for the less-is-more kind of approach, and, in my opinion, it succeeds at it.
Don't expect this to be a melodrama or a romance, instead, approach it as a cinematographic experience about the inability to let go of a loved one, about the dangers of waiting, and how love can endure what seems eternity.
There's two particular scenes that completely moved me, despite their short and succinct execution, they work great at showing you what this film is about, and I'm sure that if you give it the opportunity and time, it will reward you with a very powerful story.
I was moved and enthralled by what, at first glance, is a slow-burn kind of movie with very, very little dialogue and long takes that seems to drag on and on, yet with each take, there's a small gift of solace in portraying a very melancholic life about loss, grief, and the passing of time. A movie that's softly strong it essence, with a simplistic narrative that tries to for the less-is-more kind of approach, and, in my opinion, it succeeds at it.
Don't expect this to be a melodrama or a romance, instead, approach it as a cinematographic experience about the inability to let go of a loved one, about the dangers of waiting, and how love can endure what seems eternity.
There's two particular scenes that completely moved me, despite their short and succinct execution, they work great at showing you what this film is about, and I'm sure that if you give it the opportunity and time, it will reward you with a very powerful story.
This is not a film to watch with a big bowl of popcorn snuggled up looking for something to entertain you on a Tuesday night. It's probably best that you know what you're getting yourself into...
It's a film that challenges you to empathize with a faceless, voiceless entity that you only get to know briefly. It weaponizes boredom and hazy, cold cinematography to put the viewer in a similar situation as the titular ghost. You are a distant, helpless observer to a world that relentlessly moves forward without you. Characters come and go without much introduction or resolution, and all you can do is watch as time goes on... and on... and on...
A Ghost Story is intentionally divisive, but if you immerse yourself in its bold and and chilling atmosphere, you will experience a film that is deeply moving and sticks with you for a long, long time.
It's a film that challenges you to empathize with a faceless, voiceless entity that you only get to know briefly. It weaponizes boredom and hazy, cold cinematography to put the viewer in a similar situation as the titular ghost. You are a distant, helpless observer to a world that relentlessly moves forward without you. Characters come and go without much introduction or resolution, and all you can do is watch as time goes on... and on... and on...
A Ghost Story is intentionally divisive, but if you immerse yourself in its bold and and chilling atmosphere, you will experience a film that is deeply moving and sticks with you for a long, long time.
Le saviez-vous
- AnecdotesIn order to achieve the shape for the ghost Casey Affleck had to wear several petticoats and a hoop under the sheet.
- GaffesWhen the couple first investigates the noise from the piano in the middle of the night, Casey Affleck is barefoot. Near the end of the movie when the scene is revisited, he's wearing socks.
- Crédits fousWind along with children playing can be heard during the end credits.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: A Ghost Story (2017)
- Bandes originalesLast One
Written by Kesha (as Kesha Sebert), Toby Halbrooks and Andrew Tinker
Performed by Stereo Jane
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- How long is A Ghost Story?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Une histoire de fantôme
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 596 371 $US
- Week-end de sortie aux États-Unis et au Canada
- 104 030 $US
- 9 juil. 2017
- Montant brut mondial
- 1 951 683 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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