Tremors 6: A Cold Day in Hell
- Vidéo
- 2018
- Accord parental
- 1h 38min
Ajouter une intrigue dans votre langueThe new sequel finds Burt Gummer, who's dying from Graboid poison, and his son Travis at a remote research station in Canada's Nunavut Territory, where they must go up against a new batch of... Tout lireThe new sequel finds Burt Gummer, who's dying from Graboid poison, and his son Travis at a remote research station in Canada's Nunavut Territory, where they must go up against a new batch of Graboids to save Burt's life.The new sequel finds Burt Gummer, who's dying from Graboid poison, and his son Travis at a remote research station in Canada's Nunavut Territory, where they must go up against a new batch of Graboids to save Burt's life.
- Réalisation
- Scénario
- Casting principal
- Valerie McKee
- (as Jamie Lee Money)
Avis à la une
Kennedy is even worse this time around. Did they let him write his own dialogue this time or something? Everything he says is either just some completely unimportant observation, some horribly flat joke, or part of the painfully bad fan-fiction-y romance subplot with a woman that's clearly several leagues away from his own. Pretty much every word out of his mouth is senseless and irrelevant or extremely cringey (or both).
Most of the rest of the cast isn't much better. Terrible dialogue almost all around and most of them are written to be so dumb that you're surprised they were even able to tie their own shoes. When Michael Gross is heavily out-acting everyone else in a movie, you should know that something is seriously wrong.
All the effects are CG now, and it's actually not terrible CG, but neither does it do anything at all impressive. Despite the environment change this is still just more of the exact same thing we've already seen many times before, just with even less effort going into it.
Really, let's be honest here. Most of the sequels have just shamelessly recycled the exact same formula from the first one and we all know it. It was funny the first few times, but enough is enough. Look, I love a good "so bad it's good" horror as much as the next guy, but there's nothing to like here. It's not funny in either the intentional or unintentional senses, there's not one bit of memorable action or gore, so what's the point?
I see that there are some die-hard Tremors fans that are willing to swallow another spoonful of the same old stew that's been sitting out in the sun all these years because they're so nostalgically attached to this property for whatever reasons, but to anyone else this is just a plain old bad movie, the kind that no one's even going to remember existed in a year.
Tremors is dead. Let it rest in piece already.
We get recurring characters though and some may feel a bit too comfortable in their sense of humor for my taste. Especially the one you may know from the Scream franchise. Don't get me wrong, I loved his schtick in that other franchise, it just seems a bit redundant here. Our main hero (unlikely hero to be frank, especially considering the journey he took from the very early days of Tremors) remains as stoic and "fun" (I would consider him funny but others may not) as ever.
So while the movie overall is flawed, anyone liking the Tremors movies and has kept watching them, will not be too disappointed. Nicely done for anyone who still cares
Burt Gummer (Michael Gross) and his loud-mouthed son Travis (Jamie Kennedy) are in for a new adventure when graboids appear in the Canadian arctic. Together with a host of new characters, including a beautiful graboid-enthusiast (Jamie-Lynn Money) with a surprising tie to Burt's past, they set out to destroy this deadly threat. However, things take a dark turn when ole' Burt realizes he's been infected with a deadly graboid-based parasite, and will need to capture one alive in order to find a cure!
Part of the thing I've always loved about "Tremors" is the fact it's one of the few horror (well, horror-comedy) series that really and honestly cares about continuity. These films are peppered with references and callbacks, and "A Cold Day in Hell" is perhaps the most bombastic of the bunch in this respect. A large portion of the plot hinges on events that occurred several movies back, and it gives the movie a sort-of fun appeal that rewards longtime franchise fans. "Tremors" is almost episodic in that sense, and I really dig the direction they're taking the series in.
The central cast is also pretty darned good. As always, Michael Gross is the stand-out among them, and Burt is as likable (and wonderfully unlikable) as ever. You really get the sense that Gross absolutely loves the series to death, and he never phones it in. I also really liked Jamie Kennedy this time around. Scandalous, I know! Kennedy has gotten his share of flack in the past due to his poor choices in film roles, but I think "Tremors" is a good fit for him. I particularly thought he did quite well when given some honest emotional beats to work with later in the film. Jamie-Lynn Money is also incredible adorable and quite a good fit for the series, as a sort-of awe-struck oddball that's pulled into the journey. Unfortunately, the rest of the cast is otherwise generally forgettable though, and tend to sort-of disappear into the background.
Direction is handled by Don Michael Paul, whom also helmed the supremely underrated fifth entry in the series. While I could do with a little less shaky-cam, Paul does quite well for the most part with the script by series veteran John Whelpley. I've really admired how he's able to work with what is clearly a microscopic budget, and gives the movies a sense of scope that a lesser filmmaker would certainly lack. This looks and feels like a $30 million dollar film... when its actual budget is probably only about one-tenth that.
Unfortunately, all this praise does come with one pretty severe trade-off. And that's the fact that... this movie is pretty darned silly. Even by "Tremors" standards. There's a definite over-reliance on goofy gags and dopey character beats that start to feel a little contrived after a while. Especially in the first half, which is pretty much just a bunch of jokes and one-liners strung together by a loose storyline. The structure is also quite scattershot in the first act, and the film moves a bit unevenly. I have the sneaking suspicion that there wasn't a finished script when filming began, and it was written on the fly. And yeah... a few too many jokes fall flat on their face.
Thankfully, the sheer fun-factor at play does help you get through these issues, and by the midway point, the film course-corrects into sheer "Tremors" bliss. You just gotta get through about a half hour of nonsense before you start getting to the good stuff.
On the whole, this "Tremors" fan was generally pretty pleased by "A Cold Day in Hell." Yeah, you gotta contend with a somewhat lame opening act and some unfunny gags before it starts to get good. But once it gets going, you'll definitely forgive it for its faults. Strictly as a longtime series fan, I'm giving it a pretty good 7 out of 10. It won't win over any newcomers, but it'll get the job done for people who have followed this delightful series from the beginning.
Burt Gummer returns again to tackle a Graboid infestation and for the second movie in a row his son is along for the ride. This time however instead of desert these giant worms have taken residence in snow.
Great gimmick right? Shaking things up, trouble is it's not. We have one scene involving snow and the rest is...............desert basically. That's right they've squandered the entire gimmick and because of that we just have yet another Tremors film.
Now I really enjoyed Tremors 5 and would consider it second only to the original movie, that's why it saddens me to say that perhaps this should be it. The last movie felt fresh, this felt more than stale and brought absolutely nothing new to the table at all. Each previous movie had an identity, brought new creatures, new interesting characters, new gimmicks. Here, there's nothing despite the broken promise of the snow setting.
With Michael Gross being the only recurring star to have been in every movie I have to tip my hat to him for being excellent as always. Jamie Kennedy, less so but I'm slightly bias on that front.
A Cold Day in Hell isn't bad, it's just reminder that some things really should come to an end.
The Good:
Michael Gross
Script has its moments
The Bad:
Jamie Kennedy
When will they learn? Practical effects > CGI
Very paint by numbers stuff
This is an enjoyable enough movie for what it is, which is mediocre entertainment.
Michael Gross revisits the role of Burt Gummer, and he alone well and the worms of course are the sole instrument from the original movie that keeps this franchise afloat. And believe you me, they are boiling soup on a very weak broth by now.
The special effects and the creature effects are good, though and they definitely make the movie more watchable. As for the story, well let's just say that this movie offers nothing that haven't already been seen in the franchise, except for it being set in a colder climate.
If you enjoy the "Tremors" movie, then you will enjoy this movie. But if you are new to the franchise, I would strongly recommend that you start with the first movie. Yeah, the one with Fred Ward and Kevin Bacon.
Le saviez-vous
- AnecdotesThis is the first time Burt Gummer isn't seen wearing his trademark Atlanta Hawks hat. This time he sports a Chicago Cubs hat.
- GaffesThe setting is northern Canada but the vehicles are right-hand drive due to the filming location being in South Africa.
- Citations
Burt Gummer: Go slap a lien somewhere else.
Agent Dalkwed: Already have. Hey. I see you've changed teams.
Burt Gummer: Hmm? No, just hats!
Agent Dalkwed: Well, it was a miracle the Cubbies won that series. And frankly, Gummer, that's what you're gonna need: a miracle! 'Cause right now, your ass is in my hands!
Burt Gummer: Your point, Dickweed?
Agent Dalkwed: Your tax position has been deemed frivolous by the IRS, and your property has hereby been seized!
- ConnexionsFeatured in Obscurus Lupa Presents: Tremors 6: A Cold Day in Hell (2018)
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Détails
- Durée
- 1h 38min(98 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1