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I am a fan of superhero movies but this is definitely one of the worst I've ever seen. I had really high hopes for it but it did not deliver. I admit it is visually good with decent cinematography and coloring but the story and the dialog seem to be written for children. There is absolutely no creativity in this film. It is a stereotype of superhero stories. There is too much superhuman stuff going on. You can't feel connected to anyone here. Everyone seems to be on board with everything. You feel like being dragged into a party where you know no one. None of the characters are relatable, or even interesting for that matter. It feels like you are watching the third movie of a trilogy having watched neither of the previous two.

I also believe the movie should be called "Everyone But Superman"! Weirdly, he doesn't appear as the main character. He doesn't have a great fight scene or do the important things. He's just there getting bitten up with a very poorly executed redemption arc.

Also, none of the jokes land. The movie isn't fun. None of the characters are funny, especially not the dog. It really tries to be funny but fails every time. I didn't expect this from James Gunn.

Honestly, this version of Superman feels way too childish and overly comical. The tone is all over the place - cringey one-liners, awkward slapstick, and visuals that look like they belong in a Saturday morning cartoon. Instead of being a bold reimagining, it feels like a step back into campy territory no one really asked for.

David Corenswet, while a decent lookalike, completely fails to capture the commanding presence and charisma that Henry Cavill brought to the role. Cavill had gravitas - a balance of strength, vulnerability, and quiet intensity. Corenswet feels... light. Like he's playing dress-up rather than embodying Earth's greatest protector.

Worse, the theater itself reflected the film's flat tone. The room was dead quiet - barely a chuckle, almost no reaction. It was a sharp contrast to the electric energy I felt during Deadpool vs Wolverine, where the whole crowd was engaged, laughing, reacting. This Superman? It just didn't land.

Compared to Man of Steel, which had emotional depth, stunning visuals, and a powerful score, this version feels hollow. It might please kids or hardcore nostalgia fans, but it's missing soul.

Rating: 6/10 - Looks like Superman, but lacks the heart, presence, and impact. For something truly heroic, revisit Man of Steel.

Let's get one thing out of the way: I'm not a Superman fan. Never have been. It's hard to root for a nigh-invincible alien with the moral compass of a saint. I've always been more of a Batman guy-brooding billionaires with trauma just feel more... grounded. If it weren't for James Gunn at the helm, my excitement for yet another Superman reboot would be close to zero. As a huge fan of his work-from the Guardians of the Galaxy trilogy to The Suicide Squad, Peacemaker, and Creature Commandos-I found myself intrigued. But even then, a question lingered in the back of my mind: Gunn has always excelled with underdogs, outcasts, and oddballs-could he really make the world's most squeaky-clean superhero compelling? The answer? A thunderous, emphatic YES.

With Superman , James Gunn delivers the most emotionally resonant and thematically mature version of this beloved hero to date. The result is a film that dares to reimagine the Last Son of Krypton not as a god among men, but as a man who just happens to be a god. And it works. Beautifully.

Thanks to a nuanced script and David Corenswet's pitch-perfect performance, Superman is-dare I say-relatable. Charming, earnest, even a little naïve, Corenswet captures the essential contradiction at the heart of the character: an alien more human than most of us. He's the best portrayal of Clark Kent since Christopher Reeve. Don't get me wrong, Cavill was good and had the look of Superman, but Corenswet has the soul-the farm-raised, kind-hearted boy who just wants to do what is good.

Gunn smartly skips the well-worn origin story and throws us into the thick of it-an Earth already grappling with the existence of Superman. It's a move that keeps the pacing lean and allows the story to dig deeper into the world around him. And this world feels real. In a classic Gunn fashion, he weaves in sharp, timely commentary on media weaponization, current foreign affairs, and public trust. Superman's challenges are not just physical-they're moral, political, philosophical. And yet, the film never feels like it's lecturing. It just feels-timely, relevant, necessary.

The emotional core is surprisingly affecting. Clark's dynamic with Lois Lane (Rachel Brosnahan, nailing the fierce, no-nonsense reporter) crackles with genuine tension and warmth. They bicker, they banter, they love. It's messy. It's real. Add to that the tender scenes with Clark's parents, and you have a superhero movie that somehow manages to be...intimate. When Superman tears up at a simple word from his stepdad, it hits harder than any CGI explosion.

Tonally, it's classic Gunn-light and fun, with moments that feel ripped straight out of a Saturday morning cartoon. But it's not all laughs. The humor is dialed back, used sparingly and smartly. There's surprising darkness here too-moments of genuine menace and even shocking to say the least.

As for the supporting cast, Nicholas Hoult's Lex Luthor is the best version we've seen on screen-cold, calculating, and utterly despicable. He's not a hammy businessman or a twitchy tech bro. He's evil, and chillingly rational about it. You want to punch him in the face. Repeatedly. That's a win. Rachel Brosnahan's Lois Lane is the definitive version-a relentless truth-seeker with zero time for nonsense. Nathan Fillion's Green Lantern is exactly what you'd expect from a James Gunn regular: a lovable asshole with some truly laugh-out-loud moments (creative use of his ring). Isabela Merced's Hawkgirl brings welcome edge, and Edi Gathegi's Mr. Terrific nearly steals the show with one of the most memorable fight sequences in the film.

It's not a perfect film, though. For all its triumphs, I found myself wanting more-particularly of the Clark and Lois interactions. The film's strongest moments are its quietest ones, and at times, those are sacrificed for screen time spent on less compelling side characters. The pacing is tight, but I would've gladly traded a few action beats for more of those humanizing character moments that made this version of Superman so special. That said, the inclusion of Krypto the Superdog is a delight. Watching a nearly all-powerful being struggle to handle a naughty superdog? Every pet owner can relate.

Still, by the time the credits rolled, I knew one thing: Superman is everything I wanted it to be-and then some. If this film is any indication of the direction James Gunn's DCU is heading, then DC is in very good hands. For the first time, I can honestly say that I want more of DC.

In a time where the world feels more divided, more cynical, and more exhausted than ever, this film reminds us why Superman matters. He's not just about flying fast, lifting buildings, or stopping Kaijus. He's about compassion. About kindness. About doing the right thing not for glory, but because it's the right thing to do. We need that now. We need him now. He made me believe once again that there is hope.

"Superman! Champion of the oppressed. The physical marvel who had sworn to devote his existence to helping those in need."

• Jerry Siegel

James Gunn's Superman (2025) arrives at a turbulent time for DC, aiming to rebuild a fractured universe with a fresh yet familiar take on the Man of Steel. David Corenswet's Superman stands between corrupt business and political powers, becoming a controversial figure as he fights for justice and exposes a deeply rigged system.

The film balances a darker, politically charged story with playful, charismatic performances. Corenswet's bond with Krypto (Murphy Weed) adds emotional warmth, while Rachel Brosnahan's Lois Lane and Nicholas Hoult's Lex Luthor embody the hopeful and sinister sides of this new DC world. Supporting heroes like Mr. Terrific, Guy Gardner, Hawkgirl, Metamorpho, and Jimmy Olsen hint at a larger universe in the making.

The real standout is the craft: Henry Braham's immersive cinematography, a powerful score, and sharp editing with near-invisible VFX create a grand, IMAX-worthy spectacle. It may not offer the seamless mythic weight of earlier Superman films, but it's a thrilling, emotionally charged experience that reminds us why we ever believed in heroes.

It took a while, but I finally got to see James Gunn's Superman. I remember being very interested in the project after the release of Guardians of the Galaxy 3, and how good that film was. A Superman movie with the emotional heart and overall tone of that film would be amazing. The Superman trailers only reinforced my enthusiasm, and having watched the film, I can say most of my expectations were met, but I had hoped for something a little bit better.

On the positives, the character of Superman is handled extremely well. He really is the idea superhero in this movie, and great effort is put on emphasizing his compassion and humanity, two essential traits of the character. Lois Lane is also presented well, as fiery and strong-willed as she should be. The supporting cast, from the Justice Gang to Jimmy Olsen, are all entertaining as well, especially Mr. Terrific.

The biggest problem with this movie is that, simply put, it does too much. Gunn has a lot to set up in his new cinematic universe, and decides to pour far too much of it into this film. The Justice Gang, Metamorpho, and more are all thrown in this film together, and the amount of characters leads to serious bloat. There is a great conflict at the heart of this film between Superman and Luthor's worldviews, but due to how much else is crammed in this film it ends up feeling underdeveloped.

Speaking of Luthor, he's the second problem of this film. Of all the characters in the film, he suffers from underdevelopment the most (next in line is definitely Lois). He needed to be more fleshed out in my opinion, and lacked a little bit of menace compared to other interpretations (still way better than BvS Luthor, though).

Overall, Superman sometimes buckles under the weight of its expansive world building, but still does justice to its title character and hopefully will fix some of its mistakes in the sequel.

Finally feels like DC live action movies are in good hands. I really really hope Gunn maintains at least this level of quality throughout the series. I'm a bit nervous about the idea of a Clayface solo film, but I'll have faith. Literally the only thing I don't like about this movie is the creepy AI looking baby. Honestly the whole pocket universe bit was a little messy. And the planet crew were a little underdeveloped in a way that only one more scene could have fixed. But that may also have ruined pacing so idk. But I love Ma and Pa, I love Clark, I like Crypto, I like Metamorpho, I love Terrific, I love Lex, I love love love how often we see Superman save people and animals, I love the giant monster fight, I like the Fortress of Solitude, I am okay with Ultraman, like the Engineer, love the Justice Gang, love love the punk rock conversation, love the ending montage and music, love the boy and his dog on the moon end credit scene, love superman's cheesy "golly gee" dialogue. Overall one of the best superhero movies: not as good as Incredibles, but better than Iron Man 1.

I felt like I joined the movie half way through at the start. The muddle of characters rapidly became overwhelming and there never felt like there was a plot. The guardians of the galaxy style just didn't work as well on supes..

This felt like a comedy first and superhero second. Too much needless changes from the source material as well just made me feel like yet another DC reboot or remake is too little too late.

A reasonable attempt but falls short of being good.

A movie I had been waiting for a long time!!! As a Superman fan since Smallville, James Gunn's choice to portray Superman as the good, heroic man he truly is, simply perfect.

Bringing Superman back as a symbol of hope and faith in humanity-while tying his story to sharp critiques of today's geopolitical climate-made Superman the best superhero film of 2025 and one of DC's best, second only to Christopher Nolan's Batman trilogy.

I loved Henry Cavill's Superman, especially Zack Snyder's Justice League. I was one of the people who were REALLY sad when Henry wasn't returning as Superman and they decided to start fresh with a different movie. But this movie was actually good.

I enjoyed the whole thing. I even liked this version of Lois Lane. David is actually what I always imagined Superman would be. Kinder and warmer. Henry's felt godlike, while David's has more of a human heart.

The movie feels like a refreshing take on Superman. I can't wait for the next ones. I'm still sad they rebooted the DCEU, but I'm hoping they do a better job this time with connecting each DC movie the way Marvel did. David, take the wheel.

Repetitive storyline: What do they want from lex luther? The story's exhausted at this point and been done over & over before! There's nothing new and i can't even call it a reboot what a waste of time, expense and energy wow!

Personally like the henry Cavill version better! At least the dark vibe takes the movie out of the childish-political propaganda zone!

Superman 2025: 5.8 Man of Steel 2013: 6.5.

A start that doesn't fully capture interest places 'superman' on uneven ground. Some scenes suffer from staging and pacing issues, preventing the narrative from flowing naturally. However, the chemistry between david corenswet and rachel brosnahan works surprisingly well; their interaction brings life to an otherwise muted opening.

Visually, the film has clear strengths: the effects are striking, and the shots, carefully framed, show a style that is appreciated. However, the overly desaturated color grading saps energy and makes much of the footage feel less vibrant than it could be, although in turn, it aligns with the film's overall tone. The art direction and cinematography attempt to compensate with interesting compositions, but they don't always succeed.

Performances are uneven. David corenswet gives a solid sense of his role, creating a believable superhero within his universe, while rachel brosnahan provides a strong female counterpart. On the other hand, maría gabriela de faría feels completely forced, with a performance that clashes notably with the rest of the cast, which remains solid and functional and it's one of the worst performances i've ever seen. Nicholas hault stands out as one of the highlights, bringing presence and consistency to the screen.

Music is another major success. Every scene benefits from the soundtrack, which reinforces tension, emotion, and the epic scope of key moments. Cgi, however, shows inconsistencies: some visual sequences lack realism and polish, reducing immersion in certain passages.

In terms of narrative and script, the film maintains the classic superhero structure: the hero faces seemingly impossible challenges and overcomes adversaries in almost superhuman ways. While this may feel repetitive to seasoned viewers, the film still delivers quality entertainment and engaging moments of tension.

In conclusion, superman doesn't reach perfection nor surpass the seminal 1978 film, but it stands as one of the best recent superhero entries starring super-man. Its combination of acting chemistry, visual strengths, and effective music makes it recommendable despite its flaws, especially in the original subtitled version, where its full potential can be appreciated. James gunn demonstrates narrative and visual control superior to many of his peers in this type of blockbuster.

Let me say this up front: I'm not a fan of Superman as a superhero, but I do enjoy James Gunn's work (especially his «GUARDIANS OF THE GALAXY» trilogy, which I absolutely love), so I was genuinely curious and looking forward to his new film about the Man of Steel.

Unfortunately, this time James Gunn left me disappointed. The biggest issue is the script. For some reason, the director chose to throw the audience straight into the middle of the action, with almost no background or introduction for the main character. Some might argue that Superman's origin story is no longer necessary, but in my view, it's absolutely essential for a full-fledged reboot. This is David Corenswet's first appearance as Clark Kent, and the film clearly lacks at least 30 minutes of emotional buildup to help us connect with him. Without that foundation, it's hard to truly care about his character.

The same goes for the rest of the cast. Lex Luthor lacks a clear motivation: he wants to destroy Superman right from the start, but there's no deeper reasoning behind it. Clark's relationship with his adoptive parents is barely shown - they appear only in a few short scenes. His connection with Lois Lane also feels shallow. There's no real chemistry between them, and their relationship seems to develop entirely off-screen. As a result, it feels more like we're watching the second installment in a franchise rather than the first.

Another serious flaw is the overload of secondary heroes. The audience is thrown into a new world packed with characters: Green Lantern, Mister Terrific, Hawkgirl, Metamorpho, The Engineer, Ultraman - all of whom show up, but almost none receive meaningful screen time (Mister Terrific is arguably the most developed). They're hard to remember, let alone care about. For the average viewer unfamiliar with the DC Universe, it's genuinely overwhelming. «BATMAN V SUPERMAN» was heavily criticized for a similarly chaotic structure, yet despite sharing the same flaws, Gunn's latest film is somehow receiving mostly positive reviews. I just don't get it.

So, for the first film in the rebooted DC Universe (DCU), I expected a more coherent, emotionally rich, and self-contained story. For many viewers - especially newcomers - this movie might feel chaotic and overcrowded. And, in essence, that's exactly how it is. In just two hours of runtime, Gunn packed in so much that it could have easily been stretched out into an entire season of a TV series.

6/10

P. S. I'm not a Zack Snyder fan, even though I'm aware of his massive fanbase. Personally, I see him as a strong visionary but a weak writer and director. Still, I have to be honest: his «MAN OF STEEL» left a far deeper impression on me than James Gunn's new «SUPERMAN». As disappointing as that is - especially given how much I admire Gunn's previous work - I have to speak frankly about how I feel.

The new Superman movie is a genuinely feel-good experience that took me right back to my childhood and the comic books I grew up loving. It captures the classic charm of Superman while adding fresh energy to the story. The characters are well-portrayed, the action is exciting without feeling overwhelming, and the overall tone is uplifting and nostalgic. If you're a comic book fan or simply enjoy heroic stories with heart, I definitely recommend watching it.

This doesn't "feel" like a Superman movie to me. Tonnes of CGI, loads of characters, little character depth or story and seems to jump from action scene to action scene. CGI is also rank average in places.

Not the inspiring start to a new DC Universe I was hoping for but that isn't surprising given James Gunns history with Suicide Squad and GOTG.

Just plain silly. I have loved all of the Superman movies beginning with the 1978 Christopher Reeve classic, and including the 2006 Brandon Routh "Superman Returns." Henry Cavill's Superman movies were enjoyable even "Batman vs Superman" and "Justice League." This latest effort is a hot mess. Too many comic characters, too much disjointed stuff happening in the first half hour and too much explaining what everyone is about to do and why they are doing it. Watching Superman get beat up every 10 minutes was a bit much. I only watched it all the way to the end in the hopes it would get better. It didn't.

If boredom had a cape and could fly, it would be this movie. Superman: Legacy manages to do the impossible: make the Man of Steel feel like a soggy paper towel.

Let's start with the plot-if we can even call it that. It's less of a storyline and more of a loosely taped collage of clichés, half-baked ideas, and scenes clearly written during a lunch break. We're introduced to a Superman who has all the charisma of a DMV employee and the emotional range of a brick.

The villain? An AI-generated placeholder with all the menace of a wet sock. The stakes? About as high as deciding between decaf or regular. And don't even get me started on the forced "emotional" moments, which had all the subtlety of a freight train and none of the impact.

The dialogue is painfully robotic, as if the characters are reading fortune cookies to each other while pretending it's Shakespeare. Clark Kent spends half the movie brooding like a sad influencer who lost his Wi-Fi, and the other half giving awkward pep talks that somehow manage to be both boring and unintentionally hilarious.

Visually, the CGI would've looked impressive back in 2006. But in 2025? Watching Superman fly looked more like someone struggling with a green screen TikTok filter.

And finally, the pacing: glacial. Entire civilizations have risen and fallen in the time it takes this movie to move from one dull scene to the next.

In summary, Superman: Legacy is less a cinematic experience and more a two-hour exercise in wondering what went wrong. If you're a fan of Superman, avoid this one to preserve your sanity-and your childhood.