D'après une histoire vraie
- 2017
- Tous publics
- 1h 40min
NOTE IMDb
5,7/10
7,7 k
MA NOTE
Une écrivaine traverse une période difficile après la publication de son dernier livre et décide de s'impliquer avec un de ses admirateurs obsessif.Une écrivaine traverse une période difficile après la publication de son dernier livre et décide de s'impliquer avec un de ses admirateurs obsessif.Une écrivaine traverse une période difficile après la publication de son dernier livre et décide de s'impliquer avec un de ses admirateurs obsessif.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Valérie de Monza
- Femme Salon du livre
- (as Valérie Schiatti de Monza)
Avis à la une
Everything in movie was predictable, except one moment - which happened to be - unfinished in dead end street.
- Scenario is lacking the deeper dialogs - because everything seems rushed - and shallow.
- Then suddenly - the story began to look like the "Misery" - with locked hardly movable Delphine, with her injured leg - completely depend - of her younger "new friend" - in village house - with no people around - The "Misery" crawl out completely when Delphine ended up in bed, poisoned, and helpless, refused to surrender to her bully.
- So the movie was not so original, and Misery was far better in creating story tense.
- Actually the Misery part, should be the best one, but it came on 3/4 of the movie, probably seeing by Polanski as "peak" in story telling but it was to fast out - and leaved flat, leading imediately to end of the movie.
- It's kind of shame - because the story could be less predictable, and be better filmed and screenplayed.
- Scenario is lacking the deeper dialogs - because everything seems rushed - and shallow.
- Then suddenly - the story began to look like the "Misery" - with locked hardly movable Delphine, with her injured leg - completely depend - of her younger "new friend" - in village house - with no people around - The "Misery" crawl out completely when Delphine ended up in bed, poisoned, and helpless, refused to surrender to her bully.
- So the movie was not so original, and Misery was far better in creating story tense.
- Actually the Misery part, should be the best one, but it came on 3/4 of the movie, probably seeing by Polanski as "peak" in story telling but it was to fast out - and leaved flat, leading imediately to end of the movie.
- It's kind of shame - because the story could be less predictable, and be better filmed and screenplayed.
Writers block ... different edition. But again one, that you may have seen before or even if not, the mood of the movie seems to give away where this is heading. At least generally. If it were all smooth sailing, you wouldn't have a real movie. You need conflict in there, you need something that grips you and the characters in the movie.
Hopefully the right way and the suspension must work too. In this case there are cliches and you may shake your head on how gullyble the main character seems to be. You may very well be annoyed by her behaviour. If that is the case, you may not really enjoy what is coming. But there are things to discover and it still works as mystery thriller. It may not be Polanskis best (or anyone elses), but it's more than decent
Hopefully the right way and the suspension must work too. In this case there are cliches and you may shake your head on how gullyble the main character seems to be. You may very well be annoyed by her behaviour. If that is the case, you may not really enjoy what is coming. But there are things to discover and it still works as mystery thriller. It may not be Polanskis best (or anyone elses), but it's more than decent
Directing: 7
/Acting: 7
/Story: 7
/Production values: 7
/Suspence - Thriller level: 7
/Action: 0
/Mystery - unknown: 7
/Romance level: 3
/Comedy elements: 0
Roman Polanski's one of the best movies. Thrilling 1.5 hrs approx. Eva Green was stunning. Seigner showed her aged beauty and experimented a new role for her. Thus duo was out of the box and in a word- Fabulous!!
Although i am an admirer of both the main actress and the director, this movie was extremely underwhelming for me. It's a psychological thriller/drama of sorts, yet there is no sense of urgency to it and the story is somewhat uninvolving, as no particular emotional connection with the characters is established. We never see what exactly is so bewitching about the character of Delphine - she's a bipolar flat line for most of the movie. The plotting is scattershot and somewhat random; the scenery and the cinematography are typical of a French movie of this kind, although a little too much grey/colorless; the performances are nothing special.
Even if one embraces a metaphorical/hallucinatory reading of the film - for which there are many great arguments - it doesn't make it much more interesting.
A basket full of missed opportunities; wouldn't recommend.
Even if one embraces a metaphorical/hallucinatory reading of the film - for which there are many great arguments - it doesn't make it much more interesting.
A basket full of missed opportunities; wouldn't recommend.
Le saviez-vous
- GaffesWhen Delphine uses her phone to record notes the time displayed on the lock-screen is 16:41, in the next shot of the phone the time is 10:11.
- Bandes originalesHit and Run - Original Mix
Written and performed by Stéphane Deschezeaux
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- How long is Based on a True Story?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Based on a True Story
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 990 000 € (estimé)
- Montant brut mondial
- 4 005 807 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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