Ajouter une intrigue dans votre langueA SWAT compound comes under fire from an international terrorist who relentlessly and violently pursues a mystery man who was apprehended by Seattle SWAT after a raid went horribly wrong.A SWAT compound comes under fire from an international terrorist who relentlessly and violently pursues a mystery man who was apprehended by Seattle SWAT after a raid went horribly wrong.A SWAT compound comes under fire from an international terrorist who relentlessly and violently pursues a mystery man who was apprehended by Seattle SWAT after a raid went horribly wrong.
- Réalisation
- Scénario
- Casting principal
Scott J. Ateah
- DEA Agent Bauer
- (as Scott Ateah)
Avis à la une
OK, that's definitely not ASSAULT ON PRECINCT, nor NID DE GUEPES ( WASP NEST), even LES INSOUMIS, starring Richard Berry but on the same scale of GRIDLOCKED or BLACK SITE DELTA, schemes where police stations are under assault, a topic very often seen since John Carpenter's masterpiece, back in 1976. So, yes, it was a pretty good time for me, despite the bad acting and lousy directing. The army of mercenaries is laughable, they all look like football supporters rushing out of the stadium after the match to fight against the other team hooligans. Laughable, but I repeat, the basic scheme is not bad and Michael Jay White pretty good. By the way, I did not get if YES OR NOT, he died in the end. And what about the geek helping the baddies out with his computer...was he wasted or not? I guess so. Thanks Netflix for providing such films. There were so many looking like this one, i don't remember all of them, sorry. One last thing, I appreciated the way the couple of heavies - man and female - are presented, aboard the private jet, talking in a very intellectual way about the origins of the American Civil War, between North and South states taxes...Interesting for this kind of grade B films.
"S.W.A.T.: Under Siege" should delete its writer's credit and replace it with a line crediting everybody who has written an action film in the past. The plot draws heavily from "Assault on Precinct 13" and "Safe House," with a lot of familiar tropes seen in dozens of genre films. What few mild surprises the plot offers generally happen off-screen, although it is not easy to predict which characters will die, who will kill whom and the order of their demises. The biggest surprise seems borrowed from "Showdown in Little Tokyo" and is surprising only because the film hadn't yet developed the characters – although, to their credit, it is a great improvement on the SILT scene. The bad guys who are really good and the good guys who are really bad could have simply worn T- shirts identifying themselves. The dialogue alternates between pretentious, execrable, familiar and unnecessary. Production values are generally adequate, although marred by over-reliance on distracting jiggly-cam shots.
However, the fight scenes are capably executed. Michael Jai White is highly proficient and other cast members demonstrate considerable skill as well, including Marsden, Zagorsky, Jaeger and Palicki. The fight choreography is competent, although uninspired. The special effects incorporated into the numerous gun battles are handled well.
Advocates of diversity in films should be encouraged by the ethnically diverse cast. However, skeptics will note that most of the Asian, Hispanic and black performers are in background roles and underutilized. The director seems to have attempted to give a couple of them more screen time with prolonged noble demises, but the shots seem more distracting than empowering. White delivers his dialogue with a heavy accent and another character is given an urban 'tude, but as in many films with large casts, the diversity seems more a result of casting decisions than screen writing choices.
However, the fight scenes are capably executed. Michael Jai White is highly proficient and other cast members demonstrate considerable skill as well, including Marsden, Zagorsky, Jaeger and Palicki. The fight choreography is competent, although uninspired. The special effects incorporated into the numerous gun battles are handled well.
Advocates of diversity in films should be encouraged by the ethnically diverse cast. However, skeptics will note that most of the Asian, Hispanic and black performers are in background roles and underutilized. The director seems to have attempted to give a couple of them more screen time with prolonged noble demises, but the shots seem more distracting than empowering. White delivers his dialogue with a heavy accent and another character is given an urban 'tude, but as in many films with large casts, the diversity seems more a result of casting decisions than screen writing choices.
It is a holiday, but Seattle SWAT member Travis Hall (Sam Jaeger) gets called into work. Commander Ellen Dwyer (Adrianne Palicki) has ordered a raid. DEA agents claim that it's an easy takedown of a drug shipment. Instead, they are confronted by a well-armed group and all they find is a mysterious prisoner (Michael Jai White) being tortured.
This has a solid premise and a couple of good actors. Michael Jai White depends on your personal taste. I find him a little cheesy but a fun take on those 90's action stars. Everything is set up for a good B-movie. Both the directing and production are second rate. Little things do start to bug me. There is plenty of action, but not all of it is staged well. I still like MJW doing his pose-fighting. I don't know if Palicki is doing her own stunts. She looks like she can really kick. This is a B-movie with a good premise. It's too bad that it struggles to pull it off.
This has a solid premise and a couple of good actors. Michael Jai White depends on your personal taste. I find him a little cheesy but a fun take on those 90's action stars. Everything is set up for a good B-movie. Both the directing and production are second rate. Little things do start to bug me. There is plenty of action, but not all of it is staged well. I still like MJW doing his pose-fighting. I don't know if Palicki is doing her own stunts. She looks like she can really kick. This is a B-movie with a good premise. It's too bad that it struggles to pull it off.
An absolutely abysmal movie, I have nothing good to say at all about it -it has diabolical acting, script and action sequences - the lead man gets knocked out 3 times I think, the whole thing is laughable and if I was one of the "actors" in this film (and I use the term loosely) I would be ashamed to put it on my CV. Avoid like the plague.
The movie lack of numerous characters, may be a low budget movie but it goes straight to the point. The movie has 1 topic and stays on track on that topic. Maybe that's why some people doesn't liked it much. There's no love story and there aren't numerous extras around. Like I said: it stays in one story line. I liked it because it doesn't have all those special effects from movies nowadays were you can tell that's fake or that's computerized. Yes, the fights are kind of slow but is because nothing is over reacted, everything looks like it should, if it was a real situation which I think it was a good change. It could of have better scenes but I think is worth watching. Enjoy!!!!!!!!!
Le saviez-vous
- AnecdotesWilhelm Scream: At around 13 minutes, when the guy with the rocket launcher is shot.
- Citations
Scorpion: You trust me now?
Ellen Dwyer: Hand on your head
Hooks: You alright commander
Travis Hall: Yeah yeah
- ConnexionsFollows S.W.A.T. : Unité d'élite (2003)
- Bandes originalesI'm A Man
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- How long is S.W.A.T.: Under Siege?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- S.W.A.T.: la Contre-Attaque
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 29min(89 min)
- Couleur
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