Ajouter une intrigue dans votre langueA drama about the life and career of actress Barbara Windsor.A drama about the life and career of actress Barbara Windsor.A drama about the life and career of actress Barbara Windsor.
- Réalisation
- Scénario
- Casting principal
Marty Cruickshank
- Aida Foster
- (as Marty Cruikshank)
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Watching it now, ... very impressed with the young girl playing her .. don't know who she is but she's got Barbara Windsors cheeky smile. Yes, it's a bit cheesy in places, but it's an excellent tribute to a National treasure. Sleep well Babs x
I am a huge fan of the wonderful Barbara Windsor, let's face it she is a national treasure, which of us hasn't loved her in a Carry on film or EastEnders etc.
The BBC do dramas so well as a rule, particularly historicals, but this one seemed a little hit and miss. Barbara has a fascinating story to tell, but the way the story was told seemed clunky, the constant flashbacks of her Dad were overdone, I think it could have been told in a far more effective way.
I enjoyed the performances for the most part, the young Honour Kneafsey did a fine job as the young Babs, but Jaime Winstone somehow felt wrong in the part, she's a fine actress one I'm normally a big fan of but the drama at this point seemed to jar. The highlight for me had to be the introduction of Samantha Spiro, she's a hugely underrated and talented actress, and did capture the sparkle and mannerisms of our beloved Babs.
Overall it was good, and certainly watchable, I just feel that for someone so special and deserved so much more.
6/10.
The BBC do dramas so well as a rule, particularly historicals, but this one seemed a little hit and miss. Barbara has a fascinating story to tell, but the way the story was told seemed clunky, the constant flashbacks of her Dad were overdone, I think it could have been told in a far more effective way.
I enjoyed the performances for the most part, the young Honour Kneafsey did a fine job as the young Babs, but Jaime Winstone somehow felt wrong in the part, she's a fine actress one I'm normally a big fan of but the drama at this point seemed to jar. The highlight for me had to be the introduction of Samantha Spiro, she's a hugely underrated and talented actress, and did capture the sparkle and mannerisms of our beloved Babs.
Overall it was good, and certainly watchable, I just feel that for someone so special and deserved so much more.
6/10.
This was not a bad drama in some ways but for me it was spoiled by the over use of the older Babs and her Fathers constant conversations, it all seemed a bit arty for me which detracted rather than added to the story. Not sure if it was the fault of Dominic Leclerc's direction or Tony Jordan's dire script.
The young Babs played by Honor Kneafsey was just brilliant and stole every scene she was in. Her scenes were also the most emotional.
The more up to date version played by Samantha Spiro was also realistic but Jaime Winstone as the Babs we all know from the films was totally wrong, you can't fault her acting but she looked nothing like Barbara Windsor, she was too tall and heavy set to pull off the tiny and bubbly Babs we all know so well.
Too much of her life was glossed over or not shown at all. The carry on years were only briefly touched upon, although Robin Sebastian did a good Kenneth Williams. Where was Sid James who she had a controversial affair with? With a better script and direction this could have been great but sadly it wasn't. Compared to the excellent TV drama Eric and Ernie about the late Morcambe and Wise which was directed excellently by Jonny Campbell and written by Peter Bowker and the late Victoria Wood 'Babs' paled into insignificance.
The young Babs played by Honor Kneafsey was just brilliant and stole every scene she was in. Her scenes were also the most emotional.
The more up to date version played by Samantha Spiro was also realistic but Jaime Winstone as the Babs we all know from the films was totally wrong, you can't fault her acting but she looked nothing like Barbara Windsor, she was too tall and heavy set to pull off the tiny and bubbly Babs we all know so well.
Too much of her life was glossed over or not shown at all. The carry on years were only briefly touched upon, although Robin Sebastian did a good Kenneth Williams. Where was Sid James who she had a controversial affair with? With a better script and direction this could have been great but sadly it wasn't. Compared to the excellent TV drama Eric and Ernie about the late Morcambe and Wise which was directed excellently by Jonny Campbell and written by Peter Bowker and the late Victoria Wood 'Babs' paled into insignificance.
From start to finish It was brill, Cam work, lighting etc Brill. Very theatrical in tone
was perfect. Casting was so good. I was brought up in Stepney in the 60's and went on to work for the RSC for 20 years in London, Stratford-upon-Avon and Broadway. That's why Babs is Brill.
Barbara Windsor may had a complex relationship with her father but I am sure it was not like it was presented in this biographical drama.
Tony Jordan, a long time writer for Eastenders wrote this biopic which unlike Miss Windsor's chest felt a bit flat.
The framing device of an older Babs (Samantha Spiro) talking to her father about various aspects of her life is not new. It just did not work for me and made the drama episodic as we jumped around various stages of her life.
We see the child Barbara starting out on the stage with the help of her mother who disappears later on. The younger Babs (Jaime Winstone) realizes she has the assets to turn men's heads. We see her having a relationship with the crooked Ronnie Knight, both had affairs, she also had abortions. Barbara tries to break into serious acting with the Joan Littlewood theatre workshop. For a time she enjoyed success in the New York stage and even attracted the attention of Warren Beatty.
The Carry On years were quickly glossed over and we see an older Barbara Windsor still trying to understand her relationship with her father. Now with a toyboy and doing stage work for a pittance, she does not know it yet, but there is a juicy role in Eastenders just round the corner which will brighten her career and fortunes.
At one point even the real Barbara Windsor turns up which confuses matter further. I think this film just needed a straightforward narrative that was bubbly as the subject in her various happier times.
Tony Jordan, a long time writer for Eastenders wrote this biopic which unlike Miss Windsor's chest felt a bit flat.
The framing device of an older Babs (Samantha Spiro) talking to her father about various aspects of her life is not new. It just did not work for me and made the drama episodic as we jumped around various stages of her life.
We see the child Barbara starting out on the stage with the help of her mother who disappears later on. The younger Babs (Jaime Winstone) realizes she has the assets to turn men's heads. We see her having a relationship with the crooked Ronnie Knight, both had affairs, she also had abortions. Barbara tries to break into serious acting with the Joan Littlewood theatre workshop. For a time she enjoyed success in the New York stage and even attracted the attention of Warren Beatty.
The Carry On years were quickly glossed over and we see an older Barbara Windsor still trying to understand her relationship with her father. Now with a toyboy and doing stage work for a pittance, she does not know it yet, but there is a juicy role in Eastenders just round the corner which will brighten her career and fortunes.
At one point even the real Barbara Windsor turns up which confuses matter further. I think this film just needed a straightforward narrative that was bubbly as the subject in her various happier times.
Le saviez-vous
- AnecdotesSamantha Spiro first played Barbara Windsor in 1998 at the Royal National Theatre in Terry Johnson's "Cleo, Camping, Emmanuelle and Dick". When Johnson adapted the play for television, as Cor, Blimey! (2000), Spiro reprised the role.
- Versions alternativesWhen shown on UK commercial TV (e.g. Drama, ITV etc) the line (first time on set with Kenneth Williams): "Don't you talk to me like that [with Fenella Fielding's minge-hair stuck around your chops,] 'cos I won't bloody stand for it!", the part in parentheses is cut. Williams' subsequent amusement at her vulgarity makes much less sense.
- ConnexionsFeatures Sparrows Can't Sing (1963)
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Détails
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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