Waiting for the Barbarians
- 2019
- Tous publics
- 1h 52min
NOTE IMDb
5,9/10
16 k
MA NOTE
Un magistrat posté dans une région éloignée se pose des questions sur sa loyauté envers l'empire.Un magistrat posté dans une région éloignée se pose des questions sur sa loyauté envers l'empire.Un magistrat posté dans une région éloignée se pose des questions sur sa loyauté envers l'empire.
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
It's a slow burn, but if you're ok with that, you're rewarded with strong performances, incredible cinematography and beautiful landscapes and a compelling lead character to root for.
Caught from the first act of the film by the set ,the mood,the music, the customs ,the lighting the performance of Mark Rylance and Johnny depp paving the way for watching a masterpiece..the structure of the characters revealed and their intentions is obvious leading to an inevitable clash between them..then there was the girl which was pivotal showing us another depth of Mark Rylance's character ..feeling guilty for what happened to her people and trying to redeem his guilt by saving her despite knowing what that would lead to ..that's where the film begin to have a lot of holes and unclear parts messed with the continuity of the film messing the script structure and a lot of things was just happening without explanation which made me couldn't fully immersed emotionally with some events despite how heavily strong they were ..loved the pace ,the acting performance the angles the natural light and cinematic look and mood ,the characters complications ..but the misconnections made it a lost masterpiece.
JM Coetzee is the author of the original book, and is rightly lauded for his story telling ability as much as his literary ability. However, his works haven't easily transferred to screen, which is not uncommon for high-end literary works. This one to me is borderline.
What we have is a tale set in the 19th century of a humble wise magistrate of a garrision on the frontiers of an unnamed European Empire (seems like an area bordering around the former Soviet Union states). His stoic nature though is confronted by the entry of a colonel and his forces, who seem hell-bent to start battle with locals who are NOT looking for aggression. The Colonel is everything our magistrate is not, and the whole matter is complicated by the magistrates falling in love with a local lady he helps to return to her people.
Surprisingly this film hasn't been warmly received by the critics which is surprising, as it is actually very good. The main hold is the sublime performance by Mark Rylance in the lead, who can't have been any better than what he has done with the role. You empathise with him, and see his destruction at the hands of his colleagues (which clearly shows that the true Barbarians are at his side and not beyond the walls).
Johnny Depp was fine but seemed out of place, whilst Robert Pattison gets better with every film he stars in. The setting is perfect and beautiful, and the film has a fine slow pace. Admittedly it could have helped to flesh out some other characters more than just the magistrate to give them more weight, especially the mysterious colonel.
I don't get what it is that the critics were downgrading here? It's a fine existential story, and one that some will enjoy revisiting. Fair enough, the subject matter and a number of scenes are uncomfortable to watch, but that's the point! It's not about a rose-tinted look at the colonial past. It's also not 'Zulu' (which admittedly I very much love).
It's a tough watch at times, but very worth a viewing. Mark Rylance will little do better anywhere else ever again. He at least is a major reason to watch this one.
What we have is a tale set in the 19th century of a humble wise magistrate of a garrision on the frontiers of an unnamed European Empire (seems like an area bordering around the former Soviet Union states). His stoic nature though is confronted by the entry of a colonel and his forces, who seem hell-bent to start battle with locals who are NOT looking for aggression. The Colonel is everything our magistrate is not, and the whole matter is complicated by the magistrates falling in love with a local lady he helps to return to her people.
Surprisingly this film hasn't been warmly received by the critics which is surprising, as it is actually very good. The main hold is the sublime performance by Mark Rylance in the lead, who can't have been any better than what he has done with the role. You empathise with him, and see his destruction at the hands of his colleagues (which clearly shows that the true Barbarians are at his side and not beyond the walls).
Johnny Depp was fine but seemed out of place, whilst Robert Pattison gets better with every film he stars in. The setting is perfect and beautiful, and the film has a fine slow pace. Admittedly it could have helped to flesh out some other characters more than just the magistrate to give them more weight, especially the mysterious colonel.
I don't get what it is that the critics were downgrading here? It's a fine existential story, and one that some will enjoy revisiting. Fair enough, the subject matter and a number of scenes are uncomfortable to watch, but that's the point! It's not about a rose-tinted look at the colonial past. It's also not 'Zulu' (which admittedly I very much love).
It's a tough watch at times, but very worth a viewing. Mark Rylance will little do better anywhere else ever again. He at least is a major reason to watch this one.
I'm a movie goer, I like very much watching great movies, the ones that touch our hearts with their great storyline, and every now and then one comes a long that leaves me think about what I've just watched and reflect its story on my personal life and the world we live in and what's going in it.
I don't think it was about any specific events in the human history, but it captures very well the cruelty of human beings against each other, but at the same time in the midst of this savagery, there is still someone who still have a very good heart, still human, still have the courage to stand up against those savages, even when his own life is put at risk. I believe it shows extremely well how those who speak the truth and warns us of our evil deeds and the unfairness we do daily how they are being badly treated, mocked and ridiculed in our organizations and our societies. This movie is really great.
I don't think it was about any specific events in the human history, but it captures very well the cruelty of human beings against each other, but at the same time in the midst of this savagery, there is still someone who still have a very good heart, still human, still have the courage to stand up against those savages, even when his own life is put at risk. I believe it shows extremely well how those who speak the truth and warns us of our evil deeds and the unfairness we do daily how they are being badly treated, mocked and ridiculed in our organizations and our societies. This movie is really great.
I expected the film with...fear. Because each adaptation of a great novel remains a try . Because the characters and the atmosphere are more posessions of reader than work of the writer . But the film is decent . Grace to cinematography , reasonable solutions for inner monologue of Magister and, no doubts, for the admirable work of Mark Rylance and Greta Scacchi. And, sure, for not bad Colonel Joll proposed by Johnny Depp. Moments of novel are fresh, the intro is just beautiful and it works, maybe better than as adaptation, like a colonial story. And the barbarians as Mongols remains an inspired solution. In my case, only two surprises - the absence of generous belly of Magister and his so large office. But , obvious, it is a reasonable adaptation. So, just decent.
Le saviez-vous
- AnecdotesDirector Ciro Guerra's English-language debut.
- Bandes originalesSummer
Music by Marco Beltrami & Buck Sanders (ASCAP)
(p) 2019 Pianella Music, Inc.
Courtesy of Marco Beltrami & Pianella Music, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- В очікуванні варварів
- Lieux de tournage
- Marrakech, Maroc(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 362 000 € (estimé)
- Montant brut mondial
- 764 815 $US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What is the Hindi language plot outline for Waiting for the Barbarians (2019)?
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