Le procès de l'herboriste

Beautifully constructed movie that tugs at your heartstrings for cheering on a gifted maligned healer that miraculously healed countless and yet makes one recoil at his own selfish monstrosity of forcing his wants and needs upon the one most dependant on him for livelihood. In the end, his monstrosity prevailed to continue do what he always did to survive. It was control, possession, ownership and instinct to look out for his own life that mattered. Despite his gift to heal, he failed to save his own own soul by sacrificing real love for survival.

Agnieszka Holland is active as a (female) director since halfway the 70's and has produced a very diverse oeuvre. Because there is no real masterpiece in the oeuvre I think she hasn't got the attention she deserves.

Also "Charlatan" is no masterpiece, but it is a very good movie nevertheless. The cinematography is at times very beautiful, but that is not the real attraction of the movie. The real attraction of the movie is that it has a very compex main character in a very complex society, but the movie does not try to explan everything. It is up to the spectator to think about a lot of quenstions after the movie has finished. Benath some of the questions I had after viewing the movie.

The film is a biopic about Jan Mikolasek (1889 - 1973, played by Ivan Trajon (at older age) and his son Josef Trojan (at younger age)). Jan Mikolasek diagnosis people by looking at a bottle of their urine and treats them with extracts of herbs. When later in the film Mikolasek also turns out to be a clairvoyant, the term "charlatan" seems more then justified. Despite its title the film hoewever does not give a clear answer to this question. There are some indications about questianable merchandising (empty bottles to urinate in) around the practice of Mikolasek but on average he is portrayed as a man driven to help his patients and not as a charlatan.

Mikolasek is prosecuted by the communist Czech government. The film is unclear about the motives of the government. The prosecutor calls Mikolasek mockingly a urine oracle, but as we saw before this was in all probability not the case.

The film makes clear that the prosecution is only possible after some former patients of Mikolasek are no longer on positions of power. That is however only about eliminating an obstacle and does not give a cleu about the motives behind the prosecution. Was it the homosexuality of Mikolasek? At one point in the film is remarked that this is against the law, but (again) the film does not provide definite answers.

As dedicated Mitosalek is to his patients, so selfish and blunt he sometimes is to his loved ones. Especially against his assistent and lover Frantisek Palko (Juraj Loj) he is two times real cruel and villainous. Flashbacks to his past agian provide some clues about this inconsistency in his peronality but not the full answer.

One thing is in my opinion not entirely logic. The film is told in flash backs originating from the interrogation during the proces. At other points in the film however, the impression is created that the proces is just a show proces with conclusions already drawn. But why having serious interrogations in a show proces?

Agnieszka Holland has been one of Poland's leading directors for the past few decades. Although she has no particular style, the movies of hers that I've seen were worth seeing. This now includes 2020's "Sarlatán" (sorry, IMDb no longer allows diacritics on consonants, so I can't write the title properly).

The movie tells the true story of Jan Mikolasek, a Czech doctor in the early 20th century whose unorthodox methods caused controversy. When the Nazis occupied Czechoslovakia, they forced him to use his methods for them. Later on, the country's Soviet-backed government prosecuted him (his sexual relations with men probably contributed to this).

More than anything, the movie shows a part of history that most people have probably never heard of; I don't know how many people in Czechia and Slovakia know about Mikolasek, and in particular his sexual orientation. All in all, this is a movie that you should check out (can I say "Czech out"?).

Czechoslovakian cinematography is flooded with mindless romantic comedies, so it very refreshing to finally see something with a soul. And oh my, this film is something. Breathtaking acting, both Ivan Trojan and Juraj Loj showed what they can do when they are given space and great script to work with. Characters are deep and meaningful, even the smallest roles left me wandering: Who are you, what is your story? Main character, Jan Mikolásek, has an interesting and unusual personality and definitely can't be seen as "a good guy" but he is not "a bad guy" either. I don't know if i would even call him moraly gray. It is completely left on you, how you choose to see him. Personally I also loved how they choose to portray love between two men, how completely breathtaking and pure their relationship was. Couple of times I was very close to tears. If this is where our cinematography is heading, I am definitely excited and I am looking forward to more films like this. Definitely worth watching. If you are slovak/czech, grab your cinema tickets asap. If not, get hold of a subtitled version and watch it too. Great work of art.

I had never heard of Jan Mikolasek, a herbalist/healer and hero to many Czech people. I strongly feel that would be for the best, or checking your Czech history at the door during the opening credits. In fact I'd add maybe skip the post-movie googling on him, and accept this as a very-loosely-based-on-reality film.

Call it speculative biography.

That said, I found the folk therapy treatments based on urine analysis fascinating, I could almost see that as something to have a revival for a variety of reasons (health-cost widening gaps on top of a general distrust of what the authorities, medical or otherwise, say).

Indeed the day I watched this movie I also read a news story about a California state senator's wife dying with a "partially intact" white mulberry leaf found inside her stomach. Sad, but charlatans are far from a plague of the past.

Despite the title, the film seems to not be so ready to condemn Mikolasek for his quasi-medical endeavors. He is introduced with an almost superhuman power, and there is a notion of a burning need to share that power with the people.

The scenes with his mentor underscore a commitment to altruism, beneath a fervent religious belief. There is some joy to those scenes, and fun with lighting as well. Mikolasek inherits a lot of his mentor's skills, however the altruism and spirituality come with conflictions.

He lives a life of apparently both affluence and asceticism. Sitting at night for a tasty feast, kneeling the next day upon the rocks before a statue of Christ.

The conflictions in the film are expanded to his sexuality, in Holland's account there is no question to the homeopath's homosexuality. Like I said, speculative biography. That sexuality puts him at risk not just in the church, but in the eyes of state. Even as the state of the state changes.

Speaking of the state, the healer's efforts don't only lead to long lines of desperate people outside Mikolasek's stately gated home, but interest from their leaders/occupiers.

He survives thanks to his concoctions and connections. But after a stretch of time, will his friends in powerful places turn a more cowardly shade of yellow? Will the good non-doctor suffer the same shady fate?

Again I think the film is well worth a watch especially the efforts of father and son actors covering the ages of Jan. The camera shots work harder than the communists to frame Mikolasek (so many shots through gates/doorways/prison cells and other rectangles within the rectangular screen).

A mild caution on some of the brutality in the film, there are three scenes where a harsh choice of life/death is thrust upon us. A gun, a sack and and an abortifacient - while the middle may trouble other viewers the most, the third shook me.

Over the course of the movie, I felt that Holland may have tried to stack too much upon the shoulders of Mikolasek in this his reel life, but then again he apparently was a larger-than-life to many in his real life.