Trente ans après avoir servi ensemble au Vietnam, Larry, ancien officier de la marine, retrouve ses vieux compagnons, Sal Nealon et le révérend Richard Mueller, ex-marines, pour enterrer son... Tout lireTrente ans après avoir servi ensemble au Vietnam, Larry, ancien officier de la marine, retrouve ses vieux compagnons, Sal Nealon et le révérend Richard Mueller, ex-marines, pour enterrer son fils, également marine, tué au combat en Irak.Trente ans après avoir servi ensemble au Vietnam, Larry, ancien officier de la marine, retrouve ses vieux compagnons, Sal Nealon et le révérend Richard Mueller, ex-marines, pour enterrer son fils, également marine, tué au combat en Irak.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 11 nominations au total
- Hyped-up Employee
- (as Marc Moore Jr.)
Résumé
Avis à la une
This was based on the 2003 novel by Darryl Ponicsan, which was a sequel to his 1970 novel The Last Detail, which was memorably filmed in 1973 with Jack Nicholson, Otis Young, and Randy Quaid. Linklater, who co-wrote the script with Ponicsan, decided to alter this follow-up in several ways, changing the character names and a lot of their back story, but the essential dynamic is the same. I enjoyed this film well enough, but as a big fan of The Last Detail, I spent much of this movie's runtime comparing it, and wondering what might have been had this been filmed 15 years ago and with the original film's cast returning to their roles (Otis Young passed away in 2001, before the sequel novel was published). Seeing at least Nicholson and Quaid return in those roles would have been really something else.
All that aside, this is still a largely enjoyable movie, with good performances and some nice, quiet character moments. The film seems to want to say something about veterans, and what they feel and how they deal with the rest of their lives, and how they end up viewing their country that they sacrificed for but who may have ultimately been lying to them. However, the script doesn't put these thoughts together in a clear enough fashion to be making any kind of definitive statement, but it may be the case that there really isn't one. It's odd to think that a movie set in 2003 is a period piece, but it is, and much is made of a visit by the three aging buddies to a cell phone store to check out the new-fangled technology. I'm curious how this movie will be viewed by actual Vietnam-era military veterans.
"Last Flag Flying" (2017) has to say something about war and politics. It does not like either of them. What i did like about this movie was not its message, perhaps, but acting and writing. On its core its a 2 hours road movie with some war veterans who share some dark secret. There are no revelations at the end of they journey, but there is some sort of accomplishment of what they did on the road.
Overall, while "Last Flag Flying" isn't as good as Richard Linklater's previous movies (far from it), i did enjoy this picture entirely because of veteran actors doing good job and reading fine lines. This is a very anti-war movie without a war and a solid road drama.
Le saviez-vous
- AnecdotesSteve Carell consulted with his father, a WWII veteran, to prepare for his role.
- GaffesIncorrectly Regarded as Goof: Age of Steve Carell doesn't match up for Vietnam service. However, the movie takes place in the past. If you presume Steve Carrel is 55 (as he was at the time the film was shot) during the movie's setting of 2003, he would have turned 19 (when he was there as per the "Disneyland" story) in 1967, the height of the US involvement in the war.
- Citations
Larry 'Doc' Shepherd: I'm not going to bury a marine. I'm just going to bury my son.
- Bandes originalesSlow Walk
Written by Sil Austin and Irving Siders
Performed by Sil Austin
Courtesy of The Verve Music Group under license from Universal Music Enterprises
Meilleurs choix
- How long is Last Flag Flying?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Reencuentro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 965 481 $US
- Week-end de sortie aux États-Unis et au Canada
- 40 558 $US
- 5 nov. 2017
- Montant brut mondial
- 1 872 950 $US
- Durée
- 2h 5min(125 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1