Coeurs ennemis

Keira Knightley is simply outstanding in this drama about a woman torn between two men at the end of WW2. Very much in the vein of a Merchant Ivory production; might seem old-fashioned by modern standards, but there is definitely a place for this type of film, which is largely missing from current productions. An enjoyable, moving and beautiful film.

This is a great example of how a film can try to juggle and blend two different genres, and despite never really getting either perfect, can still offer up interesting and engaging drama. As a result, The Aftermath is far from a perfect film, and its frustrating misfocus given the potential of its historical setting makes for an often underwhelming watch. However, it still has the elegance, dramatic intrigue and often even emotion to keep you engaged throughout, ultimately making for a thoroughly watchable, but not exceptional, film.

So, the two ideas and genres that the film attempts to balance and bring together are romantic drama and pure history, and it's the historical side that I'd like to start off with, because while the film features some fascinating historical themes, it also fails to capitalise on the genuinely enthralling potential of its setting.

Set in the immediate aftermath of the Second World War, the film centres on the relations and tensions between the British occupiers and local German citizens, with emotions and suspicion still running high following six years of all-out war. In that, the film looks at both the continuing negative feelings between both peoples, brought to life early on by Keira Knightley, as well as the idea that, with the war over, there is no need for recriminations in the face of a rebuilding project for the better of all, which we see in Jason Clarke's character early on.

Now, while the movie does occasionally hit those beats in a little too on-the-nose (especially when compared with how the same ideas are presented in the brilliant Land Of Mine), it's not quite as clear-cut as you may expect. Subverting expectations by reversing the stereotypical roles and seeing the patriarch hold more sympathy to the Germans, with his wife holding onto more antagonistic feelings following the war, The Aftermath does offer up some genuinely intriguing historical discourse, which builds to fascinating and often even palpably tense heights towards the end of the first act.

However, the biggest disappointment about this film is that it doesn't follow through. Despite a strong start from the historical point of view, its second and third acts don't offer all that much more on the same plain, with focus shifting abruptly to a romance that, while perfectly pleasant and enjoyable, just doesn't have the depth or intrigue to prove really impressive.

Of course, that's not to say that the entire historical context goes out the window, and the romance that develops still focuses on the idea of relationships crossing political lines - similarly looked at in films like Suite Française. However, it's far closer to a generic period romance, rather than one that blends historical themes in to further what was developed earlier on.

As a result, the film grinds to a little bit of underwhelming halt as it edges towards a rather predictable finale. It's not a boring watch, and with strong performances from Keira Knightley, Jason Clarke and Alexander Skarsgård, there is still intrigue and entertainment to find, but it all feels a rather frustrating and disappointing approach given the potential of the opening act's historical focus.

If you're looking for a nice romantic drama, this film can prove an enjoyable watch, but you'll have to wait quite a while for the romance to start in earnest. On the flipside, if you're looking for a historical drama that depicts the aftermath of the Second World War (as I was), the film starts off in strong fashion, but its move towards romance later on will likely leave you disappointed.

The first hour set up the film excellently. However from that point the whole film felt torn between wanting to be an epic historical drama and a romantic drama whilst settling on either. Even at the end I had no idea what they were trying to accomplish with the film or what the supposed message was. Could have been a lot better had they settled on a theme. Still watchable but at the end all felt a little pointless.

I sought out The Aftermath primarily because of an interest in its setting, post war occupied Germany. What I found was a well made film, full of great performances. All of the characters in this film were emotionally wounded in some way and it was fascinating to watch them clash and interact.

A handsome and compelling production, I don't understand some of the poor reviews I've seen for this movie. Romantic films really aren't my thing but The Aftermath held my attention throughout its running time.

Great ending too.

"The Aftermath" is based on the novel of the same name by Rhidian Brook and stars Keira Knightley, Alexander Skarsgård, and Jason Clarke in the lead roles. Set against the backdrop of a war-torn city, the film explores themes of loss, grief, love, and reconciliation in the aftermath of conflict.

One of the strengths of "The Aftermath" is its atmospheric setting. The film takes place in Hamburg, Germany, in 1946, just after the end of World War II. The devastated city, with its ruins and desolate landscapes, serves as a powerful backdrop for the characters' struggles and emotions. The production design and cinematography effectively capture the post-war era, creating a somber and melancholic atmosphere that adds depth to the story.

The performances in the film are exceptional. Keira Knightley delivers a compelling performance as Rachael Morgan, a grieving wife who arrives in Hamburg to join her husband, Lewis, played by Jason Clarke, who is a British colonel tasked with overseeing the city's reconstruction. Knightley portrays Rachael's inner turmoil with subtlety and emotional depth, capturing the complexities of her character as she grapples with her grief, guilt, and conflicting emotions.

Alexander Skarsgård is also impressive as Stefan Lubert, a German architect who lost his wife during the war and now works for Lewis. Skarsgård brings a quiet intensity to his role, displaying a range of emotions as Stefan forms a bond with Rachael, leading to a complicated romantic relationship that adds tension to the story.

The film's screenplay, adapted by Joe Shrapnel and Anna Waterhouse, delves into the aftermath of war and the challenges of reconciliation. It explores the complexities of human emotions, the scars left by war, and the struggle to move forward amidst grief and guilt. The film also delves into the tensions between the British and the Germans, as well as the conflicts that arise within Rachael and Lewis' marriage as they try to navigate their strained relationship in the aftermath of war.

Visually, "The Aftermath" is stunning. The film's period-accurate costumes, set designs, and cinematography effectively transport the audience to the post-war era. The contrast between the destruction of the city and the beauty of its surroundings creates a visually captivating experience that enhances the storytelling.

However, one criticism of the film is that the pacing can be slow at times, which may impact the engagement of some viewers. Additionally, some may find the romantic storyline between Rachael and Stefan somewhat predictable and formulaic.

Overall, "The Aftermath" is a beautifully crafted period drama that offers a poignant exploration of love, loss, and healing in the aftermath of war. The performances, particularly from Knightley and Skarsgård, are strong, and the film's atmospheric setting and visual aesthetics add depth to the story. Despite some pacing issues and familiar romantic tropes, "The Aftermath" is a thought-provoking film that delves into the complexities of human emotions and the aftermath of conflict.