The Assassin's Code

Worth watching for Stormare's limited scenes and some okay mob stuff. And I have a weird thing for Lifetime diva Yancy Butler, so there's that. But Chatwin chews the scenery shamelessly, the relationship scenes are torture and the dialogue is laugh out loud cop shop. Still, I was only intemittently bored and mostly entertained. Nice fish, too.

I saw the film's world premiere last week at the Cleveland International Film Festival, where it sold out every showing. It's a noir crime-thriller that's not what you'd expect -- it hits the ground running with action, then expands into an intelligent character piece. Justin Chatwin and Peter Stormare are both arresting in the kind of roles that indie films allow actors to break out of their stereotypes -- Stormare delivers an unexpectedly touching, tour-de-force monologue in one of the best standalone scenes I've ever seen; and veteran radio guy Mark Thompson ("The Mark and Brian Show") is fantastic as rookie-detective Justin's captain and surrogate father figure. The dialog is smart and laugh-out-loud funny, and the soundtrack is knockout. A real hidden gem of a film.

A classic thriller with a weak script and multiple lackluster perfomances. Another case of a passable story reduced to a unimaginative work that wastes the talents of decent actors. Jason Chatwin does a good job with little support and the work of Peter Stormare is first rate as the baddie. If you like John Wick or Proud Mary you may find this interesting but most will lose interest quickly.

Take a drink every time you hear a cop movie cliche, you'll be smashed in ten minutes.

Very old school, film noire vibe made in a modern style. Very enjoyable. The score is brilliant.