My Sailor, My Love

This is another interesting Finn-Irish film. English dialogue. It is set on Achill island on the west of Ireland and the scenery captured by the cinematography is one of the stars. The story is a tad manipulative and predictable with a quickly malleable, reclusive curmudgeon, Howard (James Cosmo) having a housekeeper, Annie (Brid Brennan) thrust upon him. There is some dysfunction and 'history' in the family and all is not plain sailing. However, the movie is lifted by excellent acting and direction and as a family drama it is better than many around. There is some complexity and pain, leavened by the developing affection of the protagonists. Some discomfort, some uplifting and affecting moments. Definitely worth a trip to the pictures.

My Sailor, My Love is a movie that revolves around an autumnal romance intertwined with familial issues. Howard (James Cosmo) is a retired sailor and widower who resides in a seaside house. Howard's daughter, Grace (Catherine Walker), hires a mature female carer named Annie (Brid Brennan). As Howard and Annie develop a romantic relationship, Grace is gradually excluded, and the complexities that arise become the movie's central focus.

The movie starts lightheartedly but gradually transitions toward an increasingly thorny tone, depicting flawed and complex characters portrayed by a cast of senior actors. The performances by the actors are strong, and the dialogue is sharp realistic, and reveals the characters' emotions and motivations. Although some lines are overly dramatic, the story's contemplative nature and slow pace suit the movie's overall tone. The cinematography captures the beauty of the Irish setting, which adds to the movie's appeal.

If you enjoy slow-paced dramas with senior actors and are interested in exploring familial issues and romance, My Sailor, My Love is worth a watch.

When a retired, curmudgeonly, self-centered Irish sea captain has trouble caring for himself, his overprotective, controlling daughter hires a new housekeeper to tend to his needs, a move the fiercely independent protagonist initially resents. However, before long, the once-tentative relationship blossoms into something more substantial, a move the skipper's daughter questions and grows to resent. So how will this fundamental dilemma be resolved? That's the central question raised in director Klaus Härö's latest effort, a well-crafted, if occasionally predictable, romantic drama reminiscent of the similarly themed "Nobody Has to Know" (2021). Set against the sweeping Irish seacoast, this beautifully photographed backdrop provides the perfect stage for this heartfelt saga, one that verges on a tearjerker at times but never slides into a sappy, melodramatic, manipulative hanky fest. In large part this is due to the restrained but powerful performances of James Cosmo and Brid Brennan, who keep their characters real without becoming sentimental, histrionic caricatures. Add to this a finely polished soundtrack, and you've got a quality cinematic offering that deserves a look for a variety of reasons.

Filmed and set in Ireland, James Cosmo, in his 70s, is Howard, former sailor and now retired to his remote home. His wife, who suffered from depression, died years earlier. He lives alone and his 40-something daughter, a nurse, checks on him periodically. He doesn't seem to welcome her visits and his home is a total mess.

So the daughter hires help, a local lady to come in two days a week. She is played by 60-something Brid Brennan as Annie. At first Howard makes it clear that he'd rather her not come, but eventually he softens up when he realizes she is good company.

The adult daughter is played by Catherine Walker as Grace. She too is having personal issues and she and her husband don't always have time to communicate properly.

As the story develops we see that there are some deep family issues, plus some issues Howard is having that he fails to share. It is all plausible, elderly parents and their adult children can have difficulty with issues that represent a wedge. In fact I have five adult children and there are wedges.

My wife and I watched it at home, streaming on Amazon Prime. Not a happy or uplifting movie but suitably interesting. The acting and cinematography are excellent.

James Cosmo is quite good here in one of his few leading roles. He is "Howard", a curmudgeonly old gent who lives alone - washing his smalls in the kitchen sink and caring little about anything but his crossword puzzle. His daughter "Grace" (Catherine Walker) is at the end of her tether, so she employs local lady "Annie" (Brid Brennan) to do a bit of housekeeping for him. He is not at all keen on this arrangement; indeed is so rude as to have her walk out on him, but a few of her more homely touches make him begin to realise that the pit into which his life has slid is perhaps not the only solution. Pretty quickly the two are getting on like an house on fire and gradually this causes a degree of chagrin for the daughter who sees her own role in his life beginning to become less crucial - as she, herself, is watching her own marriage disintegrate. Can they all find a way to make things work? It's a gentle romance this film, with some enjoyable and poignant performances from the three principals that highlights how people cope with grief, loneliness and opportunity. Director Klaus Härö allows the talent to deliver a considered series of portrayals that marry the happy and the sad in a plausible fashion. I can't say I loved the ending. Though perfectly realistic, it seemed a little unnecessary to me - but you be the judge. It doesn't need a cinema screen, but is well worth watching the loads of experience at character acting ooze from Brennan and Cosmo.