[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
IMDbPro

Black Code

  • 2016
  • 1h 30min
NOTE IMDb
6,0/10
219
MA NOTE
Black Code (2016)
Trailer for Black Code
Lire trailer2:11
3 Videos
4 photos
ActionCriminalitéDrameDocumentaire

Ajouter une intrigue dans votre langueA look at the global impact the internet has on free speech, privacy and activism.A look at the global impact the internet has on free speech, privacy and activism.A look at the global impact the internet has on free speech, privacy and activism.

  • Réalisation
    • Nicholas de Pencier
  • Casting principal
    • Ron Deibert
    • Felipe Altenfeldor
    • Wjd Dhnie
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    219
    MA NOTE
    • Réalisation
      • Nicholas de Pencier
    • Casting principal
      • Ron Deibert
      • Felipe Altenfeldor
      • Wjd Dhnie
    • 2avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos3

    Black Code
    Trailer 2:11
    Black Code
    Black Code
    Clip 2:55
    Black Code
    Black Code
    Clip 2:55
    Black Code
    Black Code
    Clip 1:30
    Black Code

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux11

    Modifier
    Ron Deibert
    Ron Deibert
    • Self
    Felipe Altenfeldor
    Wjd Dhnie
    Golog Jigme
    • Self…
    Jon Karlung
    Tadesse Kersmo
    • Self
    Sabeen Mahmud
    • Self
    • (images d'archives)
    • …
    Felipe Pecanha
    Edward Snowden
    Edward Snowden
    • Self
    Kanyag Tsering
    • Self…
    Charlotte Xia
    • CS Patient
    • Réalisation
      • Nicholas de Pencier
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs2

    6,0219
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8JvH48

    Technically nothing new for me, but I'm biased as IT security consultant, for many years interested in related subjects, partly professionally and partly personal interests

    Saw this at the Movies That Matter film festival 2017 in The Hague. The primary topic of this movie is that surveillance can be used for good and bad purposes. An important example shown in this movie was indeed thought provoking. Images shot by the crowd were collected and used against the police, who at first indicted Bruno for having thrown a Molotov cocktail to a policeman. In retrospect, the actual offender proved to be an undercover policeman, who was tasked to demonstrate that the riots were serious and that the police should catch the perpetrator no matter what. We see this often, being a common tactic to provoke a forceful reaction from military or police, and to justify any means to achieve that goal. This time, luckily, the officials were forced to backpedal. Only one day later, when confronted with undeniable evidence, the police changed their position and released Bruno from prison, and the news media followed suit. We know the term crowd sourcing for raising money, and the above example showed that we can invent the term sub-veillance for this purpose, as the people's variant of sur-veillance, indeed a thought-provoking concept.

    Strictly speaking, there is nothing very novel or revolutionary about it, given TV-programs like America's Most Wanted, Crimewatch UK, or the likes we see in many other countries. Common theme is that the viewer's assistance is solicited for an ongoing police investigation. Yet, the topic of this movie is something else. Said programs usually are on the lookout for tips after official investigations went dead. But sub-vaillance has other goals than helping the authorities, it differs 180 degrees from aforementioned TV-programs. It looks for yet unknown pictures and images with a heavy impact on public opinion when shown, though typically not in favor of the police or authorities in general.

    The second main topic of this movie is that surveillance is commonly used by two very different parties. Firstly, we see it in the form used by commercial companies, who process personal data for their own corporate goals, like showing tailored adverts, or showing products you may be interested to buy, or collecting statistics about visitors. Secondly, we see it actively used by government and law enforcement to control people, to prevent crime and related matters, goals everyone deems important, no matter the side effects. Both use cases can work in our advantage or against it, but mostly a confusing mixture.

    The final Q&A after the screening brought a very relevant question forward from the audience, whether the companies selling hacking tools are to be considered criminal organizations and thus deserve to be prosecuted. There was a recent discussion about this in Dutch parliament, with an outcome that was not exactly the one we were hoping for. On one hand, official policy is to get zero-day vulnerabilities fixed because eliminating these problems makes the internet safer overall. On the other hand, the police can add these to their toolbox and are thus not prepared to stop using these, nor are they willing to be open about their use. The latter was demonstrated in recent court cases about the covert usage by law enforcement of so-called IMSI catchers, aka Stingray. These devices masquerade as cell towers and trick mobile phones into making a connection, thereby facilitating the interception of private phone data. There is much secrecy about it being used, and the outcome is still unsure. In said court cases, the police were not mentioning the tools used to obtain evidence in fear of being declared invalid material for the prosecution, and thus dismissed from the court case, maybe even leading to a mistrial or a lesser sentence.

    All in all, this movie presents interesting material and thus discusses interesting issues, that should interest everyone. It is important for daily users of the seducing information and social interaction tools on their computers and smartphones. And that "everyone" also includes politicians, who expect (too) much of the technical tools offered to law enforcement and governmental institutions. These politicians and are only prepared to consider the negative side effects when a scandal appears in the news media.

    Vous aimerez aussi

    All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone
    7,3
    All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone
    Les Reines de la nuit
    7,3
    Les Reines de la nuit
    Citizen Jane: Battle for the City
    7,1
    Citizen Jane: Battle for the City
    Forever Pure
    7,4
    Forever Pure
    Chasing Trane: The John Coltrane Documentary
    7,3
    Chasing Trane: The John Coltrane Documentary
    Abacus: Small Enough to Jail
    7,1
    Abacus: Small Enough to Jail
    Bezness as Usual
    7,9
    Bezness as Usual
    An Insignificant Man
    8,5
    An Insignificant Man
    Amanda Knox
    6,9
    Amanda Knox
    Gaza Surf Club
    7,2
    Gaza Surf Club
    Code Black
    7,3
    Code Black
    Giants of Africa
    7,7
    Giants of Africa

    Histoire

    Modifier

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 13 septembre 2016 (Canada)
    • Pays d’origine
      • Canada
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Kod czarny
    • Lieux de tournage
      • Toronto, Ontario, Canada
    • Société de production
      • Mercury Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.