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IMDbPro

Whose Streets?

  • 2017
  • R
  • 1h 42min
NOTE IMDb
6,0/10
1,4 k
MA NOTE
Whose Streets? (2017)
When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance
Lire trailer1:37
2 Videos
8 photos
Documentary

Ajouter une intrigue dans votre langueAn unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.An unflinching look at how the police killing of 18-year-old Mike Brown inspired a community to fight back and sparked a global movement.

  • Réalisation
    • Sabaah Folayan
    • Damon Davis
  • Scénario
    • Sabaah Folayan
  • Casting principal
    • Lezley McSpadden
    • Michael Brown Sr.
    • David Whitt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    1,4 k
    MA NOTE
    • Réalisation
      • Sabaah Folayan
      • Damon Davis
    • Scénario
      • Sabaah Folayan
    • Casting principal
      • Lezley McSpadden
      • Michael Brown Sr.
      • David Whitt
    • 15avis d'utilisateurs
    • 30avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 18 nominations au total

    Vidéos2

    Official Trailer
    Trailer 1:37
    Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer
    Whose Streets? Official Trailer
    Trailer 2:01
    Whose Streets? Official Trailer

    Photos7

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    Rôles principaux29

    Modifier
    Lezley McSpadden
    • Self - Mother of Mike Brown Jr.
    Michael Brown Sr.
    • Self - Father of Mike Brown Jr.
    David Whitt
    • Self
    Montague Simmons
    • Self
    Jamala
    • Self
    Ashley Yates
    • Self
    Anthony Shadid
    • Self
    • (as Brother Shadid)
    Kayla Reed
    • Self
    T-Dubb-O
    • Self
    Catherine Daniels
    • Self
    • (as Mama Cat)
    Tef Poe
    • Self
    Brittany Ferrell
    • Self
    Kenna Ferrell
    • Self
    Thomas Jackson
    • Self - Ferguson Police Chief
    • (images d'archives)
    Bassem Masri
    • Self
    Tory Russell
    • Self
    Dhoruba
    • Self
    Jay Nixon
    Jay Nixon
    • Self - Governor of Missouri
    • (images d'archives)
    • Réalisation
      • Sabaah Folayan
      • Damon Davis
    • Scénario
      • Sabaah Folayan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,01.4K
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    Avis à la une

    10BeetJuice

    Solid film.

    Really shows the perspective of some local activists living in Ferguson of what the Mike Brown protests were all about. There is not huge detail into the Mike Brown shooting. It's more about raw footage of street protests, police reactions, some town halls, and so on. It really shows how the protesters were not armed and were faced with a much more weaponized police response. The police clearly are not a part of the community and one wonders why the officers appear so alien from the people they are policing. The police are portrayed as a failed institution. There are some brief news clips interspersed in. Most of it is just amateur video on the streets. There is a glimpse into the personal life of some of the activists.

    At one point, one of the activists said that you can burn down a convenience store yet it can be rebuilt, however all the magicians in the world can't bring back a dead person. Therefore, the real question of violence should be: was anyone hurt? This encapsulates the overall theme of the documentary which is that people come before everything. Clearly the Mike Brown killing became a rallying point but he was also a symbol for much deeper grievances, which is the community didn't feel the police force treated them as people. You won't hear much from the other side in this documentary but it doesn't pretend to be that.
    ersbel

    A sad view of life

    The footage is so valuable. There is no story there. Still, the footage is powerful. I have no idea if the images were carefully edited to show the people in the streets all of African descent and the police all of European descent.

    The sad part comes later. Poor people exploited.

    Exploited by the thieves and robbers who make use of the revolt to destroy property. Not only they disgrace the manifestation, but they will make the lives of the people living there even worse without shops and restaurants nearby.

    Exploited by the police. The police who does not care or interfere with the problems of the people living there only to ask for more money, more wages, more equipment and bigger pensions.

    Exploited by the speakers. Young men and women taking about "our kids". Even if the "kid" was quite an adult. Progressive speakers who care about their possible speaking engagements and TV shows. Speakers who put salt on the wounds in the names of "being united". History shows these people usually move beyond the racial lines, in low crime towns and keep talking about the suffering while sending their kids to private schools.

    Exploited by the film makers who get to travel and walk the documentary.

    And the people are left there. With less police. Less places to shop. Less employments opportunities nearby.
    8gabethurau

    White guy from Saint Louis. Sad that I watched the riots from my computer.

    With the recent #blackout tuesday taking social media by storm, I too feel the need to reflect and revisit crucial moments of unrest in recent history.

    I grew up in suburban Missouri. I had a few good friends who were half-black, but I largely lived in an insulated, middle class environment where racial tensions were out of sight and mind.

    My appreciation for hip hop, Jazz, James Baldwin, Dave Chapelle, and Ta-Nehisi Coates has brought me baby steps closer to appreciating black culture over the years. But there is still a lot of fetishization on my part.

    Overall, my laziness has kept race on the outskirts of understanding. And perhaps it should always be at the outskirts of understanding - me being a white man who will never truly understand the struggle of the African American in a America that doesn't give our black neighbors the time of day.

    I have learned to treat racial understanding like Zen. The impossibility of understanding means the process is both the journey and the endpoint. The moment I begin to think that I "understand" is the moment I get lazy again.

    Rewatching this movie, and being reminded of what happened right down the street from me in Ferguson, has given me a momentary respite from laziness. And I hope watching Whose Streets will give you the same chance for reflection.
    8AndrewNByrne

    Are you kidding me? A rating of 4.7??

    The people who gave this movie a bad review for the reasons they provided need to read a history book. I am not even American and I know that this kind of stuff is not pushing an agenda of any kind. It's continuing a centuries long struggle that unfortunately seems to have no end.

    This documentary was emotional and powerful and told the story from a point of view many of us cannot possibly understand because we have not lived it. The only problem I have with this movie is that it doesn't contain more information from the people involved. I wanted even more interviews and more footage.
    3mrneilfrancis

    Bad performance by the Director.

    I have to say that the director has to take the blame for using this opportunity to put together a poor documentary. There was no backstory on Michael Brown, well not a Knouff! Also a lot of video camcorder phone footage was used that was pointless. There was no investigative investigative journalism and the story wasn't linked together properly. For those who don't know anything about Michael Brown this story would be confusing it seems it was just made for the people of Ferguson who were aware of the story anyway. Really poor effort and missed opportunity by Sabaah The Director. Shame because it should have been a powerful story.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Michael Brown, the decedent whose death sparked 4 days of violent riots, never put his hands up in surrender and in fact, charged and grabbed the gun of the police officer that shot him.
    • Citations

      David Whitt: It was obvious military tactic. Come in, cut off their communication, round them up, you know what I'm saying? Then, once we had them under control, have them lose people, have a combat photographer come in and say like 'Hey, look, they going crazy' Yeah, they going crazy because we just cut off their communication and shot a couple of them. And then, later on, everything calm and all that and then everybody home, like 'Oh hey, they rounded up the insurgents' We in their country. How are they insurgents? You know what I'm saying? That's what's going on in Ferguson, man.

    • Connexions
      Featured in Subject (2022)
    • Bandes originales
      Freedom Song
      Written by Natanjah Driscoll and Damon Davis

      Performed by Natanjah Driscoll

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    Détails

    Modifier
    • Date de sortie
      • 11 août 2017 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Чьи улицы?
    • Lieux de tournage
      • Ferguson, Missouri, États-Unis(primary footage)
    • Société de production
      • Magnolia Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 182 799 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 43 804 $US
      • 13 août 2017
    • Montant brut mondial
      • 182 799 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color

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    Whose Streets? (2017)
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