The Party's Just Beginning

Very good for a first time effort and was nice to see bits of home on screen (that walk home would be mental though). It's a bit scattered and Karen may have over reached a bit as there are a few too many different issues thrown in BUT shows promise for the future.

Chastising small town Scottish life to indifferent yet surly pubsters more interested in their drink than this open mic looney, Liusaidh delivers her trash talk with poetic vigour before stumbling out for her nightly shag and take away.

As Liusaidh, (Lucy or Loosey) Karen Gillan owns the screen, as she trudges through her insufferable existence, something her best friend decided against a year's past. Her nightly drink/shag/fries concludes with a stagger over the train bridge favoured by local jumpers, and visions of her dear departed, departing. This unsettling tragedy of events soon becomes mundane with repetition, as is everything in the unfortunate ville of Inverness.

Staring into deep dead space from the local deli counter, under harsh fluorescents and a tight hairnet, she encounters a new bloke interested in more than just processed meats, and we are off. "The Party's Just Beginning" doesn't follow the paint by numbers movie canvass, instead delivering a choppy story in jumpy time slices, with equal doses of edgy humour and dark pathos. Attention must be paid.

Although there are glimmers of hope, the film, like it's perpetually grey, dead end town, has trouble finding a rainbow among the clouds, and that may be the point.

This one, for better or worse, or both, stays with you.

I'm not going to spoil anything here, but I will say that Karen Gillan's "The Party's Just Beginning" isn't a perfect film. There's a lot of stuff going on and not all of it gets a resolution. But it's still very well acted (Gillan's best performance yet), well written, and beautifully directed. It's a very confident debut and Gillan's voice really shines through.

I've seen reviews angry at the film, saying that it "exploits" people who identify as transgender or that she "exploits" suicide, which I think is just ridiculous. I really believe that all of that is just down to the fact that Gillan tried to include a lot of different topics and themes in this film. Some are included unsuccessfully, and the film can feel a bit overstuffed, but in my opinion, most of the themes have a good pay off.

Without spoiling anything, I can say that The Party's Just Beginning is an incredibly assured debut. It's got a strong cast, a socially relevant, poignant, and funny script, and even when it doesn't land every punch, The Party's Just Beginning is still an admirable, emotional, and immensely enjoyable directorial debut that marks Karen Gillan as an actor and a director to watch. 9 out of 10.

Stuck in a dead-end job and unable to cope with the recent loss of her best friend, a dissolute young woman's life spirals further out of control as she engages in various self-destructive behaviors while trying to suppress her grief and recall a much happier time in her life. Though it's not quite as compelling as it could be, this is still an interesting blend of poignant drama and character study that tackles important themes like anger, loneliness, bigotry, acceptance, and serves as an excellent showcase for Gillan (set in her hometown of Inverness, Scotland) in one of her most memorable outings to date as writer, director, and lead actress, with a haunting performance that conveys various emotional stages through her eyes, facial expressions, and body language. **½

24 year old Liusaidh (Karen Gillan) lives an aimless life in Inverness. She works at the cheese counter in a supermarket. She gets drunk in bars, screws random strangers, and eats chips to finish the nights. She watches a guy jump off a bridge and seems uneffected. She sees a neighbor hang himself. Her best friend Alistair is struggling with his homosexuality. She encounters Dale (Lee Pace) intent on committing suicide from the same bridge.

This is Karen Gillan's theatrical directing and writing debut. The intention is interesting. In more skilled hands, the back and forth in time would be better handled. A veteran filmmaker would have some definitive physical identifiers to differentiate the two timelines. It leaves the structure of the movie a little confused. At first, I thought she may be Sixth Sensing. Otherwise, this is an effective performance of self-destruction. It's also an interesting first stab. It's not mind blowing but it shows some promise.