NOTE IMDb
5,7/10
47 k
MA NOTE
Une famille américaine tente de gérer les conflits banals de la vie quotidienne tout en s'attaquant aux mystères universels de l'amour, de la mort et de la possibilité d'être heureux dans un... Tout lireUne famille américaine tente de gérer les conflits banals de la vie quotidienne tout en s'attaquant aux mystères universels de l'amour, de la mort et de la possibilité d'être heureux dans un monde incertain.Une famille américaine tente de gérer les conflits banals de la vie quotidienne tout en s'attaquant aux mystères universels de l'amour, de la mort et de la possibilité d'être heureux dans un monde incertain.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 25 nominations au total
Wickham Reeve
- College on the Hill
- (as Wickham Bermingham)
Mathew Williams
- College on the Hill
- (as Matthew Williams)
Avis à la une
This film has some hilarious one liners and twisted distortions of reality. The first act had me so intrigued I was gripped. Then I was confused. Then I couldn't decide if it was a comedy intentionally or not.
The reality is this film doesn't quite know what it is, and if you think it's going to go somewhere or wrap anything up at the end then you are dead wrong.
Weird for weirds sake is the name of the game. Think of a psychedelic trip by someone who likes the smell of their own farts and decided to write it down.
A future cult classic in the making and I'm sure many people will revere this film for years to come; rewatching it for it's one liners and oddities. For me however one baffling, confusing watch is enough to last a lifetime.
The reality is this film doesn't quite know what it is, and if you think it's going to go somewhere or wrap anything up at the end then you are dead wrong.
Weird for weirds sake is the name of the game. Think of a psychedelic trip by someone who likes the smell of their own farts and decided to write it down.
A future cult classic in the making and I'm sure many people will revere this film for years to come; rewatching it for it's one liners and oddities. For me however one baffling, confusing watch is enough to last a lifetime.
For the first hour of White Noise, I found myself very entertained. But for the second half I found myself incredibly bored. They felt like two separate films. If the first half had just been the whole film. I probably would have have given this film an 8. Or possibly a 9. It goes from being an apocalyptic family satire, to a revenge tale. I believe Noah Baumbach didn't even know what exactly he was going for. White Noise was average. The two aspects holding me back from giving it a 4 are again the first half and another stellar performance from Adam Driver. Nowhere near as good as Marriage Story. Then again they are very different films.
It's obvious a lot of reviewers of this film had no idea what to expect because of having no idea what is in the book it's based on. I'm not criticizing; there's certainly an argument for the fact that an adaptation should work on its own, even if you're unfamiliar. I'm not objective because I've read the book, and I thought it was pretty stunning. As an adaptation, the movie replicated the experience I had reading it-which is what I wanted and expected.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
Most of the reviews that I have read thus far were negative, or a bit overly kind. The low rating is likely due to people going out for a light story, expecting to see a disaster action flick or end of the world comedy. This is essentially a reflection on mans fear of his own mortality, or perhaps more specifically on a certain subcultures fixation on their own impending end. If you take the movie as a series of reflections on that idea, and most of the characters as representations of certain personality types, perspectives and ideologies, then it all makes a lot of sense. And, it is pretty damn (darkly) funny as well. Enjoy.
What exactly does this film want to achieve? Why should the weird and sometimes paranoid look or angle of a director or script writer be something worth mentioning, let alone made into a movie? I honestly tried to see this movie with as clear a mind as I can... Is there something wrong with me? Is there some secret dimension hidden in this film that I (40 years old) can't grasp? Where is the director looking forward to? Amuse us? Entertain us? Drive us crazy? The last one, he succeeded! What did I watch? A strange, motley family whose members' dialogues use pretentious expressions full of disjointed, meaningless words and a tendency to impress even the teenagers of the family with their knowledge and strange inclinations! Do us a favor... We are not so easy to get. 1/10 from me.
Le saviez-vous
- AnecdotesThis is Noah Baumbach's first time writing and directing a book-to-screen adaptation, and only his second adaptation after co-writing the screenplay for Fantastic Mr. Fox (2009).
- GaffesIn the opening scene, many vehicles featured in Murray's crash sequence reel are from the 1990s and 2000s, whereas White Noise takes place in the 1980s.
- Crédits fousThere is a scene at the end where the characters dance in a supermarket. As the credits start to roll, this sequence is played partially in reverse as the music continues to play normally.
- Bandes originalesLincoln Portrait
Written by Aaron Copland
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- How long is White Noise?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Ruido De Fondo
- Lieux de tournage
- Wellington, Ohio, États-Unis(Storefronts are built out and set up for July filming)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 145 000 000 $US (estimé)
- Montant brut mondial
- 71 728 $US
- Durée2 heures 16 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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