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USS Greyhound : La Bataille de l'Atlantique

Titre original : Greyhound
  • 2020
  • Tous publics
  • 1h 31min
NOTE IMDb
7,0/10
126 k
MA NOTE
POPULARITÉ
1 606
6
Tom Hanks in USS Greyhound : La Bataille de l'Atlantique (2020)
Tom Hanks stars as a longtime Navy veteran who, as a first-time captain, is tasked with protecting a convoy of 37 ships carrying thousands of soldiers and much-needed supplies across the treacherous waters of the Atlantic during WWII. For five days with no air cover, the captain and his small force of three escort ships must make their way through an area of the ocean known as “the Black Pit,” battling Nazi U-boats while protecting their invaluable ships and soldiers.
Lire trailer2:17
12 Videos
99+ photos
DrameGuerreL'histoireDrames historiquesÉpopée de guerre

Au début de la Seconde Guerre mondiale, un capitaine inexpérimenté de la Marine américaine doit diriger un convoi allié traqué par un sous-marin nazi.Au début de la Seconde Guerre mondiale, un capitaine inexpérimenté de la Marine américaine doit diriger un convoi allié traqué par un sous-marin nazi.Au début de la Seconde Guerre mondiale, un capitaine inexpérimenté de la Marine américaine doit diriger un convoi allié traqué par un sous-marin nazi.

  • Réalisation
    • Aaron Schneider
  • Scénario
    • Tom Hanks
    • C.S. Forester
  • Casting principal
    • Tom Hanks
    • Elisabeth Shue
    • Stephen Graham
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    126 k
    MA NOTE
    POPULARITÉ
    1 606
    6
    • Réalisation
      • Aaron Schneider
    • Scénario
      • Tom Hanks
      • C.S. Forester
    • Casting principal
      • Tom Hanks
      • Elisabeth Shue
      • Stephen Graham
    • 982avis d'utilisateurs
    • 189avis des critiques
    • 64Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 24 nominations au total

    Vidéos12

    Watch now on Apple TV+
    Trailer 2:17
    Watch now on Apple TV+
    International Trailer
    Trailer 2:09
    International Trailer
    International Trailer
    Trailer 2:09
    International Trailer
    Trailer #1
    Trailer 2:45
    Trailer #1
    Greyhound
    Trailer 2:40
    Greyhound
    Greyhound
    Trailer 2:39
    Greyhound
    5 Inspiring Military Dramas to Stream
    Clip 2:06
    5 Inspiring Military Dramas to Stream

    Photos241

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    + 236
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    Rôles principaux65

    Modifier
    Tom Hanks
    Tom Hanks
    • Captain Krause
    Elisabeth Shue
    Elisabeth Shue
    • Evelyn
    Stephen Graham
    Stephen Graham
    • Charlie Cole
    Matt Helm
    Matt Helm
    • Lt. Nystrom
    Craig Tate
    Craig Tate
    • Pitts
    Rob Morgan
    Rob Morgan
    • Cleveland
    Travis Quentin
    Travis Quentin
    • Ipsen
    Jeff Burkes
    Jeff Burkes
    • Shannon
    • (as a different name)
    Matthew Zuk
    Matthew Zuk
    • Flusser
    Joseph Poliquin
    • Lee Helmsman #1
    Casey Bond
    Casey Bond
    • Helmsman #1
    Josh Wiggins
    Josh Wiggins
    • Talker #1
    Michael Benz
    Michael Benz
    • Carling
    Grayson Russell
    Grayson Russell
    • Signalman #1
    Ian James Corlett
    Ian James Corlett
    • Dicky
    • (voix)
    Maximilian Osinski
    Maximilian Osinski
    • Eagle
    • (voix)
    • (as a different name)
    Dominic Keating
    Dominic Keating
    • Harry
    • (voix)
    Dave Davis
    Dave Davis
    • Boatswain's Mate #1
    • Réalisation
      • Aaron Schneider
    • Scénario
      • Tom Hanks
      • C.S. Forester
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs982

    7,0125.9K
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    Avis à la une

    9rodpevoto

    Intense, compressed, brief...

    Having served in the Cold War on both a destroyer and on a submarine, I found this story contrasting the tensions between both worlds. The action is shown from the bridge, CIC, and decks of the Greyhound, which BTW is the slang term for destroyers and those who serve on them. Hanks subtly conveys the ache of leaving a loved one behind and her presence with him during the battle. He and his crew feel the presence of the subs stalking the surface ships and the deaths of sailors both above and below the icy water. There is no perfect rendering of combat in film, but the repeated commands and protocols between naval personnel and vessels are accurate enough to convey a sense of proper urgency to the story. Compressing roughly 48 tense hours into a ~2 hour film doesn't give much time to absorb all that's happening, and that's the point. Training and subsequent reactions shape the story in the faces of the bridge crew as they watch the captain and follow his orders which he does not explain. This is about relationships between combatants, among the ships in the convoy, and between U.S. and British allies. This film, The Enemy Below, and Das Boot make a reasonable trilogy for a weekend marathon. Enjoy this story from either a technical or a relational view as you see fit.
    7dsk-917-14713

    Entertaining movie without over doing it

    Spectacle? Dramatization? No. This movie allowed me to experience ww2 naval combat without the bombast of the usual action movie. It felt realistic with a decent amount of suspense, a glimpse through the eyes of the captain.
    9charleski2000

    A great procedural movie, and a great tribute

    This is a movie about the procedure of command. This is an innately more complex task than the more common episodic approach that buries the procedural reality under a mask of plot and character. But this film pulls it off, largely by not shying away from the task.

    Guess what? Naval warfare, especially the sort of highly asymmetric warfare shown here, doesn't really revolve around the captain demanding more speed while the engineer says she canna take it. If you're looking for a movie that's truly respectful of the labours and sacrifices made in the Battle of the Atlantic, then this is a fitting tribute.

    Don't expect a character movie, don't expect to spend time below decks exploring the usual stereotypes. This movie is seen through the eyes of the captain, and the captain alone. I can think of very few other films that dare to depict the loneliness of command quite so clearly. There's little time for thought, there's no time to process or even truly grasp the horrors that they encounter (something which forms one of the roots of PTSD). What there is is the fight.

    The fight is relentless and deeply technical. We've become used to fight scenes carrying a few bits of technical gibberish followed by some visceral and personalised action. There's no gibberish in this film, and the latter consists of the captain cutting his feet on broken glass. The movie, like the mind of the captain, is consumed with the intricate technical and personal demands required to hunt down a submarine at that time. That was clearly the aim here, and the movie has succeeded admirably at showing that particular aspect of this type of warfare. This is not a common way to stage a war movie, but it's worth doing well on a few occasions, and this movie achieves its goal.

    The reviews show that many come looking for something more conventional, and end up missing the point, which is a shame.
    8Eve44

    I wish it was significantly longer...

    Honestly, I decided to write a review to counter some of the more trivial reviews found in this thread and to try and present an objective perspective of this film.

    Firstly, the dialogue in this movie is typical for a movie depicting World War II Naval life and is accurate to the time period. Do not watch this film if you expect anything other than period correct Naval terminology or the constant passing of orders between the captain and the crew, as you are not going to be satisfied with this movie. Ninety percent of the dialogue in this movie relates to the business of conducting asymmetrical naval combat in a high-speed situation and is way too short to have a grand introspective or extrospective expose on the psychology of warfare or one's place in the world. Sadly, the short length of this film prevents any adequate amount of time dedicated to forging interesting and dynamic characters or a complex plot with a villain that was somewhat pointless. If anything, the director should have lengthened the film to expound upon the narrative and bring our cautious, somewhat hesitant, captain to life or pick a handful of critical Sailors to develop a relationship with within 80-minute time constraint.

    Secondly, there are better movies or shows that depict the Battle of the Atlantic which brings me to my second point. If anything; this film should have been broken into a mini-series, like Das Boot or a full feature series like Band of Brothers or The Pacific. Had the directors decided to embark upon that route, we could have had a significantly stronger plot and been able to identify with the characters in a more empathetic way. As a former United States Navy Sailor, I felt right at home with the style, accuracy, and briskness with which the film endeavored to portray. However, I did not find myself overly attached to any of the featured characters. In fact, the film attempts to "show" us that we should feel shocked, saddened, or disheartened by the plight of these Sailors, however, without any in-depth character development, I found it difficult for me to feel any more than somewhat saddened, and by the time that I did experience this emotion, the movie moved onto another chaotic event. Reflecting upon the movie now, maybe that is the point of the plot? Maybe, the film tries to showcase that the chaos of battle does not grant us a moment of emotional expression aside from the adrenaline rush of combat or a life-threatening event. In any case, if you are looking for significant character development, and a grander view of the Battle of the Atlantic at large, this is certainly not the film for you.

    Lastly, I do not, in any capacity, feel like I wasted an hour and half of my life like some of the other viewers felt. For me, it was a nostalgic trip back into an old life that I long forgotten and I enjoyed every minute of this film despite its shortcomings. Has Tom Hanks done better? Certainly. Did I think he did a poor job with this film? Absolutely not. While my main complaint is that this film could have been significantly longer, I am left with a desire to want to explore more in regards to the treacherous Battle of the Atlantic and the men of all nations who participated.

    Overall - I was pleasantly surprised with this movie, and while I felt that this film could have been produced as its own mini-series in order to develop the plot and the characters better, I thoroughly enjoyed my time, and I am sure I will return to it again in the future.

    Enjoy!
    8paul_m_haakonsen

    This was spectacular...

    Holy moly...

    Well, another amazing World War II endeavor notch on Tom Hank's belt. "Greyhound" was definitely an amazing movie. When I sat down to watch it, I didn't really believe it would be up there alongside with the likes of "Saving Private Ryan" or "Band of Brothers", but it was. Oh yes, it was.

    "Greyhound" is a very intense naval war movie, and it was just great entertainment from beginning to end. I particularly liked the way that the movie was filmed, because it felt very dynamic and action-packed, sort of like I was right there alongside the fellows aboard the Greyhound and could almost smell the brine in the air.

    I must admit that I was surprised to find that Tom Hanks himself was the screenwriter for "Greyhound", and hats off to him for this achievement, because this was without a doubt a very enjoyable war movie.

    The movie also had a great cast ensemble to boast, with lots of great performances from the actors in the movie. That definitely helped to add authenticity to the movie.

    Visually then "Greyhound" was just spectacular. I really liked the presentation of the movie and the way it was shot. There was so much activity and realism in the scenes that it most certainly had a great war movie feel to it.

    My rating of "Greyhound" is an eight out of ten stars. This movie definitely took me by surprise, and if you enjoy World War II movies - with a naval theme, mind you - then "Greyhound" is the movie you should sit down and watch. Quite entertaining and well worth the time spent watching it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When the Captain refers to "Huff-Duff," he is referring to high-frequency direction-finding. This was a key method of how Allied naval forces detected and tracked German U-Boats: the Kriegsmarine's U-boat fleet maintained a high amount of radio traffic with its shore command and with each other for their Wolfpack tactics against Allied shipping. Huff-Duff allowed Allied naval ships to detect those radio transmissions and determine the location of those transmitting ships to attack them.
    • Gaffes
      One of the German U-boat commanders taunts Greyhound over the radio. This would never have happened in reality. Each Navy ship had a radio signal direction finder and if a U-Boat broke radio silence, triangulation would reveal its exact position.
    • Citations

      Gray Wolf: [on radio] Greyhound, good luck surviving the night.

    • Crédits fous
      During the first part of the end credits, some black and white WW2 era clips are shown.
    • Connexions
      Featured in Half in the Bag: Blumhouse's Dirty Secret (2020)
    • Bandes originales
      It Came Upon A Midnight Clear
      Public Domain

      Arranged by Bill Cunliffe

      Performed by Bill Cunliffe

      Courtesy of Black Toast Music

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    FAQ

    • How long is Greyhound?Alimenté par Alexa
    • What's the reason Captain Krause keeps getting his crewmen's names wrong?
    • Why do some sailors have massive helmets?
    • In the beginning of the movie, we see the escort plane and the ships communicating by light signals, not to break radio silence. Later on, we hear the captain talking to the other destroyers, while they are miles away. It seemed they had broken radio silence, since the subs had seen them anyway. But then, they regret having to break radio silence by calling on the admiralty.So how did they communicate? Or is it an inaccuracy?

    Détails

    Modifier
    • Date de sortie
      • 10 juillet 2020 (France)
    • Pays d’origine
      • États-Unis
      • Canada
      • Chine
    • Sites officiels
      • Official Facebook
      • Sony Pictures (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Greyhound: en la mira del enemigo
    • Lieux de tournage
      • Baton Rouge, Louisiane, États-Unis
    • Sociétés de production
      • Apple Original Films
      • Sony Pictures Releasing
      • Stage 6 Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 50 300 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Surround 7.1
      • Stereo
    • Rapport de forme
      • 2.39 : 1

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