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Coeurs ennemis

Titre original : The Aftermath
  • 2019
  • Tous publics
  • 1h 48min
NOTE IMDb
6,4/10
25 k
MA NOTE
Alexander Skarsgård, Jason Clarke, and Keira Knightley in Coeurs ennemis (2019)
Set in post-war Germany, Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Lire trailer2:16
11 Videos
99+ photos
DrameGuerreRomanceDrames historiquesRomance tragique

Après la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui éta... Tout lireAprès la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui était auparavant propriétaire de la maison.Après la Seconde Guerre mondiale, un colonel britannique et son épouse sont affectés à Hambourg lors de la reconstruction d'après-guerre, mais des tensions surgissent avec l'allemand qui était auparavant propriétaire de la maison.

  • Réalisation
    • James Kent
  • Scénario
    • Joe Shrapnel
    • Anna Waterhouse
    • Rhidian Brook
  • Casting principal
    • Keira Knightley
    • Ned Wills
    • Pandora Colin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    25 k
    MA NOTE
    • Réalisation
      • James Kent
    • Scénario
      • Joe Shrapnel
      • Anna Waterhouse
      • Rhidian Brook
    • Casting principal
      • Keira Knightley
      • Ned Wills
      • Pandora Colin
    • 167avis d'utilisateurs
    • 117avis des critiques
    • 43Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos11

    UK Trailer
    Trailer 2:16
    UK Trailer
    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Trailer
    Trailer 2:25
    Official Trailer
    The Aftermath: This Is Going To Hurt
    Clip 1:27
    The Aftermath: This Is Going To Hurt
    The Aftermath: Fact To Fiction (Featurette)
    Featurette 3:02
    The Aftermath: Fact To Fiction (Featurette)
    The Aftermath: The Story (Featurette)
    Featurette 2:38
    The Aftermath: The Story (Featurette)
    The Aftermath: Jason Clarke (Featurette)
    Featurette 1:49
    The Aftermath: Jason Clarke (Featurette)

    Photos117

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    Rôles principaux29

    Modifier
    Keira Knightley
    Keira Knightley
    • Rachael Morgan
    Ned Wills
    • Boy on Train
    Pandora Colin
    Pandora Colin
    • Mother on Train
    Jason Clarke
    Jason Clarke
    • Lewis Morgan
    Anna Schimrigk
    Anna Schimrigk
    • Heike
    Jack Laskey
    Jack Laskey
    • Wilkins
    Fionn O'Shea
    Fionn O'Shea
    • Barker
    Kate Phillips
    Kate Phillips
    • Susan
    Martin Compston
    Martin Compston
    • Burnham
    Alexander Skarsgård
    Alexander Skarsgård
    • Stephen Lubert
    Mirco Kuball
    • Soldier
    Rosa Enskat
    • Greta
    Frederick Preston
    • Michael Morgan
    Flora Li Thiemann
    Flora Li Thiemann
    • Freda Lubert
    Monika Foris Kvasnicková
    Monika Foris Kvasnicková
    • German Woman
    • (as Monika Foris)
    Logan Hillier
    Logan Hillier
    • British Captain
    Jannik Schümann
    Jannik Schümann
    • Albert
    Jim High
    Jim High
    • British Soldier
    • Réalisation
      • James Kent
    • Scénario
      • Joe Shrapnel
      • Anna Waterhouse
      • Rhidian Brook
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs167

    6,425K
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    Avis à la une

    5hnapel

    A disappointing movie adaptation for it's inexplicably shortcut plot.

    Since the movie poster with the prominent appearance of my favorite actress Keira Knightley appears on the cover of the freshly re-released novel by the same name I consider it justified to compare the movie adaptation to the book and its notable deviations from the original plot. I read through a fair slice of the book and while I understand a movie adaptation must cut corners for the necessity of brevity it is quite remarkable to cut an entire character out of the plot. Since in the book there's an interesting dynamic developing between Freda (or Frieda), which is the German's daughter and the surviving son of the British couple and that whole plot has been cut from the movie because there's no remaining son! The parents are grieving for the loss of one of their children but would have all the more reason to persist in their faltering marriage if not for the bereft sibling. Another missing character is a woman that the British man hires for army work and with who he also was developing some sort of affair, even if that would not come to fruition it is an important part of understanding why the couple was growing apart: with the woman taking a liking to the German architect and her soldier husband to someone of is staff. Without these key ingredients what is left in the movie is only the one-sided affair of the woman with the German. It's quite incomprehensible that while the movie still has a duration of almost 2 hours there was no time to include these plot elements and it would have given the movie some more depth and have kept the story going on a heightened pace. What's left of the movie is not entirely bad and the main actors are making the most of what they are given to work with, but being familiar with the book left me with a feeling of disappointment.
    7TADKALABS

    BRAVO KEIRA...HATS OFF !!

    Keira knows how to outshine others when it comes to delivering classic, carved out acting without a hitch and she does that with all the panache and finesse and how in this - days of yore world war time saga of romance and despair and compassion in a power packed rendition which not many can. Measured and mature, reflecting the welled up tragic circumstances and carrying the sublime hint of static grief in posture & expression, making the viewer drown slowly into her gaze and dialogue rendition as a natural propensity that emotes from all angles. It grows over you gradually and holds you to a thrall throughout the movie without your knowledge. Stupendous is a mere adjective to describe it.

    The movie starts slowly from a point where the WW2 has just ended and Allied Forces have occupied Germany which is in shambles at the end of war. The story begins at a shattered and in ruins Hamburg in 1945. Keira joins her hubby Jason Clarke (of White House Down & Everest Fame) Who is a Colonel in Brit Army, in charge of rebuilding and deNazifying Germany. They move into a classic German Mansion belonging to a well-off widower Alexander Skarsgard (of Straw Dogs, Legend of Tarzan, Hold The Dark fame) and his daughter which is been selected by the Allied Forces for the Colonel. Keira has lost her son in German bombing over London and Alexander has lost his wife in Allied bombing of Germany so there is enough tragic past on both sides. The movies opens to this background slowly.

    One oddity is the Mansion looks so classy and almost contemporary with British Piano, finely carved wooden work and pretty modern looking seating while nearby it is full of rubble and dust and bombed out exterior which looks little outlandish when you look at the Mansion and war-torn land outside. Well it is a minor aberration though it does register in the mind. The movie picks up pace may be from the 20th minute onwards and then it keeps you engrossed totally in it till the end of its total length of 140 plus minutes of run time. Let me go silent now since saying anything more may be a spoiler. The movie though starts slow, unfolds in a crafty step by step manner and turns its head on you with its at times predictable turns but with more finesse than you expect every time. It's a Keira Show all the way with excellent supporting roles by Clarke & Skarsgard. Clever delivery of halted dialogues are good too since you more or less get the complete line. That's kind of charming.

    Pretty sublime direction by James Kent too who gave us 13th Tale, Margaret & 13th Tale kind of movies. Has managed to extract good performances by the star cast. Effectively mirrors the feelings of mistrust, tension in the air, grief, passion, sub plots within the story & hostility without much ado. The screenplay is tight and neat and well rendered with consummate ease.

    To sum up, The Aftermath is a better movie without a doubt. Keira delivers the punch with more than VFM performance. One can never believe she has Dyslexia at all!!! And the aftermath is a feel good factor which it leaves you with aplenty.
    6Easygoer10

    Good; Coukd Have Been Better

    There are some good performances in this film. Unfortunately, it suffers from a very predictable script.. I knew what people would say before they opened their mouths. Mediocre at best.
    8CineMuseFilms

    a portrait of unresolvable grief

    There are many reasons a beautifully made film like The Aftermath (2019) ends up critically panned. Some describe it as slow, melodramatic, and predictable, but such labels often reflect unfulfilled viewer expectations rather than an ill-conceived or poorly executed film.

    Set in 1946, the plotline is straightforward with few surprises other than its final moments. It opens with British Colonel Lewis Morgan (Jason Clarke) and his wife Rachel (Keira Knightley) arriving in the devasted city of Hamburg to restore law and order, as well as to root out remaining Nazi sympathisers. The thoroughly middle-class Morgans have requisitioned a stately mansion owned by architect Stephan Lubert (Alexander Skarsgárd) and his rebellious daughter Freda (Flora Thiemann). Lewis is a compassionate man who cannot bear to send the Luberts to a squalid refugee camp and invites them to stay in the attic, setting the tension lines that drive the film. When someone remarks that more bombs were dropped on Hamburg in one week than were dropped on London in one year, we enter an inverted moral paradigm where the line between victory and vanquished turns grey.

    The slow start has a purpose. Few films respectfully explore the humiliation of defeat and many viewers would ask 'why should they'? The Aftermath dwells on prolonged moments where the victor strolls in and takes over the home of the vanquished; where a population is deliberately starved to keep them compliant; where a once-proud culture must confront its inner demons. Deep unresolvable grief permeates the city as well as the lives of the Morgans and the Luberts. Both lost loved ones and the times are not sympathetic to healing. In the middle of this swirling emotional vortex, a classic 'Lady Chatterley's Lover' sub-plot becomes the narrative device for rebuilding lives.

    This film stands out in the war-drama genre because of its nuanced portrait of the immediate aftermath of the Allied occupation of Germany. It reeks of period authenticity in ways that only British films can do. The stunning cinematography captures the horror of the immediate post-war period without the usual reliance on the tropes of military casuality and destruction. Knightley and Clarke's performances are outstanding, while Skarsgárd adequately fills the role of a grieving, if over-confident, romantic antagonist. As happens so often, Knightley's commanding presence and extraordinary range of emotional versatility stamps her ownership all over the film.

    If history is only written by winners it will always only be half-true. The Aftermath is an essay about the other half, blending sufficient historical insight into a romantic drama to hold our interest without emotional sledgehammers. There are minor lapses of pace, maybe a narrative digression or two that dilutes momentum; but overall, this is a satisfying film that takes an uncommon view on unexplored cinematic territory.
    8tjandspallan

    Superb acting

    Keira Knightley is simply outstanding in this drama about a woman torn between two men at the end of WW2. Very much in the vein of a Merchant Ivory production; might seem old-fashioned by modern standards, but there is definitely a place for this type of film, which is largely missing from current productions. An enjoyable, moving and beautiful film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The screenwriter, Rhidian Brook, based the story on the real-life experience of his father, who came to stay at a grand house outside of Hamburg after the war. His grandfather, Colonel Walter Brook, was a British officer who led the effort to help Germans in western Hamburg rebuild their city, which had been devastated by Allied bombing raids. Just as in the movie, Col. Brook and his family moved in with the German family, the Ladiges, choosing to live alongside them instead of turning them out of their home. And eventually, the two families became friends.
    • Gaffes
      The flag or pennant of the British officer's Staff car is flown upside down.
    • Citations

      Lewis Morgan: None of this is how it was supposed to be, and yet here we are.

    • Versions alternatives
      For the film's Australian release, the distributor chose to make reductions to stronger sexual detail in two scenes in order to obtain an M classification. The uncut version of the film was later released with an MA15+ classification for a DVD/Video release.
    • Connexions
      Featured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2019 (2020)
    • Bandes originales
      Chattanooga Choo Choo
      Composed by Mack Gordon, Harry Warren

      Arranged by Radim Linhart

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    FAQ

    • How long is The Aftermath?
      Alimenté par Alexa
    • When and Where will this film be shown at the earliest? Is it possible to obtain video in advance, or even some still pictures?

    Détails

    Modifier
    • Date de sortie
      • 1 mai 2019 (France)
    • Pays d’origine
      • Émirats arabes unis
      • États-Unis
      • Allemagne
    • Sites officiels
      • Official Site
      • Stream The Aftermath officially on Disney+ Hotstar Indonesia
    • Langues
      • Anglais
      • Allemand
      • Russe
    • Aussi connu sous le nom de
      • Viviendo con el enemigo
    • Lieux de tournage
      • Prague, République tchèque(Karlovo Namesti)
    • Sociétés de production
      • Amusement Park Films
      • Fox Searchlight Pictures
      • Scott Free Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 618 497 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 56 419 $US
      • 17 mars 2019
    • Montant brut mondial
      • 9 215 591 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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