Le Verrier

This movie had been 10 years in the making and it largely pays off.

The setting is a blend of desi and European culture which is evident with the character names, clothing, food and more.

The art style is obviously inspired by Studio Ghibli but it is unique enough to have its own personality.

The animation during the war scenes are especially breathtaking as the lighting and colours during the explosions are particularly beautiful.

The voice acting is the weakest aspect (I watched it in English, but Urdu had the same issue) but I had expected it from the trailers, however it wasn't terrible.

Hey I saw the Movie. Tbh it's good for beginners and kids. There is a Special word I can use. "NA ISKA SAR THA NA PAIR"

I know this is the starting for the Pakistan Animation.

Good Review: It's good storyline neat the characters designs are detailed. Storyline was average.

Improvement Review: Thing I learn from Anmies Movie

Musics is missing Voilen can be in melodies add more. War, Fires, Emotions.

Imagine its bombing and next day everyone is happy i mean dude... cmmon

Imagine you are making a movie where is the mixture of War & Love Damn It can be classic but you miss both parts.

If you feel like what complete anmie mean There is An Anmie Name "91 Days, Monster Farming in Another World"

For Voilence "High School God Avg, Hell Paradise Strong Character with Voilence Elements"

For Romance: "Watch Any High School"

Now Lets Come Back

Main Character was weak I know its totally looking like you. But does he have to be weak?

His Mother Memories are missing. Father Role is Totally cracking.

Romance was lit

Now If I recollect what was it. Think Again at the end they both Meet Now Go Above If they have to be meet Why Malik was much greased into this. The character was unimportant.

You can have me on a call there is much that i can't write. Search Mozzam on Insta

USMAN I KNOW YOU HAVE THE FUTURE THAT'S WHY IMPROVEMENTS IS IMPORTANT AS WELL.

I feel you are self centered that has expectations less from others and more from yourself. I don't appreciate it i I have been through this.

BTW If you rewatch this you are really good in the War Senario Specially the Bombing on the City, on Mountains and on Night View.

I would suggest move yourself to the War Anmies. If you feel content is more go for Anmie Side We would love to watch that but we expect some quality things.

The Movie is supported by pakistani community Best of Luck.

"The Glassworker" doesn't shy away from difficult themes, but it handles them with sensitivity and grace. The looming shadow of war creates a sense of urgency without overshadowing the film's core message about the enduring power of art, love, and the human spirit. The voice acting is superb, breathing life into each character and amplifying the emotional resonance of the film. The score is a masterpiece in itself, perfectly complementing the visuals and evoking a range of emotions. From the bustling cityscapes to the quiet moments of contemplation, the music elevates every scene. The voice acting is superb, breathing life into each character and amplifying the emotional resonance of the film. The score is a masterpiece in itself, perfectly complementing the visuals and evoking a range of emotions. From the bustling cityscapes to the quiet moments of contemplation, the music elevates every scene. The animation is a love letter to the art of hand-drawn artistry. Lush landscapes and vibrant cityscapes come alive with meticulous detail, while the characters move with a grace that captures the essence of life. But the true magic lies in the depiction of glassblowing itself. Each fiery dance with molten glass is a mesmerizing spectacle, a testament to the dedication of the animators and a celebration of this ancient craft."The Glassworker" transcends the boundaries of animation. It's a tapestry woven with breathtaking visuals, a poignant story, and a message that resonates deeply. This Pakistani masterpiece is a landmark achievement, not just for its country's film industry, but for animation as a whole. The story unfolds like a delicate work of blown glass, both beautiful and fragile. Vincent, our protagonist, struggles to find his place in a world threatened by war. His journey of self-discovery is interwoven with a love story that blossoms amidst hardship. The characters are richly drawn, each with their own dreams and fears, making their struggles all the more relatable.

Pretty good movie overall. Many elements that I liked, for example the animation was amazing, especially for something that is produced in Pakistan. Could clearly tell that they put a lot of effort into it, and influence of Ghibli films could be seen. They nailed the glass working part. The animation seemed to be the main focus of the movie. The voice acting was alright, I didn't like the voice actor voicing the female protagonist (I watched the English version, maybe Urdu was better). The story itself wasn't too original, but was alright, and basically just got the job done. At least they didn't try to force tear-jerker moments for no reason. Good, solid movie, which is altogether unexpected from Pakistani cinema, hopefully this is one of many actual quality movies that we release.

"The Glassworker," directed by Usman Riaz and produced by Mano Animation Studios, is an enchanting hand-drawn animated film that captivates the heart and soul. Set in a land reminiscent of Pakistan, this film tells a profound story of love, artistry, and the relentless shadows of war.

The voice performances are exceptional. The emotional resonance they deliver adds layers to the already rich narrative.

"The Glassworker" is not just a film; it is an experience that lingers long after the credits roll. It challenges the viewer to reflect on the importance of love, art, and individual thought in times of turmoil. Usman Riaz has crafted a timeless piece that stands as a tribute to the power of animation and storytelling.

Highly recommended for anyone who appreciates a beautifully crafted narrative and stunning animation. "The Glassworker" is a rare gem in today's cinematic landscape.