NOTE IMDb
7,0/10
30 k
MA NOTE
L'histoire du psychologue William Moulton Marston et ses relations poly amoureuses avec son épouse et leur maîtresse qui inspireront sa création de la super-héroïne Wonder Woman.L'histoire du psychologue William Moulton Marston et ses relations poly amoureuses avec son épouse et leur maîtresse qui inspireront sa création de la super-héroïne Wonder Woman.L'histoire du psychologue William Moulton Marston et ses relations poly amoureuses avec son épouse et leur maîtresse qui inspireront sa création de la super-héroïne Wonder Woman.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 nominations au total
Christopher Jon Gombos
- Fred Stewart
- (as Chris Gombos)
Gabriella Nail
- Student
- (as Gabrielle Nail)
Avis à la une
After watching the movie my reaction was very positive. I liked the leads, liked the story and the production design was also very good. I only thought that their relationship was a bit too perfect and simple as I think in reality these kind of relationships are much more complex and nuanced which I think is really hard to translate to the screen. And then I started reading about their lives. And then I realized that almost everything I liked in the movie is totally innaccurate or just plain false. And then I started not liking this movie and all the decisions taken. In the movie's defense I think this is a very hard story to tell as very little is known about the girls relationship, but giving it the Hollywood treatment is not the way to go for me. So we end up with a movie that I enjoyed watching but hated reading about it afterwards, like almost all biopics... Maybe I should just stop reading after these kind of movies? I wonder...
OK I'm not going to say a whole lot but I'm short: I really like this one.
Even if, by design, it looks like an unexceptional biopic by each fricken frame, the characters and dialogue more than make up for it. The story is centered around William Moulton Marston who - and I'm not kidding here - is 1. The inventor of the lie detector, 2. a radical progressive feminist that thinks women are the superior race with proof in the form of his psychological research 3. One of which include bondage (seriously) 4. Manages to have 2 wives who loved and lived together and 5. Used all his fixations and progressive ideals to invent Wonder Woman.
I mean hell! You could tell me if this guy could turn water into wine and I would believe you. The film knows how bonkers this guy is, but presents him matter-of-factly rather than with scorn or praise. Much like my closest film comparison THE PEOPLE VS LARRY FLINT, it's the type of eccentric, perverse mindset that doesn't allow you to like the man but understand and appreciate how he changed the world with his ideals.
However, the film is mostly concerned with the three-way (sorry) love story at the center. The wife gets all the most complexity as she struggles with her bisexuality, her suppressed opportunities based on her gender, and the everyday family lifestyle that rejects her. It gets deep as well as heartbreaking.
Olive turns out to be the partner of the two, and easily gets more of an arc. At first very shy and uncertain of her status in life, the film progresses her to the free-spirited bisexuality that the movie treats as a hopeful triumph. The best moment is when she dawns the Wonder Woman costume in order to perform S&M ( Just bare with me, guys) and it's presented as a sign of self-discovery rather than gratuitous sleaze. I'm not sure if people like her would connect to this, but I would say it's a lot more hopeful and cathartic than anything BATTLE OF THE SEXES could ever wish to offer.
Angela Robinson directs this with the type of directing chops you expect from a run-of-the-mill miniseries rather than a movie. But much like Patty Jenkins work with WONDER WOMAN, her limited chops is unmatched by the utter love and conviction to the subject matter. It's the type of film where the imperfections make the film more real and self-confident.
Professor Marston & The Wonder Women is a damn good time and the rare biopic you rarely see anymore. Classy, funny, sexy, delightful, brilliantly acted, and overall passionate, you have to see this!
Even if, by design, it looks like an unexceptional biopic by each fricken frame, the characters and dialogue more than make up for it. The story is centered around William Moulton Marston who - and I'm not kidding here - is 1. The inventor of the lie detector, 2. a radical progressive feminist that thinks women are the superior race with proof in the form of his psychological research 3. One of which include bondage (seriously) 4. Manages to have 2 wives who loved and lived together and 5. Used all his fixations and progressive ideals to invent Wonder Woman.
I mean hell! You could tell me if this guy could turn water into wine and I would believe you. The film knows how bonkers this guy is, but presents him matter-of-factly rather than with scorn or praise. Much like my closest film comparison THE PEOPLE VS LARRY FLINT, it's the type of eccentric, perverse mindset that doesn't allow you to like the man but understand and appreciate how he changed the world with his ideals.
However, the film is mostly concerned with the three-way (sorry) love story at the center. The wife gets all the most complexity as she struggles with her bisexuality, her suppressed opportunities based on her gender, and the everyday family lifestyle that rejects her. It gets deep as well as heartbreaking.
Olive turns out to be the partner of the two, and easily gets more of an arc. At first very shy and uncertain of her status in life, the film progresses her to the free-spirited bisexuality that the movie treats as a hopeful triumph. The best moment is when she dawns the Wonder Woman costume in order to perform S&M ( Just bare with me, guys) and it's presented as a sign of self-discovery rather than gratuitous sleaze. I'm not sure if people like her would connect to this, but I would say it's a lot more hopeful and cathartic than anything BATTLE OF THE SEXES could ever wish to offer.
Angela Robinson directs this with the type of directing chops you expect from a run-of-the-mill miniseries rather than a movie. But much like Patty Jenkins work with WONDER WOMAN, her limited chops is unmatched by the utter love and conviction to the subject matter. It's the type of film where the imperfections make the film more real and self-confident.
Professor Marston & The Wonder Women is a damn good time and the rare biopic you rarely see anymore. Classy, funny, sexy, delightful, brilliantly acted, and overall passionate, you have to see this!
Short and Simple Review by WubsTheFadger
The film shows the story of how Wonder Woman became to be. It is a story that should seem mundane, but Angela Robinson makes it exciting and real. The story is full of extremely sexual dialogue, moments, and visuals. The film is a great character study and also has a good amount of humor spattered throughout.
The acting is the best part of the film. Rebecca Hall, Luke Evans, and Bella Heathcote all perform phenomenally. Rebecca Hall delivers probably the best performance of her career as a narcissistic woman who is also brilliant.
The pacing is mostly good. The runtime is also a little overlong.
Pros: Exciting and real story, great character study, some good humor, amazing acting by Rebecca Hall, good overall acting, and a good ending
Cons: Some slow pacing and an overlong runtime
Overall Rating:.7.3
The film shows the story of how Wonder Woman became to be. It is a story that should seem mundane, but Angela Robinson makes it exciting and real. The story is full of extremely sexual dialogue, moments, and visuals. The film is a great character study and also has a good amount of humor spattered throughout.
The acting is the best part of the film. Rebecca Hall, Luke Evans, and Bella Heathcote all perform phenomenally. Rebecca Hall delivers probably the best performance of her career as a narcissistic woman who is also brilliant.
The pacing is mostly good. The runtime is also a little overlong.
Pros: Exciting and real story, great character study, some good humor, amazing acting by Rebecca Hall, good overall acting, and a good ending
Cons: Some slow pacing and an overlong runtime
Overall Rating:.7.3
First, I must confess that I am little acquainted with the Wonder Woman comic books. I loved the Wonder Woman series with Lynda Carter and I absolutely loved and am obsessed with the movie starring Gal Gadot. I watched this movie at once because I was curious about the background of the comic book author and because it stars two actors I really admire, Luke Evans and Rebecca Hall. I was pleasantly surprised at how much I enjoyed this movie. The pacing was right, I felt, for the story. I loved how the story was about him but the main focus was always, rightly so, on the two amazing and powerful women who shaped Wonder Woman as much as they influence and shaped the man who created the character from what he saw as the best of both women. The nudity/love scenes in this movie were not graphic and were done, again, my opinion, tastefully and with reverence to the story. I highly recommend this movie to everyone. I loved Wonder Woman before, I now understand why.
When Wonder Woman made her live action big screen debut on opening weekend, a teaser for a movie based on the life of the creator and his relationship with his wife and her friends made the rounds causing lots of buzz. The thing is, the movie was better than the teaser. It's very accurate based on the time period and the casting is great. Unlike the wonder woman movie, this one is not for kids. It's rated R for sex and nudity and it shows. Luke Evans plays the lead role as Prof. Marston, who created the lie detector test and is on his way to create a game changing female super hero who would become the most famous of them all: Wonder Woman. I'm surprised that this movie didn't get any Oscar love (same for Wonder Woman 2017). Give this one a rental and see for yourself how wonderful this movie is.
Le saviez-vous
- AnecdotesA very close friend of the Marston family is Lynda Carter, the star of Wonder Woman (1975).
- GaffesIn a scene set in the 1920's, Prof. Marston says that he was "in the OSS" during World War I. But the OSS didn't exist until 1942. In the twenties, "in the OSS" would have been meaningless. During 1917-1919 each branch of the military and several executive departments had their own intelligence units. Marston might have been affiliated with U.S. Army intelligence in some capacity.
- Citations
William Moulton Marston: She is beautiful, guileless, kind, and pure of heart. You are brilliant, ferocious, hilarious, and a grade A bitch. Together, you are the perfect woman.
- Crédits fousPhotos of real-life William Marston, his wife Elizabeth, and Olive Byrne are shown at the end of the movie.
- ConnexionsReferenced in Midnight Screenings: Professor Marston and the Wonder Women (2017)
- Bandes originalesThe Speakeasy
Written by Tom Howe
Performed by Jill Barber & Tom Howe
Courtesy of Feature Production Music Ltd
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- How long is Professor Marston & the Wonder Women?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El profesor Marston y la Mujer Maravilla
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 584 759 $US
- Week-end de sortie aux États-Unis et au Canada
- 736 883 $US
- 15 oct. 2017
- Montant brut mondial
- 1 899 615 $US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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