Quatre jeunes hommes prennent leur vie pour un film et préparent l'un des braquages les plus audacieux de l'histoire des États-Unis.Quatre jeunes hommes prennent leur vie pour un film et préparent l'un des braquages les plus audacieux de l'histoire des États-Unis.Quatre jeunes hommes prennent leur vie pour un film et préparent l'un des braquages les plus audacieux de l'histoire des États-Unis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 victoires et 22 nominations au total
Betty Jean Gooch
- The Real Betty Jean 'BJ' Gooch
- (as Betty Jean 'BJ' Gooch)
Karen Wheeling Reynolds
- Female Art Professor
- (as Karen Reynolds)
Avis à la une
Glad I stuck with this. The unique filmmaking style of Bart Layton can take a little to get used to. If you enjoyed his documentary The Imposter, then you'll probably love this.
American Animals rides that documentary-drama combination to full effect. The ratio here is probably more drama to documentary, unlike the reverse of The Imposter - which this really echoed.
Has to have the best soundtrack of any film I've seen in ages. Can't believe this thing was a true story. The "where are they now" segment at the end was interesting. I feel like we all experience some of the emotions and feelings in life that these guys did - which lead to their heist.
If you're after a crime film that's quite different - then check this out.
American Animals rides that documentary-drama combination to full effect. The ratio here is probably more drama to documentary, unlike the reverse of The Imposter - which this really echoed.
Has to have the best soundtrack of any film I've seen in ages. Can't believe this thing was a true story. The "where are they now" segment at the end was interesting. I feel like we all experience some of the emotions and feelings in life that these guys did - which lead to their heist.
If you're after a crime film that's quite different - then check this out.
Without knowing anything about the film beyond some structural elements I came into the film and was surprised by how quickly I was engaged by it. The mix of documentary footage and reenactment is not new or special, but it is effective in the early stages of this film of allowing the viewer to catch-up with the people quickly, while part of the reenactment builds tension well early on. As the film goes on, the documentary side steps into the background, but the reenactment side is more than up to the task. It links well to the real footage, adding weight, and the performances are convincing as young men in this situation.
The tension surprised me - particularly as I knew this was part documentary, so I had not expected it to be as good a drama as it was. It perhaps is a bit functional and event driven, but this works well, and the conclusion suggests that motivations and feelings were not readily available. It is slickly filmed with good use of music, and a control of tone that draws in cool sequences with real life panic and fumbling. It doesn't quite satisfy in terms of the ending, with its lack of full answers and exploration, but it is engaging, well-made, and enjoyable in several different ways.
The tension surprised me - particularly as I knew this was part documentary, so I had not expected it to be as good a drama as it was. It perhaps is a bit functional and event driven, but this works well, and the conclusion suggests that motivations and feelings were not readily available. It is slickly filmed with good use of music, and a control of tone that draws in cool sequences with real life panic and fumbling. It doesn't quite satisfy in terms of the ending, with its lack of full answers and exploration, but it is engaging, well-made, and enjoyable in several different ways.
Such a good film. I felt shattered at the end, as if I had been through some terrible trauma, but exciting all the same, of course. First big surprise here is that this largely American film is directed by an English documentary filmmaker. Second is that the poster and title are just a wee bit misleading. Depicting a real incident in Kentucky we accompany four students on a mission to steal some rare books. Involving an excellent Evan Peters as leader of the group and also featuring the actual four from the original incident freshly released from jail. I have never seen anything like this as we slip from acted to real and back mixing and matching dialogue with the one character talking to himself at one point. Very involving throughout and very imaginatively shot, this leads to the most incredible heist. I'm not sure my heart has ever beat as fast and the mixture of fear, excitement, relief and horror was quite incredible. Most of this is down to the fact that the filmmaking technique used tends to draw you in personally and breaks down the so called fourth wall and as in a dream (or nightmare!) a large part of you is actually mentally engaged in the action. Inside as opposed to outside. Very rare and illuminating experience when the urge of four kids to do something different and make something of themselves tips over into something unstoppable.
The bad ratings might result because this movie is a mix of documentary and fiction, implementing real protagonists with actors etc, but for me this movie was intense, emotional, stylish filming, good acting and garnished with a cool soundtrack. definitely a must watch and one of the most underrated movies of 2018.
Just a sensational story ,, The script writing is brilliant ,, but the most noticeable was the Directing !!! Bart Layton did both and he did one amazing job.. bringing up the characters themselves telling their side of the story was a nice touch.
Casting Evan Peters and Barry Keoghan was a good move ,, they are both rising stars and they take the job seriously , and here they were engaging and so convincing.
Now my issue is ... the movie went on the big screen at the beginning of this year , toured all around the world festivals, and premiered 1st of June on movie theaters ,, yet .. no sound what so ever ,, the marketing is so bad for this movie ,, or it is hated for some reason ,,, or maybe the critics think this is in a way glorifying crime "which isn't"... I knew about this by accidentally looking for some cast members of "American Horror Stories" and clicked on Evan Peters's IMDB page to see what's new ,and this came up !!!
Casting Evan Peters and Barry Keoghan was a good move ,, they are both rising stars and they take the job seriously , and here they were engaging and so convincing.
Now my issue is ... the movie went on the big screen at the beginning of this year , toured all around the world festivals, and premiered 1st of June on movie theaters ,, yet .. no sound what so ever ,, the marketing is so bad for this movie ,, or it is hated for some reason ,,, or maybe the critics think this is in a way glorifying crime "which isn't"... I knew about this by accidentally looking for some cast members of "American Horror Stories" and clicked on Evan Peters's IMDB page to see what's new ,and this came up !!!
Le saviez-vous
- AnecdotesDuring filming the actors were not allowed to meet their real life counterparts because the director feared they would sympathise and/or play them in a certain light.
- GaffesAt the end of the movie, when it is explaining what each character is up to now, the text says that Charles Allen II is "writing a book on prison workout regimes." Some people regard this as a mistake and think the word should be "regimens". However, all major dictionaries recognize the use of "regime" to mean "regimen".
- Citations
Warren Lipka: You're taught your entire life that what you do matters and that you're special. And that, there are things you can point towards that would... which'll show that you're special, that show you're different, when, in all reality, those things... don't matter. And you're not special.
- Crédits fousPreceding the opening credits is this quote: "We must suppose that American animals...slowly migrated by successive generations from the outer world into the deeper and deeper recesses of the Kentucky caves." Attribution is to Charles Darwin, from his seminal work, "On the Origin of Species."
- ConnexionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- Bandes originalesSound of da Police
Written by Showbiz (as Rodney Lemay), KRS-One (as Lawrence Parker), Eric Burdon, Chas Chandler (as Bryan Chandler), Alan Lomax
Performed by KRS-One
Published by Universal Music Publishing Ltd.
Used by kind permission of Carlin Music Corp.
By permission of Concord Music Publishing
Courtesy of Sony Music Entertainment Inc. Licensed by Sony Music Entertainment UK Ltd.
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- How long is American Animals?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Американські тварини
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 856 954 $US
- Week-end de sortie aux États-Unis et au Canada
- 134 793 $US
- 3 juin 2018
- Montant brut mondial
- 4 080 073 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 2:39 : 1
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