Une femme retourne dans la communauté juive orthodoxe qui l'avait bannie à cause de son attirance pour une amie d'enfance. Une fois de retour, leurs passions se ravivent lorsqu'elles explore... Tout lireUne femme retourne dans la communauté juive orthodoxe qui l'avait bannie à cause de son attirance pour une amie d'enfance. Une fois de retour, leurs passions se ravivent lorsqu'elles explorent les limites de la foi et de la sexualité.Une femme retourne dans la communauté juive orthodoxe qui l'avait bannie à cause de son attirance pour une amie d'enfance. Une fois de retour, leurs passions se ravivent lorsqu'elles explorent les limites de la foi et de la sexualité.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 36 nominations au total
Avis à la une
The film is about a woman who returns to a very strict Orthodox Jewish community when her father dies. While there she sees her former lover who is now married. The problem is the fact that people in the Jewish community do not know about the relationship that has occured and also because a lesbian affair is frowned upon in the community. Both women also must deal with harboring the feelings that they have for each other, while attempting to maintain their standing in the Jewish community.
The first thing that's instantly noticeable about the film is its depth into an Orthodox Jewish world. The films backdrop is its strict nature and how a lesbian romance must be hidden from the community. Rachel Weisz and Rachel McAdams are great in this as expected, and have great chemistry. Their intimate scenes (which are very very intimate) are believable and are a strong point in selling the romance. I always knew McAdams was a talent since she had a good showing on season 2 of True Detective.
The film reminded me of A Fantastic Woman in a way because in that film there is a struggle to accept a transgender person, although the implications in that film are more hostile. I also couldn't help but compare this film to Carol (which is one of the very best films of the decade). Its nowhere near the levels of Carol but does a decent job for what the film is. There are lapses where the film seems slow and it suffers from its best moments being purely when Weisz and McAdams share the screen. Its still a worthy watch, just don't expect anything spectacular.
6/10
Rachel Weisz and Rachel McAdams do a great job playing the two childhood friends (Ronit and Esti) who meet again years later, only to discover that their feelings for each other haven't changed. Alessandro Nivola plays the young rabbi husband (Dovid) of Rachel McAdams character (Esti), and portrays him beautifully.
I encourage you to see it. I doubt that you'll regret it.
The editing left much to be desired-scenes are awkwardly edited where you can see it's a different take of the same scene. Many of the edits simply appeared ham-handed and amateur.
Continuity also seems an issue; the progress of the story is chunked out, like skipping around chapters in a book. The screenplay lacks the dialog which would convey the depth of the story and it's characters.
The actors are quite good but not able to fill all the missing bits of good filmmaking. The score was musically fine but seems to have been written for a different movie. The pacing too, is slow and awkward like much of this film.
The Rachels handled what little they had to work with well. The sex scene was interesting and respectfully shot but again, the editing sucked all the life out of this love story.
Though I think this film was a missed opportunity, the potential for a well-written and directed sequel could fix what didn't work in this outing.
I really wanted to like it but kinda didn't.
With Ronit's return, old sentiments are dredged up in a manner that upends the lives of all three in a community that simply has not developed tools for dealing with the full spectrum of matters involving private life, nature and choice that have in recent years become so normalized that we hardly lend them so much weight.
As each of the three struggle to cope with their issues, it becomes clear that there is a void in place of a guide in the doctrine of the community and that there is no one right way to cope with outlying struggles.
The directing of the picture and the portrayal of the three main characters is stellar. Aside from two seven-candle menorahs (which have no place in a Jewish home), this picture stands out as perhaps the most authentic portrayal of the ultra-Orthodox Jewish community in motion picture history.
Le saviez-vous
- AnecdotesThroughout the movie Esti Kuperman (Rachel McAdams) is shown wearing a wig. This wig is called a sheitel and is worn by some Orthodox Jewish married women in order to conform with the requirement of Jewish law to cover their hair.
- GaffesIn the scene where there are prayers in the house of mourning ("Shiva") the men and women are seen as intermingling. However, in a very orthodox Shiva service there would be complete separation of the genders - indeed, in a small house, such as the one depicted, they would be in separate rooms.
- Citations
Ronit Krushka: Esti, do you think I should go back early?
Esti Kuperman: No... no. No, I don't think you should leave at all.
- ConnexionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- Bandes originalesThe Last Beat
Written by Matthew Herbert
Performed by Matthew Herbert (as Herbert)
Published by Soundslike Music
All rights administered by Bucks Music Group Limited
Courtesy of Accidental Records
(c) 2001 Accidental
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Desobediencia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 498 782 $US
- Week-end de sortie aux États-Unis et au Canada
- 237 393 $US
- 29 avr. 2018
- Montant brut mondial
- 8 003 180 $US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 2.35 : 1