Ajouter une intrigue dans votre langueAfter the Second World War, budding film composer Jerry Herst moves to Hollywood to study with infamous master teacher Mario Castelnuovo-Tedesco.After the Second World War, budding film composer Jerry Herst moves to Hollywood to study with infamous master teacher Mario Castelnuovo-Tedesco.After the Second World War, budding film composer Jerry Herst moves to Hollywood to study with infamous master teacher Mario Castelnuovo-Tedesco.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 10 nominations au total
Alexandra Essoe
- Cyd Charisse
- (as Alex Essoe)
Kristen Lee Gutoskie
- Estelle Oppenheimer
- (as Kristen Gutoskie)
Luke Eberl
- Adam (Brilliant Student)
- (as Lucas Elliot Eberl)
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Modest by intent, The Maestro gives the spotlight to the true talent behind the scenes, whose passion for art and pursuit of excellence have played a key role in the history of cinematic arts, but often received little to no recognition because film credit was taken by others.
Florentine composer and legendary Hollywood music teacher Mario Castelnuovo-Tedesco (Xander Berkeley) composed/scored over 200 films, and mentored, tutored, and influenced the biggest names in Post-WWII cinematic music composition, his list of pupils including John Williams, Henry Mancini, Andre' Previn, Nelson Riddle, Herman Stein, Marty Paich, and Jerry Goldsmith.
Most of Mario's scores in the 1940's and 1950's were credited to others as was common practice in that era.
At the center of the plot, is a paternal relationship that develops between Mario and one of his most talented but lesser known pupils Jerry Herst (Mackenzie Astin).
Director Adam Cushman and first-time screenwriter C.V. Herst provide an intimate look into career and life decisions each man makes to maintain their passion and dedication to music composition while navigating the Post-War Hollywood studio machine.
Cushman succeeds by keeping the focus completely away from the big names that would have resulted in this film being another Hollywood biopic that exploits famous names to succeed.
Instead, 'The Maestro' is a memorable, wonderfully understated and intimate film, with superb acting, and earns my highest recommendation as one of the best films of the year for 2018.
Florentine composer and legendary Hollywood music teacher Mario Castelnuovo-Tedesco (Xander Berkeley) composed/scored over 200 films, and mentored, tutored, and influenced the biggest names in Post-WWII cinematic music composition, his list of pupils including John Williams, Henry Mancini, Andre' Previn, Nelson Riddle, Herman Stein, Marty Paich, and Jerry Goldsmith.
Most of Mario's scores in the 1940's and 1950's were credited to others as was common practice in that era.
At the center of the plot, is a paternal relationship that develops between Mario and one of his most talented but lesser known pupils Jerry Herst (Mackenzie Astin).
Director Adam Cushman and first-time screenwriter C.V. Herst provide an intimate look into career and life decisions each man makes to maintain their passion and dedication to music composition while navigating the Post-War Hollywood studio machine.
Cushman succeeds by keeping the focus completely away from the big names that would have resulted in this film being another Hollywood biopic that exploits famous names to succeed.
Instead, 'The Maestro' is a memorable, wonderfully understated and intimate film, with superb acting, and earns my highest recommendation as one of the best films of the year for 2018.
To put it in one word, this movie was BLAND!
The Jerry Herst character was played as if the man was going for groceries, smiling at everyone he meets, being 'gentile', uninvolved and distanced from the life events that happen to him. Dead-faced acting skills.
The maestro character was played in a cliché Italian kind of way. Sometimes it felt like he was the little brother of Watto from the Star Wars movies.
The story itself was uninspiring and tedious. No depth at all.
This film is what Filming should be like. No special effects, just a great script and talented actors to portray the characters. Beautifully filmed, on a micro budget. wonderful direction. Xander Berkeley and Leo Marks, worked so well together. I felt like I was transported to LA 1949? This film was based on the screenwriters Father, Jerry Herst. CV Herst is not a first time writer. I expect to see more films that he writes and produces in the future. Happy to see this talent come to life,
I was most taken and shaken by the gentle and careful pacing of this film. Xander's Accent was excellent and character innate.
If anything reminds of the course of service in art it's this: We Need You Not To Remember Us For What We Did, But Remember Yourselves For What You Can Do.
I enjoyed the actors, especially the Landlady who brought this subtle but very unique touch of humanity and compassion that makes her very forgivable. The Scenery and Shots kept me focused on both story and without need of the period in which it took place, made a timeless story come to life.
In order for something to live forever it doesn't have to be remembered, but reflected and Tedesco's influences will live forever because he made this place better than he found it.....and those whom he taught carried after him, the inspiration forward for those after them.
I was fortunate enough to meet many of those involved with this film and was so grateful for such a needed simple message for humanity: Don't wait to lose something in order to appreciate it.
If anything reminds of the course of service in art it's this: We Need You Not To Remember Us For What We Did, But Remember Yourselves For What You Can Do.
I enjoyed the actors, especially the Landlady who brought this subtle but very unique touch of humanity and compassion that makes her very forgivable. The Scenery and Shots kept me focused on both story and without need of the period in which it took place, made a timeless story come to life.
In order for something to live forever it doesn't have to be remembered, but reflected and Tedesco's influences will live forever because he made this place better than he found it.....and those whom he taught carried after him, the inspiration forward for those after them.
I was fortunate enough to meet many of those involved with this film and was so grateful for such a needed simple message for humanity: Don't wait to lose something in order to appreciate it.
I really enjoyed this movie, Xander Berkeley is the perfect person to portray Mario Castelnuovo Tedesco! Mr. Berkeley is always is so believable in any character he plays! This movie is a timeless piece of art. Xanders portrayal along with all the details of that era transported me back into time as though I was watching this take place in real time. I am so happy to have seen it! It saddens me to know that the film industry senselessly and purposely forgot to honor such a wonderful composers work. Genius film and genuine heartfelt work by all talents that were involved! Thank you for telling his story! LOVE, LOVED, LOVED It!
Le saviez-vous
- AnecdotesThe piano Mario teaches Jerry on is the actual piano used by Mario Castelnuovo-Tedesco and the likes of John Williams.
- Crédits fousAs he often didn't receive credit for his work, Mario Castelnuovo-Tedesco is credited first at the end of the film for being the composer - as his compositions are used throughout the film
- ConnexionsFeatures The Poet (2018)
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- How long is The Maestro?Alimenté par Alexa
Détails
Box-office
- Week-end de sortie aux États-Unis et au Canada
- 1 080 $US
- 15 févr. 2019
- Durée1 heure 34 minutes
- Couleur
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